Jean Luc Picard salva Soran, que tem um plano maléfico para destruir a Enterprise. Agora, a única esperança de Picard depende de um lendário comandante do passado, que desapareceu no espaço ... Ler tudoJean Luc Picard salva Soran, que tem um plano maléfico para destruir a Enterprise. Agora, a única esperança de Picard depende de um lendário comandante do passado, que desapareceu no espaço há mais de setenta anos atrás: James Kirk.Jean Luc Picard salva Soran, que tem um plano maléfico para destruir a Enterprise. Agora, a única esperança de Picard depende de um lendário comandante do passado, que desapareceu no espaço há mais de setenta anos atrás: James Kirk.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 4 indicações no total
Avaliações em destaque
You see, dating all the way back to the 60s, the Trek stories have always been very personal, meaning certain stories will resonate with certain people but fail on the general audience. Call me crazy but I frickin LOVED "The Empath". Yeah, me and one other person, right? Long preamble aside, my point is that with Trek you'll get so many conflicting, subjective opinions that it's hardly any use to read reviews, aside from sheer entertainment factor which I will do my best to provide here.
Welcome to STAR TREK 7, aka "Why Did William Shatner Do This? Wasn't Priceline Earning Him Enough Money in the 90s?" This was Paramount Studio's attempt to reconcile Trekkies (fans of the original crew) and Trekkers (fans of The Next Generation), although I'd say this is squarely a Trekker next generation film with little more than a passing nod to the Trekkies and a somewhat forced "handoff" from Kirk to Picard. I won't get into that since the only amicable resolution of any Trekkie/Trekker debate is when both sides agree that the Federation would kick Darth Vader's butt.
As for this film, my biggest criticism with Star Trek Generations is that we don't feel any real peril. So it's hard to take the story as seriously as other Treks where, oh, the fate of the entire galaxy, universe or your momma rest in the balance. Danger seems contrived and random. The bad guy (admirably handled by Malcolm McDowell sporting an 80s Sting haircut) just isn't menacing or psychotic enough to get our attention like, for instance, Khan, who sets the tone right in the beginning by sticking a brain-eating worm in Chekov's ear. With Khan we know right away that we better set our inertial dampers on full because it'is going to be a wild ride. In contrast here in Generations, there's no real threat to the Enterprise or her crew, so we the audience are reduced to merely watching a series of events happen. Sure, these are events of importance, but emotionally we don't necessarily feel the emotional weight.
Of course this leads me right to the subject of the... well, the event that happens at the end. Just in case you've been living in the Genesis cave for the last 20 years and you don't know what that event is, I won't ruin it. But it feels like it comes totally out of left field and was unnecessary. Sort of like the Star Wars Christmas Special in 1978, I'd just as soon believe it never happened.
I'm going to do an about face now and tell you what's good about the movie. Data's subplot about trying to deal with emotions for the first time was awesome. It was both interesting as well as amusing, and it was a throwback to the Trek we all know & love which was driven by strong personalities and character development rather than plot points.
Similarly, there is a brief but powerful subplot about Picard and his personal tragedy. That was another great, profound moment which reminds us that Trek is more than phasers and special effects.
But alas, then we are thrown back into a plain old plot, which could've easily been the story of any other scifi and didn't require the Star Trek franchise behind it. Picard's (Patrick Stewart's) acting is first class as always, and it is mainly that plus the aforementioned Data story which keeps this movie rolling. But beyond that, all other characters are peripheral, wooden and somewhat forgettable.
The special effects are, well, 90s. That means they are neither nostalgic (like the 80s) nor technically impressive (like the 10s). They're just sorta... 90s. Apologies to anyone out there who grew up in the 90s. Your decade sorta sucked dude. Scifi wouldn't become cool again until the remake of Battlestar Galactica in 2003.
And on that note, YES, the same Ronald D Moore who masterminded Battlestar in 2003 is the guy who wrote the story and screenplay for Generations, so I can't imagine how it came up as short as a Ferengi's knee socks. But it did. The story was the worst part of this production because it didn't really give the actors a chance to shine.
We'll let Ronald off the hook just because Battlestar kicked ass.
I'm not sure if the Even-Odd rule holds true beyond 7 because I haven't seen 8 through (what are we on now?)13. And like I said, Trek tastes are entirely subjective and you may end up loving Generations more than any other. If so, I believe the Generations fan club is even smaller than my Empath fan club, so kudos for enduring the public shame. Hey it could be worse. You could be a fan of "Arena".
"Generations" initially comes off as a great gimmick, of uniting two generations of Enterprise crews, but this never really pays off, as the only two who meet are Picard and Kirk. "Generations" is NOT one of the stronger entries in this film series, with an engaging but uninspired story. The main attraction for veteran fans is likely to be the prospect of Picard and Kirk teaming up for the final half hour, engaging in fisticuffs with the maniacal Soran and hurrying to prevent him from destroying a star.
This viewer can't speak as one who has necessarily been a big Trek fan from the start, so he basically views this as pretty fun, all things considered. Certainly all the series regulars are in very fine form, with the android Data (Brent Spiner) getting the lions' share of the comedy relief, as he has inserted a special computer chip that allows him to experience emotions. This presents a problem at times, because either *everything* is amusing to him, or he gets scared easily.
It's nice to see old hands James Doohan and Walter Koenig, however briefly; Shatner brings the final part of the film to life. Not such an easy task, given the talents of Stewart (Picard has some key emotional moments) and the delicious, hammy villainy of McDowell. In addition to the regulars from the 'Next Generation' series, other familiar faces like Alan Ruck, Jacqueline Kim, Jenette Goldstein, Glenn Morshower, Tim Russ, and Brian Thompson turn up. An unbilled Whoopi Goldberg reprises her role of Guinan.
Wonderful music by Dennis McCarthy and some impressive visual effects by ILM help to make this a reasonably entertaining series entry.
Seven out of 10.
Idealism , humor , humanity , several agreeable characters and trademark effects abound and will please the enthusiasts and the neophytes . The writing is concentrated upon characters as well as the action and magnificent special effects by ILM (courtesy George Lucas) and a spectacular production design . Atmospheric and sensational music by Dennis McCarthy , habitual of TV episodes . Colorful cinematography by the classic cameraman John A. Alonzo . The motion picture was well directed by David Carson . The movie was made in the typical professional manner of the franchise and in the nostalgic mode of its predecessors . Yarn will appeal to hardcore trekkers as well as the initiated.
Star Trek: Generations stands out, in my mind, as the most underrated of all the Trek installments. Fans of the original series may not like the transition from old to new, but I personally prefer the crew of The Next Generation, and having been familiar with these characters through the show's seven season run on TV, seeing them on the big-screen was a welcome sight. Personal preference aside, Generations does a fine job of delivering an engrossing tale packed with exciting action and understated humor.
The plot involves an energy ribbon called the Nexus, a place where time has no meaning, where you can live out your greatest joys without fear or worry.
A near deranged scientist, named Soran (Malcolm Mcdowell), has amassed a horrific plan to enter the Nexus, one which could cause monumentous destruction and kill hundreds of millions. It becomes a race as the crew of the Enterprise-D struggles to find Soran before disaster strikes.
Generations has a fair share of problems, but for the most part, it's a very entertaining adventure boosted by excellent special effects and good performances. The film's highlight is the spectacular crash of the Enterprise, one of the most harrowing, exhilarating action sequences of any of the Star Trek films. Then, of course, there's the meeting between the two captains, Picard and Kirk, a memorable union that symbolically passes the torch and ends on a poignant note, which is enough to ignore the plot holes in the climax. Definitely recommended, Generations is a good stand-alone film and makes for an enjoyable warm-up to the superb First Contact.
I find this to be very underrated among Star Trek goers. I mean, how cool is it to see the two greatest Star Trek characters in history Shatner's Kirk and Stewart's Picard team up to face evil adversity. It was a real treat to watch. I'm well aware Patrick Stewart had already started Trek previously before this with the TV series, Star Trek: The Next Generation, but it was still cool. I also thought the opening tribute to Kirk was well-done, and neat to see, considering he did so much for keeping Star Trek alive. This movie also benefits from one of the most underrated madman's of cinema Malcolm McDowell playing crazy like only he can, going up against the two memorable Star Trek icons. The finale is intense, emotional, and in my opinion a fitting send off for Kirk.
Performances. William Shatner is not the star, his screen time is precious, but his bravery to take this part and putting his ego aside is clearly refreshing. He is still charismatic, and iconic as ever. Patrick Stewart's intensity knows no bounds, and he was the perfect choice to take over in the movies. I love the guy. Malcolm McDowell is a great foe for Stewart, and I was glued to the screen every time he was on it. Not many people can play a madman like him. Jonathan Frakes is likable, and enjoyable to watch as Riker. Rest of the cast does fine.
Bottom line. This is an entertaining entry to the Star Trek saga, and many people underrate it as far as I'm concerned. It ranks among my favorites in the series. Recommended
7/10
Você sabia?
- CuriosidadesThis was the first Star Trek film to be produced and filmed after the death of Gene Roddenberry. Following his death, the Star Trek creative team began using story ideas and concepts to which Roddenberry was opposed, which included the teaming up of Jornada nas Estrelas (1966) and Jornada nas Estrelas: A Nova Geração (1987) characters.
- Erros de gravaçãoAs Worf climbs up the side of the 19th century ship, his right knee is red either from bleeding or from touching a part of the ship that may have been freshly painted. When he enters the bridge, the red color is missing.
- Citações
Kirk: Captain of the Enterprise, huh?
Picard: That's right.
Kirk: Close to retirement?
Picard: I'm not planning on it.
Kirk: Well let me tell you something. Don't! Don't let them promote you. Don't let them transfer you. Don't let them do *anything* that takes you off the bridge of that ship, because while you're there... you can make a difference.
Picard: Come back with me. Help me stop Soran. Help make a difference again!
Kirk: Who am I to argue with the captain of the Enterprise? What's the name of that planet? Veridian III?
Picard: That's right.
Kirk: I take it the odds are against us and the situation is grim?
Picard: You could say that.
Kirk: You know if Spock were here, he'd say I was an irrational, illogical human being for going on a mission like that.
[pause]
Kirk: Sounds like fun!
- Versões alternativasFox-TV version removes some footage: During the crisis on the Enterprise B, Kirk starts to stand a number of times to offer a suggestion and then thinks better of it, sitting back down. Scotty leans over after this happens a few times and asks if there's something wrong with his chair. Scotty's remark is deleted. After Riker orders the computer to remove the plank, causing Worf to be dumped in the water, his follow-up exchange with Picard is missing - Picard: "Number One, that's 'retract' the plank, not 'remove' the plank." Riker: "Of course, sir. [shouting over the rail] Sorry!"
- ConexõesEdited from Jornada nas Estrelas VI: A Terra Desconhecida (1991)
- Trilhas sonorasTheme from 'Star Trek'
TV Series
from Jornada nas Estrelas (1966)
Music by Alexander Courage
Arranged and Orchestra Conducted by Dennis McCarthy (uncredited)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Jornada nas Estrelas 7: Novas Gerações
- Locações de filme
- Valley of Fire State Park - Route 169, Overton, Nevada, EUA(Veridian III surface)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 75.671.125
- Fim de semana de estreia nos EUA e Canadá
- US$ 23.116.394
- 20 de nov. de 1994
- Faturamento bruto mundial
- US$ 118.071.125
- Tempo de duração1 hora 58 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1