Os borgs viajam no tempo com a intençà o de impedir o primeiro contato da Terra com uma espécie alienígena. Capità o Picard e sua tripulaçà o os perseguem para garantir que Zefram Cochrane f... Ler tudoOs borgs viajam no tempo com a intençà o de impedir o primeiro contato da Terra com uma espécie alienígena. Capità o Picard e sua tripulaçà o os perseguem para garantir que Zefram Cochrane faça seu vôo inaugural atingindo velocidade warp.Os borgs viajam no tempo com a intençà o de impedir o primeiro contato da Terra com uma espécie alienígena. Capità o Picard e sua tripulaçà o os perseguem para garantir que Zefram Cochrane faça seu vôo inaugural atingindo velocidade warp.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 8 vitórias e 21 indicações no total
- Geordi
- (as Levar Burton)
Avaliações em destaque
Part of the appeal of Star Trek: First Contact, is that the central enemy is the Borg Collective, which has surpassed all other villainous races in the Star Trek universe in popularity. The central villain in this chapter is the Borg Queen, played by the chilly yet seductive Alice Krige. Krige is confident, convincing, and absolutely threatening in her performance, and seems to almost border on a character from a horror film. She lends an edge that is unique from other villains in the series, and is perfectly suited to the nature of the Borg. The design for both the Queen and the rest of the Borg is unsettling, and the story line and history of this race serves to illicit an emotional continuity between the events in the television show and the films.
Star Trek: First Contact probably has the widest appeal of all of the episodes, in much the same way as Star Trek IV: The Voyage Home did in 1986. It is action packed, filled with decent visual effects, clearly plotted, and supplies a threatening villain. This is definitely the best Next Generation film to date, and one of the strongest movies in the entire series.
"I am the beginning, the end, the one who is many."
I like Star Trek, but the TNG/DS9/Voyager series are more about smarmy franchise-building than hardcore S/F. I give this film seven (7) stars.
The first "Next Generation" 'Star Trek' film, 'Generations', was to me not that bad but was frustratingly uneven (namely the treatment of Kirk and the emotion chip subplot). The next film, 'First Contact', was a significant improvement and highly deserves its reputation as the best film based of 'The Next Generation' series and one of the best 'Star Trek' films overall. Giving some of the supporting characters, like Worf and Crusher, more to do rather than giving them little screen time and not having them do much, was pretty much the only thing that 'First Contact' could have improved on.
'First Contact' is one of the best looking 'Star Trek' films, feeling more expansive and cinematic and benefiting from significant technology advances. The cinematography is intimate, colourful, brooding and immersive, while the sets rich in detail and the special effects are first rate with a real sense of awe. Bringing Jerry Goldsmith back was a good move, and he and his son Joel produce a score that's rousing, haunting, menacing, melancholic and sometimes even pastoral. Oh and the main theme tune is a classic.
Writing-wise, 'First Contact' is one of the best written and balanced of the films. The humour is genuinely funny and sometimes affectionate with the in-jokes, the emotional moments have real poignancy and a grandiose sweep and there is a real tension at times too. The story is perhaps the best paced, with no wasted or extraneous scenes and the one that gets to the point the most. The action is simply thrilling, and while some characters are underused there is still some interesting character development and interaction, namely a more conflicted Picard (in a way that's reminiscent of Captain Ahab), the scene between him and Lily and Data and the Borg Queen.
Patrick Stewart gives his most intense and moving performance of all the 'Next Generation' films, and still has the commanding presence and the dignified gravitas. Brent Spiner is strong too, and he is much more restrained here with Data significantly better written. Jonathan Frakes is compelling as Riker but does even better in the director's chair, he doesn't lose any of what makes the series so great in the first place or what makes it so influential while showing some freedom to show his own style and open things up.
Alice Krige is on seductive and deliciously slimy villainous form, while the Borgs are genuinely fearsome even now. James Cromwell and Afre Woodard excel in atypical roles to the work they're best known for, Cromwell in particular.
In conclusion, first rate and a high point of the 'Star Trek' franchise. 9/10 Bethany Cox
A working knowledge of the Star Trek world is beneficial. It's a good thing that the filmmakers have figured out that a movie requires the greatest villains and the Borg is definitely one of the most compelling. It has a few laughs at the right time. It touches some profound literary concepts like Moby Dick. The space walk combat is cool. Jonathan Frakes takes the directing helm and he does a reasonable job. The story is the star here.
I won't go into the plot too much because I hate spoiling it for fans and it is easy sometimes to give away too much. Let's just say that the cast of The Next Generation take on the inhuman Borg, one of the best race of Star Trek villains ever.
There are no slow spots in this film. It is one big long action fest and every character is utilized. There are some terrific scenes and there is quite a bit of tension between the crew, particularly Worf and Picard. Picard has some harsh words for Worf at one point in the film and it really does look as though Worf will hit Picard. You could cut the tension in this film with a knife.
I'd also like to mention the great job done by the beautiful Alice Krige as the Borg Queen. Again, there is not a wasted moment in this film and Krige does a brilliant job as the Borg Queen.
I strongly recommend Star Trek:First Contact-it is the type of film which you finish watching and feel as though you have spent your money well.
Você sabia?
- CuriosidadesOn account of budgetary restrictions, the crew of Jornada nas Estrelas: A Nova Geração (1987) was never quite satisfied with the Borg sets and costumes as used during the series. However, the significantly bigger budget for this film finally allowed them to design the Borg in a way that was much closer to what they had intended. As a result, the suits and sets were reused extensively on Jornada nas Estrelas: Voyager (1995).
- Erros de gravaçãoWhen Geordi is asking Cochrane to look at the intermix chamber blueprints, he is wearing sunglasses, even though his artificial eyes don't require protection from the sun. The sunglasses are probably needed in case a local comes looking around. Only Cochrane and Lily knew about time travelers, and Geordi's futuristic implants could blow their cover. Geordi used dark glasses for the same purpose in Time's Arrow, Part II (1992) as well.
- Citações
Captain Jean-Luc Picard: [Quoting "Moby Dick"] And he piled upon the whale's white hump, the sum of all the rage and hate felt by his whole race. If his chest had been a cannon, he would have shot his heart upon it.
Lily Sloane: What?
Captain Jean-Luc Picard: "Moby-Dick".
Lily Sloane: Actually, I never read it.
Captain Jean-Luc Picard: Ahab spent years hunting the white whale that crippled him, a quest for vengeance, but in the end, it destroyed him and his ship.
Lily Sloane: I guess he didn't know when to quit.
- Cenas durante ou pós-créditosAfter 'Stunt Players' are listed, the 'Stunt Borg' are listed.
- Trilhas sonorasTheme from 'Star Trek: The Motion Picture
by Jerry Goldsmith
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Viaje a las estrellas: Primer contacto
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 45.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 92.027.888
- Fim de semana de estreia nos EUA e Canadá
- US$ 30.716.131
- 24 de nov. de 1996
- Faturamento bruto mundial
- US$ 146.027.888
- Tempo de duração1 hora 51 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1