Após romper com a namorada, Steven suborna o instalador da TV por cabo para instalar canais de graça. Deste momento em diante, o instalador cola-se a ele e provoca uma série de transtornos n... Ler tudoApós romper com a namorada, Steven suborna o instalador da TV por cabo para instalar canais de graça. Deste momento em diante, o instalador cola-se a ele e provoca uma série de transtornos na sua vida pessoal e profissional.Após romper com a namorada, Steven suborna o instalador da TV por cabo para instalar canais de graça. Deste momento em diante, o instalador cola-se a ele e provoca uma série de transtornos na sua vida pessoal e profissional.
- Prêmios
- 3 vitórias e 2 indicações no total
Avaliações em destaque
Written as a spec script by first (and one time) screenwriter Lou Holtz Jr., the project imitated as a What About Bob? Style "annoying friend" comedy inspired by Holtz seeing a cable guy at his mother's apartment building late at night. The script caused a bidding war which was eventually won by Columbia pictures for $750,000 plus an additional $250,000 if the movie got made. After failed attempts to get the script filmed with the likes of Chris Farley and Adam Sandler, Jim Carrey then came on board receiving an unprecedented $20 million salary for the role. Producer Judd Apatow was then hired and soon Ben Stiller as director marking the film as Stiller's sophomore directorial effort having previously 1994 dramedy Reality Bites. When Carrey, Apatow, and Stiller came aboard they liked the setup of someone tech savvy invading someone's life and opted to add more slapstick and darker tones making the film a satire of the various stalker thrillers of the 90s such as Cape Fear and The hand that Rocks the Cradle. When the movie was released in June of 1996, critical and audience reaction was mixed and the movie opened at Number 2 behind Tom Cruise's Mission: Impossible. While some critics such as Gene Siskel appreciated the dark edge, others like Roger Ebert hated the film and even included it on the "worst of" year end lists. The movie is often thought to be a bomb and it really wasn't. While the movie didn't reach the heights of The Mask, Dumb and Dumber, Ace Ventura: When Nature Calls, or Batman Forever, it still made $102.8 million against its $47 million budget but depending on the marketing budget that could've definitely skewed the numbers. While the film is still as divisive today as it was back then, it has gone on to accumulate appreciation for its dark edge and off kilter sense of humor as well as its service as a "gateway" for Carrey to tackle more edgy material such as in Truman Show or Eternal Sunshine of the Spotless Mind.
What makes The Cable Guy work for me is the fact that its filmmaking style is near indistinguishable from how a 90s stalker thriller would be filmed. From the camera angles, the performances, to the various tropes incorporated, the entire cast and crew are treating this material as you would a contemporary stalker thriller of the time which serves as a counterpoint to the sillier and more outrageous antics that happen in the movie. Carrey is delightfully sinister in the role of "The Cable Guy" as he is this character of isolation whose mind has been poisoned by television and loneliness and now gravitates for any kind of human interaction to a ridiculous degree. Matthew Broderick makes a solid straight man to the antics of the movie as he's a very flawed character who like The Cable Guy also has emotional hang-ups such as his emotional neediness regarding his ex-girlfriend Robin. The fact Steven is flawed and not super likable makes it easier for us to laugh at The Cable Guy's antics that befall him whilst still fitting within the framework you'd expect from a thriller of this type. The movie features some truly inspired set pieces such as a sequence set at the restaurant Medieval Times that is quotable as all get out and features some solid work from Janeane Garofalo as the waitress and we also get a great karaoke sequence with Carrey's rendition of Jefferson Airplane's "Somebody to Love" brilliantly coordinated and crosscut with an unnerving seduction sequence that works as both dark comedy and part of the thriller setup.
The Cable Guy was unfairly maligned by audiences of the time and I'm happy it's gone on to gain some appreciation for the uniquely dark comedy that it is and not for failing to fall in line with the mold people expected of a Carrey film. Carrey would be unaffected by the disappointment of this movie scoring a monster hit the following year with Liar Liar and stretching his dramatic chops with the Peter Weir dramedy The Truman Show. There's a lot to appreciate in The Cable Guy and its undeniably a bold and uncompromising comedy that wasn't afraid to unnerve its audience.
First of all, hats off to Jim Carrey. I read under the trivia section that his role wasn't originally intended for him, but be honest; can you see anyone else playing the cable guy? He was brilliant. He takes the film from what would have been a run-of-the-mill comedy, to levels of greatness, and anyone that thinks I'm being too kind either doesn't like Carrey (it was the film that made me do a complete turn around), or needs to see the film again.
The overall tone of the film is a bit of a mix, it gets darker as the story goes along, but the jokes never mollify. I mean, it's a stalker story with clever film and television references... It's really hard to pin down the identity of this film.
This ranks as Stiller's best directorial performance to date. Reality Bites and Zoolander are good, but not great. This film expresses a lot more of his prowess. I see him as a very capable film maker, he is just yet to make his mark with something more widely appreciated.
The Cable Guy is by no means a classic film, and admittedly, you wont see it on any AFI lists anytime soon, but there is no denying the quality effort that was put into this film by all of it's contributors. And there are many of them -- check out all of those cameos! Chip Douglas' (Carrey) contrived relationship with his customer Steven (Broderick) ranks as one of the most memorable in recent history. It has set a precedent in black comedies that has scarcely been touched since.
I would have seen this film at least 30 times by now and it still seems fresh, and this has lead me to believe that the film probably needs to be viewed more than once for it to completely appreciated. I only wish that there were more people out there that 'get' this gem.
This concludes our broadcast day. Click.
This is a horror film. I swear!
For me, Chip Douglas does not come across to me as a harmless lisping clingy chump - HELL NO! The guy is a maniac. An obsessive, intelligent, controlling, stalking "Fatal Attraction" styled nutter!
Watch it again!
For me, this is Jim Carrey's career launching performance. He has a lisp right? after a while, you don't really notice it do you? Right. This is an incredibly difficult task for an actor - maintaining a speech impediment for an entire film, keeping it level, and not exaggerating it, its really something to take a look at. Carrey's character is sick, and very very creepy. With Broderick et al giving relatively standard performances, Carrey's performance is a stand out, and Ben Stiller should be proud of this film and what it lead to in terms of Jim Carrey's career.
Trust me, if you didn't like this, take another look, and prepare to be freaked out by a very not funny, very creepy Carrey performance...
8/10
Now, I might not be a cable guy, but I'd be lying if I said that I don't spew lines from random movies out of nowhere, and I'd be lying if I said I didn't have an obsession. Maybe it makes fellow fanatics a bit unsettled to see themselves compared to maniacs like Chip (which is probably why the critics assaulted this as well). Although this is by and large Carrey's movie, there is no doubt that Matthew Broderick, Jack Black, and Leslie Mann help elevate this film further with excellent performances. Ben Stiller has directed a few other films, but none of them even come close to matching this. He keeps a perfect balance between the dark and the funny, so "The Cable Guy" doesn't come across as too mean or sadistic. He also shows up in a running gag as a former child star from a cheesy old sitcom who shoots his own brother and goes to court, a trial whose verdict is highly anticipated by pretty much everyone. Owen Wilson has another great cameo as a cocky ass who takes Steven's (Broderick) girlfriend (Mann) on a date and gets assaulted by Chip when he goes to the washroom.
I have never seen a movie like "The Cable Guy", and chances are you haven't either. This is a great movie and one of my personal favorites. It's important you don't watch this expecting a cheery slapstick comedy. If you know what to expect, this will be a fun time.
8/10
Você sabia?
- CuriosidadesWhile filming of the scene in which The Cable Guy plays basketball, it became obvious that Jim Carrey could barely dribble a basketball, nevermind make a basket. Ben Stiller had Carrey mime the action without a ball, and VFX added the basketball in post-production.
- Erros de gravação"The odds that Steven would have been in jail (the prison scene) for "receiving stolen property" are slim to none, and after an interview Steven would have likely been cited at the police station and given a court date. Some states have a separate but similar charge called "possessing stolen property" or "possession of stolen property." The distinguishing factor here is when the accused learned the goods were stolen. If he knew at the time he acquired the property, then it is receipt of stolen property. It is possession of stolen property if he only learned the property was stolen after he obtained it. All Steven had to do was tell the police who Chip Douglas really was, and Steven would have been sent home and it would have been The Cable Guy who would have been arrested." ... but the Police Officers and Guards seen in these scenes are all "Preferred Customers" and they clearly went outside the law to lock up Steven at the request of Chip. Since this is still a comedy film, the suspension of disbelief is held when it is acknowledged at least twice in these scenes that Chip is manipulating the authorities with his connections via long-time cable hook-ups; and we'd seen the arresting cop at the karaoke party earlier in the film, too.
- Citações
Chip Douglas: The future is now! Soon every American home will integrate their television, phone and computer. You'll be able to visit the Louvre on one channel, or watch female wrestling on another. You can do your shopping at home, or play Mortal Kombat with a friend from Vietnam. There's no end to the possibilities!
- Cenas durante ou pós-créditosThe Columbia logo at the beginning of the movie segues into static from Steven's cable TV.
- Versões alternativasIn order to qualify for a 12 certificate, the UK releases (prior to its July '17 Blu-ray release) were ordered by the BBFC to cut 4 seconds by removing some imitable violence. The cut occurs when Steven and The Cable Guy are fighting on top of the TV satellite, towards the ending. A shot of Guy headbutting Steven, as well as a brief ear-clap, has been omitted.
- ConexõesEdited into Jim Carrey: Somebody to Love (1996)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Dr. Cable - El desastre llama a la puerta
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 47.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 60.240.295
- Fim de semana de estreia nos EUA e Canadá
- US$ 19.806.226
- 16 de jun. de 1996
- Faturamento bruto mundial
- US$ 102.825.796
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1