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6,4/10
3,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaClaude and Ellen are best friends who live in a not-so-nice area of New York. They're involved in the subculture of '90s youth, complete with drugs, live music, and homophobia. All is change... Ler tudoClaude and Ellen are best friends who live in a not-so-nice area of New York. They're involved in the subculture of '90s youth, complete with drugs, live music, and homophobia. All is changed one night when a violent, meaningless death rocks their lives.Claude and Ellen are best friends who live in a not-so-nice area of New York. They're involved in the subculture of '90s youth, complete with drugs, live music, and homophobia. All is changed one night when a violent, meaningless death rocks their lives.
- Prêmios
- 2 vitórias e 5 indicações no total
Avaliações em destaque
Dreaming of becoming a rock star and hanging out, Claude (Alison Folland) is just like any other fifteen year-old girl. Almost. As the school year nears an end, she finds her relationship with Ellen (Tara Subkoff) strained. And a new friend, Luke, enters her life.
Ellen is suddenly caught up in her new boyfriend, (Cole Hauser). However, Claude doesn't feel the same way about guys. Claude is attracted to girls. To be specific, she's fallen in love with Ellen. And all that happens is Ellen gets closer and closer to Mark.
When Ellen begins a downward spiral into drugs, alcohol, and late-night partying, Claude has to make a decision. Will she be there for Ellen when she needs her most? Or will she stop letting Ellen use her? To complicate things more, a new love interest enters Claude's life and another friend makes an exit.
Claude is forced to weigh the importance of her relationship with Ellen against her conscience. In the end she has to do the right thing and deal with her best friend hating her. In a matter of days, Claude loses two friends, gains one, and also gains a love. And in the end there is no looking back.
This film is the ideal indie movie. Subkoff and Folland shine along with the rest of the excellent cast. Superb writing and cinematography combined with a hip urban soundtrack make this a must see.
Ellen is suddenly caught up in her new boyfriend, (Cole Hauser). However, Claude doesn't feel the same way about guys. Claude is attracted to girls. To be specific, she's fallen in love with Ellen. And all that happens is Ellen gets closer and closer to Mark.
When Ellen begins a downward spiral into drugs, alcohol, and late-night partying, Claude has to make a decision. Will she be there for Ellen when she needs her most? Or will she stop letting Ellen use her? To complicate things more, a new love interest enters Claude's life and another friend makes an exit.
Claude is forced to weigh the importance of her relationship with Ellen against her conscience. In the end she has to do the right thing and deal with her best friend hating her. In a matter of days, Claude loses two friends, gains one, and also gains a love. And in the end there is no looking back.
This film is the ideal indie movie. Subkoff and Folland shine along with the rest of the excellent cast. Superb writing and cinematography combined with a hip urban soundtrack make this a must see.
This movie would have been so much better if it had a plot. I can understand what the writer was doing, but I don't think he did it to well. If I had to explain this movie to someone I think I would have to say it's about characters growth. A teenaged girl in love with her best friend, forced by separation to find someone with the same feelings. But what I never got with this movie is, why was Ellen so stupid? She stayed with her murderer of a boyfriend even after he almost over-dosed her. And she made out with Claude. what was that about? I don't understand a lot of things about this movie, and I don't think anyone could really explain some of what they saw.
I just watched this film on IFC and was really impressed with how well done it was, the acting is really fantastic as well. This one was a sweet story and had real depth of the people we watched in the film. Bravo all around!
The setting is Hell's Kitchen, the time the 90s, the lead characters, some confused, angst-ridden teens.
There's not much plot here, nor much character development. Just a brief walk on the wild side of big city life.
Focusing on a sensually ambivalent girl and her off and on lovers and acquaintances, there are very good performances and atmospheric details to savor.
Competently directed, with a rich rock track, these short vignettes explore a feminine teen scene rarely depicted in films. Make no mistake, though, this journey is definitely not for everyone, and only those who have the energy, stamina and interest in examining tough urban life from a young feminine perspective, will be rewarded.
There's not much plot here, nor much character development. Just a brief walk on the wild side of big city life.
Focusing on a sensually ambivalent girl and her off and on lovers and acquaintances, there are very good performances and atmospheric details to savor.
Competently directed, with a rich rock track, these short vignettes explore a feminine teen scene rarely depicted in films. Make no mistake, though, this journey is definitely not for everyone, and only those who have the energy, stamina and interest in examining tough urban life from a young feminine perspective, will be rewarded.
All Over Me is a film that isn't so much about telling a story as much as it is about feelings and emotions within the characters that are not so obvious at first. The intentions and desires of the characters unfolds as the movie progresses at a very slow pace, and the dialog is intentionally bland, not sharp in any way, as if it was real life. There is no attempt by the filmmaker or actors to make this look like it is a movie, beyond some rather artsy shots here and there. It is simply a window into a young girls life and the small, confused, somewhat corrupted world that surrounds her while she is making another transition in her development in life. This is a very subtle film with very few shifts in tone. The action that leads to the most drastic shift in the film is not even seen, only talked about later on. Even the more climatic moments result in not much happening, though tension does build on a number of occasions. The acting is top notch. In fact, the acting is so superb that it almost makes me wish that the script had just a little more zing to it since the actors could have definitely pulled off some colorful dialog and made for some classic scenes. Regardless of that, All over Me is a good enough film, though if you can't get into the characters or want to see a movie that feels like a movie and not a documentation of life, you won't dig it.
Você sabia?
- CuriosidadesClaude has a poster of the band Helium in her room. The leader of Helium, Mary Timony, appears in the film as the singer of the fictional band Coochie Pop and performs Helium's song "Hole in the Ground."
- Erros de gravaçãoEllen cuts the back of her left hand with a razor blade. Moments later Claude feeds her pasta and there is not a scratch on her hand.
- Cenas durante ou pós-créditosGirls Rule! (at the end of the credits)
- ConexõesFeatured in Schau mir in die Augen, Kleiner (2007)
- Trilhas sonorasHello
Performed by Babes In Toyland
Written by Lori Barbero (as L. Barbero), Kat Bjelland (as K. Bjeland), & Maureen Herman (as M. Herman)
Published by Zomba Enterprises Inc./No Dukey Music
Administered by Zomba Enterprises Inc. (ASCAP)
Courtesy of Reprise Records
by arrangement with Warner Special Products
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- How long is All Over Me?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Все обо мне
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 292.577
- Faturamento bruto mundial
- US$ 292.577
- Tempo de duração1 hora 26 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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