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It's 1950s L.A. Lieutenant Maxwell Hoover (Nick Nolte), Coolidge (Chazz Palminteri), Hall (Michael Madsen) and Relyea (Chris Penn) are a squad of rough LAPD detectives who throw bad guys off a hill on Mulholland Drive. They investigate the murder of Allison Pond (Jennifer Connelly) who actually is linked to Hoover. They uncover secretly filmed sex sessions as well as the Nevada Atomic Testing Site. They are threatened by Colonel Fitzgerald (Treat Williams). She also had an affair with General Thomas Timms (John Malkovich), head of Atomic Energy Commission.

It's a tightly wound neo-noir. Connelly is a sort-of-femme-fatale on celluloid. Maybe they should have included a sister following the investigation in the present. The flashback aren't as interesting. Nick Nolte is good at being hard but his desperation needs to be heightened. This movie has most of the elements of a hard-boiled film noir but it does lack the sharp dialog. It needs more thrills to go along with the style.

This film has an excellent eye appeal due mostly to the efforts of Haskell Wexler (cinematographer). See more of his work in "Matewan","Bound For Glory" and "The Secret of Roan Inish".

Nick Nolte, one of America's best actors, gives us one of Film's best visual performances. Watch closely the scene in the cemetary with Melanie Griffith as Nolte,without words,displays a man who has lost the one thing that makes him love.

Looking at the four stern faces of the suited men on the cover, you'd think this was yet another movie about gangsters. But it isn't. Fans of another fantastic period cop drama, L.A. Confidential, should enjoy this film, as they are quite similar in theme. Like Russle Crowe's hard-edged cop character in L.A. Confidential, the four cops in this movie, do what they must to dispense justice. Despite their violent methods, they are nonetheless vigilante about justice.

Unorthodox and often unethical Los Angeles cops, Max Hoover (Nick Notle), Elleroy Coolige (Chaz Palminteri), Eddie Hall (Mike Madsen), and Arthur Relyea (Chris Penn), do what they can from keeping the trash from moving into the city. Tossing gangsters down Mullholland Falls, the symbolic dumping site for the exiled criminals, and tearing up coke dealers and pimps with a handy black jack, these cops don't take crap. (It should be interesting enough at this point to see both Penn and Madsen not playing their usual roles as sadistic gangsters).

The four cops are preoccupied with a new investigation after Max's former lover, Allison Pond (Jennifer Connelly), is discovered dead in a development yard. The case tests Max's limits on the ability to sift out the suspects and overcome whatever obstacles stand in his way of justice. At first, it seems as though this is just another story in which the villain turns out to be zealous leaders of the mafia who go to all ends to get what they wants (usually a profit venture). But that is not the case here. Max and the gang find themselves going up against the government and military, implicating Atomic Energy Commissioner (John Malkovich) and an eager Colonel (Treat Williams), to find out what is what that Allison was involved with that lead to her death. The movie takes place during the 1940s around New Mexico's White Plains nuclear testing site, and makes some challenges to the ethics of nuclear testing.

This movie has a tremendous cast, even in minor roles. Nick Nolte does a fantastic job, as does John Malckovich in the role of the dreamy, dying Atomic Energy Commissioner.

I also compare this film to L.A. Confidential because it seemed like some of the settings (and even the arrangement of scenes) are very similar to those used in the former. For example, Max Hoover's house (especially the living room and bedroom) looked almost identical to the one where Kevin Spacey and Danny DeVito break into the house in the beginning to bust up a minor "pot party." The bedroom looked much like that one for Kim Basinger's house as well. I wouldn't be surprised if some of the same people involved in Mullholland Falls likewise worked on L.A. Confidential.

It isn't your traditional cop drama/political thriller because of the nature of the main characters. They don't always play by the rules, but in the end, they are the good guys. And, it's got a good finale.

After years of reading bad reviews about Mulholland Falls, I recently turned on this DVD with low expectations and was totally surprised by how much fun this great little popcorn movie was; right down to the soundtrack . Great cast, great look and about as much logic and charm as the old 50's detective magazines. After seeing Nick Nolte in this, I'm now hoping to see him in a future Tarrantino movie. Nolte would also be a perfect fit in one of the upcoming Sin City sequels. I also have new respect for Roger Ebert, one of the few critics who enjoyed the movie for what it was meant to be. It seems to me that those who didn't like this movie, missed its point. While this isn't Academy Award material, it's a hell of a lot better than the critics would make you believe it was.

First of all, let's get this straight - the story takes place in 1953, not the '40's. Now - you've got these four guys riding around in a convertible in bad L.A. There's a comic aspect to this little ritual, kind of Abbott and Costello times 2, but it's hard to know who's the straight man.

The plot is not a new one, but the violence has (at least) the merit of being real person-to-person violence (as differentiated from being acted in front of a blue screen and digitally augmented). There are too many "name" actors here, and (I'll grant) not much character development, but it's a chance to watch Nick Nolte and Bruce Dern do their signature performances - Nick, impassive and looming large, has played this role many times before, and always to good effect. He was better doing it in "Q&A", but that was TOO real, and a much too scary. Bruce Dern's overacting is almost reassuring and one of the few animated performances in the picture.

Melanie is subdued, being the window dressing, and they have her wearing shoulder pads, which wasn't a fifties thing, but she gives a good performance without any of the lip-licking she usually resorts to. The photography is good, the desert ominous, and watching evil Treat Williams get thrown out of the plane most entertaining.

It's not Chekov, it's not anything wonderful at all, but it reeks of ambience. I'd recommend it as an evening's entertanment. Much better, certainly, than the stuff that passes as entertainment on the big screen most of the time.

Sure wish they'd given Michael Madsen more screen time - what if they'd pushed Chaz Palmintieri out of the plane early on and beefed Mike's role? Whadya say?