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IMDbPro

O Jogador

Título original: The Player
  • 1992
  • 16
  • 2 h 4 min
AVALIAÇÃO DA IMDb
7,5/10
69 mil
SUA AVALIAÇÃO
POPULARIDADE
2.958
809
Tim Robbins in O Jogador (1992)
Trailer
Reproduzir trailer0:32
2 vídeos
99+ fotos
CaperDark ComedyFarceSatireShowbiz DramaWorkplace DramaComedyCrimeDramaThriller

Um executivo de um estúdio de Hollywood recebe ameaças de morte de um escritor que ele rejeitou, mas qual?Um executivo de um estúdio de Hollywood recebe ameaças de morte de um escritor que ele rejeitou, mas qual?Um executivo de um estúdio de Hollywood recebe ameaças de morte de um escritor que ele rejeitou, mas qual?

  • Direção
    • Robert Altman
  • Roteirista
    • Michael Tolkin
  • Artistas
    • Tim Robbins
    • Greta Scacchi
    • Fred Ward
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    69 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    2.958
    809
    • Direção
      • Robert Altman
    • Roteirista
      • Michael Tolkin
    • Artistas
      • Tim Robbins
      • Greta Scacchi
      • Fred Ward
    • 219Avaliações de usuários
    • 70Avaliações da crítica
    • 86Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 3 Oscars
      • 24 vitórias e 33 indicações no total

    Vídeos2

    The Player
    Trailer 0:32
    The Player
    IMDbrief: 'Outlaw King' & Most Epic Tracking Shots in Film History
    Clip 3:59
    IMDbrief: 'Outlaw King' & Most Epic Tracking Shots in Film History
    IMDbrief: 'Outlaw King' & Most Epic Tracking Shots in Film History
    Clip 3:59
    IMDbrief: 'Outlaw King' & Most Epic Tracking Shots in Film History

    Fotos178

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    Elenco principal99+

    Editar
    Tim Robbins
    Tim Robbins
    • Griffin Mill
    Greta Scacchi
    Greta Scacchi
    • June Gudmundsdottir
    Fred Ward
    Fred Ward
    • Walter Stuckel
    Whoopi Goldberg
    Whoopi Goldberg
    • Detective Avery
    Peter Gallagher
    Peter Gallagher
    • Larry Levy
    Brion James
    Brion James
    • Joel Levison
    Cynthia Stevenson
    Cynthia Stevenson
    • Bonnie Sherow
    Vincent D'Onofrio
    Vincent D'Onofrio
    • David Kahane
    Dean Stockwell
    Dean Stockwell
    • Andy Civella
    Richard E. Grant
    Richard E. Grant
    • Tom Oakley
    Sydney Pollack
    Sydney Pollack
    • Dick Mellen
    Lyle Lovett
    Lyle Lovett
    • Detective DeLongpre
    Dina Merrill
    Dina Merrill
    • Celia
    Angela Hall
    Angela Hall
    • Jan
    Leah Ayres
    Leah Ayres
    • Sandy
    Paul Hewitt
    Paul Hewitt
    • Jimmy Chase
    Randall Batinkoff
    Randall Batinkoff
    • Reg Goldman
    Jeremy Piven
    Jeremy Piven
    • Steve Reeves
    • Direção
      • Robert Altman
    • Roteirista
      • Michael Tolkin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários219

    7,569.3K
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    Avaliações em destaque

    8AlsExGal

    Very funny and very cynical

    Griffin Mill (Tim Robbins) is a studio executive who listens to about fifty thousand pitches for films a year, but can only green light twelve, and even then he doesn't get the final say on whether or not a movie gets made. So not being a nice guy to begin with, he figures he's probably made enemies of quite a few people who never got past the gate that he keeps. Then he starts getting threatening letters on his windshield, delivered at the studio, etc. From a writer angry that he said he'd call him about his idea and never did. Mill decides that the angry writer must be David Kahane, and so one night he goes to a movie theater where Kahane is watching "Bicycle Thieves", they talk, then they go get drinks at a restaurant, but then Kahane starts angrily mocking him on the way to their cars and Mill beats him to death in a fit of rage. Stunned at what he did, Mill tries to make it look like a robbery and then leaves.

    But this is not a noir - Mill doesn't panic or lie. When the police question him he admits that he met Kahane, admits their relationship, admits everything except the murder. The police suspect him from the start but he doesn't let their harassment get to him. On top of that the harassing letters continue - he killed the wrong writer.

    I thought this film was hilarious. It is just so other-worldly with people having very odd reactions, almost like a David Lynch film, so that at times I think Mill is just daydreaming. But, no, these people really did say or do these weird things. And then there are all of the celebrities who are sometimes playing themselves and sometimes are playing a character in the film. And if you want to know why Lyle Lovitt of all people is playing a cop here you have to see the hilarious final scene. Basically the moral of this movie is, in the words of "Crimes and Misdemeanors" - " if you want a happy ending, you should see a Hollywood movie."
    9Spider-52

    Excellent Hollywood satire that succeeds in every way.

    For anyone who loves movies, "The Player" is a treat.

    To start, the screenplay is first-rate. The plot that holds the entire film together is superbly crafted; very few films leave you guessing right to the end as this one does. The finer details also shine through, such as the sales pitch scenes, which are inarguably classic (i.e. "The Graduate II").

    I loved the attention to detail in "The Player". One can find a new detail every time one watches the film. For example, the opening sequence is a very long, continuous shot during which characters are discussing Hitchcock's "Rope", which appears to be a movie filmed all in one continuous shot. The sheer number of cameos in "The Player" makes it difficult to list all of them, so I won't even try.

    "The Player" is one film that sets out to skewer Hollywood and actually succeeds. One only has to view the Bruce Willis/Julia Roberts sequence in order to understand this. My hat goes off to Robert Altman for making another excellent film.
    8Pedro_H

    The best anti-Hollywood film ever made by Hollywood

    Griffin Mill is a young hotshot producer who everyone bows and scrapes to because he has the powers to get a movie made. However he starts getting bugged by a dissatisfied writer which leads to all kinds of deadly intrigue.

    Just when I thought Altman had gone totally off-the-boil he suddenly jumps back with his most perfectly realised film. While hardly unapplauded on its release (and in short retrospect) this is a movie that will be regarded by future generations as a classic. It is so smart, sassy, funny and has a beginning, a middle and an end. The kind of tragicomedy that gets the best of both worlds.

    Robbins is perfect as the lead. He doesn't do much or emote much. As Robert De Niro once said "most people don't show their emotions, they hide them." Occasionally we get behind the shield of human indifference, but only occasionally. We don't like him much - nor should we - but he is not so bad that we can't bare him. Indeed he is merely someone whose selfish world gets out of control. Whoopie Goldberg makes the most of her unlikely casting too.

    The appearance of stars in guest parts adds a bit of icing, but that is all. I loved Altman's directions to the stars who had to play walk-ons (who else could have got that?) "remember, you are responsible for who you are on screen. You are playing yourselves!"

    The sexy Scacchi plays the love interest with great skill. While just a muse she is a far better actress than most and this shows in her short screen time. Shame she hasn't more involvement in the main plot.

    Like breaking a car down in to its competent parts, taking The Player apart only leaves an ugly mess of oil and metal. Together it drives a tight little film that has insight, drama and comedy. I would hesitate to call this a masterpiece, but it is a mini-masterpiece that however farfetched never reaches the point of being totally unbelievable.

    The pay off at the end is one of the best belly-laughs any film buff could ever get. I doubt I will see a better film about modern day Hollywood in my lifetime. Like Pulp Fiction, a film that is as enjoyable the second time of viewing as the first.
    9mstomaso

    Insidiously clever dark comedy

    Robert Altman gets under my skin. His films are worthy of great respect, yet they are frequently as irritating as they are brilliant. The Player is, as much as Short Cuts, a quintessential Altman film. It is also one of the best roles Tim Robbins has ever enjoyed.

    This film is about Hollywood's dark underbelly. The Player eviscerates its subject by twisting justice, political gamesmanship and artistic integrity into new configurations. For non-film-buffs or non-professionals some of the humor may seem too subtle to notice. To film buffs and insiders, the humor is totally over the top.

    Robbins plays a young studio exec who is playing the game to win and seems, at least part of the time, to have a conscience. Everything is going along fine for him until he starts receiving threatening calls and letters from a writer whose screenplays he has rejected, and an arch-rival is promoted to a position just above his own. Paranoia and real danger seem in the periphery of every scene in his life, as the make-believe of his industry and the reality of his life begin to blend freely.

    Robbins makes a character who could easily have been totally unlikeable somehow sympathetic. Despite his amazing performance, liking the character makes you feel as if you should go stand in a shower and exfoliate for an hour or so. He is supported by excellent supporting work all around. Especially good are the two major women's roles - played by Greta Scachi and Bonnie Sherrow, and veteran camp character Dean Stockwell.

    The photography is liberally and amusingly lifted from several classic thrillers, mysteries and dramas, and comes off fresh and original - not at all like a DePalmaesque bit of visual plagiarism. And the pace is brisk.

    The Player is probably my favorite Altman film, and it is easily my favorite Tim Robbins film. It's entertaining, intelligent and, well, it has a bad attitude. See it some night when you're angry and you need a good dark laugh.
    8imseeg

    Slowburning, yet suspensful and funny portrait of all the insiders dirt about Hollywood.

    "The Player" is bigger than the sum total of it's ingredients, because this Robert Altman classic has got so many links pointing to movie history that it is dizzying. It is all about Hollywood and the ins and outs of the movie industry. But let me first focus on the story for now, for those who just wanna see a suspenseful who dunnit story.

    "The Player" is a slowburning, yet suspenseful detective story, with funny breathers scattered throughout. Whoopi Goldberg swinging her tampon is one of those hilarious scenes that lights up the seriousness of this detective story about the death threats. It's a who dunnit, with some jokes and with lots of parodies on the inside world of Hollywood. Lots and I really mean lots and lots of actors play themselves in this movie. Everybody wanted to be part of this movie that could be described as "a chainsaw cutting down Hollywood's image"

    What's the story about? Tim Robbins plays a hollywood producer elbowing his way to the top. This selfish movie producer will do anything to gain more succes in the superficial world of Hollywood and he is hated by many writers and actors, who were ridiculed or rejected by him. This obnoxious movie producer starts getting death threats mailed to him by postcards. The death threats get more serious every week and Tim Robbins gets desperate to find out which psychotic writer is sending these threats.

    "The Player" at first depicts the search for this mysterious person who is sending these evil death threats, but later on the movie takes a dramatic turn which I wont reveal here to avoid spoilers. As I said before, it is a slowburning story, yet slowly climaxing into a very suspenseful ending. Over 2 hours long. But I enjoyed every minute of it and I must have seen it over 10 times by now.

    Acting is not particularly great, yet rather funny, in a more amusing satirical way. It is especially funny to see all those well known actors (in the nineties) walk by in this movie playing themselves. That is just eye candy. Julia Roberts, Bruce Willis among others in cameo roles, hilarous stuff!

    This direction by Robert Altman is to be highly complimented for many things. Movie geeks would have a field day analyzing this satire on Hollywood. Read all the other reviews, people just have a field day here on imdb analyzing this Hollywood satire. Director Robert Altman made a very suspenseful yet funny detective story that has stood the test of time. More than 20 years later this movie is still a thrill and joy to watch...

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The celebrity cameos were not written in the script. Robert Altman added them all in. No scripted dialogue was given to any celebrity with a cameo.
    • Erros de gravação
      When Mill reads the newspaper story about the murder, a closeup of article reveals that it is just the same few paragraphs printed over and over.
    • Citações

      Griffin Mill: It lacked certain elements that we need to market a film successfully.

      June: What elements?

      Griffin Mill: Suspense, laughter, violence. Hope, heart, nudity, sex. Happy endings. Mainly happy endings.

      June: What about reality?

    • Cenas durante ou pós-créditos
      Tim Robbins, Fred Ward and Cynthia Stevenson all enter the film when their names appear in the opening credits.
    • Versões alternativas
      In the theatrical version there was a frontal nude scene of Tim Robbins at the hotel in the desert. This scene was removed for the cable version.
    • Conexões
      Featured in Siskel & Ebert & the Movies: Straight Talk/Rock-a-Doodle/Thunderheart/Beethoven/Raise the Red Lantern (1992)
    • Trilhas sonoras
      SNAKE
      Written & Performed by Kurt Neumann

      Copyright Lla-Mann Music

    Principais escolhas

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    Perguntas frequentes21

    • How long is The Player?Fornecido pela Alexa
    • What actors make cameo apperences as themselves ?

    Detalhes

    Editar
    • Data de lançamento
      • 8 de maio de 1992 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • El ejecutivo
    • Locações de filme
      • 1921 Westholme Ave, Los Angeles, Califórnia, EUA(June Gudmundsdottir's house)
    • Empresas de produção
      • Avenue Pictures
      • Spelling Entertainment
      • Addis Wechsler Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 8.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 21.706.101
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 302.216
      • 12 de abr. de 1992
    • Faturamento bruto mundial
      • US$ 21.706.547
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 4 minutos
    • Cor
      • Color
    • Mixagem de som
      • Ultra Stereo
    • Proporção
      • 1.85 : 1

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