Adicionar um enredo no seu idiomaThree generations of women (Talia Shire, Nina Siemaszko, and Colleen Dewhurst) run a failing bed and breakfast in this gentle romantic comedy. Everything changes when a charming mysterious s... Ler tudoThree generations of women (Talia Shire, Nina Siemaszko, and Colleen Dewhurst) run a failing bed and breakfast in this gentle romantic comedy. Everything changes when a charming mysterious stranger (Sir Roger Moore) shows up on the scene.Three generations of women (Talia Shire, Nina Siemaszko, and Colleen Dewhurst) run a failing bed and breakfast in this gentle romantic comedy. Everything changes when a charming mysterious stranger (Sir Roger Moore) shows up on the scene.
Jake Weber
- Bobby
- (as Jake Webber)
Bronia Wheeler
- Bessie
- (as Bronia Stefan Wheeler)
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Roger Moore, my fave Bond, finally gets a chance to show his acting chops. This flick is about a mysterious stranger who comes into the lives of three very different women and has a gorgeous Maine setting.
The only weak point is an out of place crime subplot. But it's wrapped up not too shabbily by the cast, director, and screenwriter. The screenplay could've been better, but all in all it's a mildly amusing, slight, harmless movie.
This film made me also realize that actor Jake Weber, who plays a hitman in this film, was not Alan Cumming. I always thought Alan was the guy from Meet Joe Black. They look so much alike, I guess it was easy for me to confuse them as the same dude.
I just wish old Rog would do some more dramatic roles in films like this. I always thought it would be great if Stanley Kubrick had cast Roger in Sydney Pollack's role in Eyes Wide Shut. Kinda like how Quentin Tarantino took a chance on Robert Forester, another under appreciated actor, in Jackie Brown. Ah, well, what might have been...
But I, as usual, well, not that usual, digress. See Bed & Breakfast. Dig?
The only weak point is an out of place crime subplot. But it's wrapped up not too shabbily by the cast, director, and screenwriter. The screenplay could've been better, but all in all it's a mildly amusing, slight, harmless movie.
This film made me also realize that actor Jake Weber, who plays a hitman in this film, was not Alan Cumming. I always thought Alan was the guy from Meet Joe Black. They look so much alike, I guess it was easy for me to confuse them as the same dude.
I just wish old Rog would do some more dramatic roles in films like this. I always thought it would be great if Stanley Kubrick had cast Roger in Sydney Pollack's role in Eyes Wide Shut. Kinda like how Quentin Tarantino took a chance on Robert Forester, another under appreciated actor, in Jackie Brown. Ah, well, what might have been...
But I, as usual, well, not that usual, digress. See Bed & Breakfast. Dig?
This is a very fine movie which stars my favourite actor, Roger Moore, after seing this movie i realised Roger Moore is the finest actor ever. Moore lights up the screen, he was great in the lead role. This movie is a dramatic one and it`s one of those you remember afterwards and enjoy watching, it`s filled with great landscapes, fine music and a great dialougue which couldn`t have been portrayed better then it has been done here. The movie senter around a family of grandmother, mother, daughter and the unknown man which enters there lifes and turn it upside down. Roger Moore is great and extremely handsome of course.
Claire is a widower with a teenage daughter Cassie who runs a hotel with her mother in law, Ruth. Claire is trapped in an introspective world of mourning, Ruth longs for a man just to make her feel young again while Cassie is just discovering the world of sex and love. Into this mix comes a man who survived being thrown off a boat many miles out to sea. Adam settles in nicely but the men who thought he was dead are still after him.
I didn't have high hopes for this and it didn't let me down. The plot is very light despite the efforts to give it some drama with the crime subplot. However this subplot is a very damp squib indeed and climaxes with all the excitement and tension of a fart in a wet bag. The main story is the relationship between the three women and Adam, this is what should have made the film but this too is unconvincing for the most part. Adam affects them all in different ways and sparks things in each of them, however it is very sedentary and gets a bit dull after a while.
If the romance and the relationships had had a little more sparkle to them then it would have been a lot better, as it is only Dewhurst manages to bring some fire to her role but even then it seems very OTT and hammy in the middle of so much quietness. Moore is actually very good but only because he looks like he's got his tongue in his cheek the whole time with that constantly raised eyebrow! But he is nicely understated and doesn't make fun of the film so much as enjoy it's gentle pace. Oh and how does he always manage to look 15 years younger than he is!?
Siemaszko is OK but has little to do but throw teenage strops etc. Shire meanwhile just takes it too seriously. This could have been a light romantic drama but instead she drags it's mood way down. She spends too much of the film sitting and staring into space looking sad. While Moore tries to be tanned and lively she just looks pale and sad. I know that her character demanded some of that in the role, but too much starts to sink the enjoyment a bit.
Overall I have to say that this is an average film that will probably only appeal to Moore complete-ists or those whose standard for entertainment starts and ends with daytime TV movies. It has a nice romantic, fun side to it but this edge is dulled by the majority of the film.
I didn't have high hopes for this and it didn't let me down. The plot is very light despite the efforts to give it some drama with the crime subplot. However this subplot is a very damp squib indeed and climaxes with all the excitement and tension of a fart in a wet bag. The main story is the relationship between the three women and Adam, this is what should have made the film but this too is unconvincing for the most part. Adam affects them all in different ways and sparks things in each of them, however it is very sedentary and gets a bit dull after a while.
If the romance and the relationships had had a little more sparkle to them then it would have been a lot better, as it is only Dewhurst manages to bring some fire to her role but even then it seems very OTT and hammy in the middle of so much quietness. Moore is actually very good but only because he looks like he's got his tongue in his cheek the whole time with that constantly raised eyebrow! But he is nicely understated and doesn't make fun of the film so much as enjoy it's gentle pace. Oh and how does he always manage to look 15 years younger than he is!?
Siemaszko is OK but has little to do but throw teenage strops etc. Shire meanwhile just takes it too seriously. This could have been a light romantic drama but instead she drags it's mood way down. She spends too much of the film sitting and staring into space looking sad. While Moore tries to be tanned and lively she just looks pale and sad. I know that her character demanded some of that in the role, but too much starts to sink the enjoyment a bit.
Overall I have to say that this is an average film that will probably only appeal to Moore complete-ists or those whose standard for entertainment starts and ends with daytime TV movies. It has a nice romantic, fun side to it but this edge is dulled by the majority of the film.
Bed and Breakfast is one of the few films that Roger Moore made following his departure from the James Bond hotseat in 1985, after A View to a Kill. At the height of his popularity (and employment) in the 1970s, Moore was frequently criticised for giving simplistic performances in roles which demanded virtually nothing of his talents. Ironically, this film features perhaps his best performance of all, yet was made at a time when he appeared in hardly any films at all.
The story is undeniably slight, but diverting all the same. It tells of a con man (Moore) who is washed ashore - bruised and beaten after being thrown off a gangster's yacht - on a beach in Maine. The nearest building is a ramshackle bed and breakfast hotel run by three generations of women, all from the same family and all constantly bickering about their (unimpressive) lot in life. Moore talks his way into their lives and awakens long repressed sexuality in all three of them. Then, predictably, the gangsters he was involved with earlier turn up and threaten his ruse....
The gangster subplot is quite hokey and does little to increase the interest of the picture. The film would have been enjoyable enough without it. However, the inter-relationship between Moore and the three isolated, frustrated women makes for intriguing and occasionally heart warming viewing, and gives all the actors the chance to deliver some excellent dialogue. The background photography, capturing the lovely Maine seascapes, is a treat throughout.
Bed and Breakfast is a film that everyone should see. No classic, true enough, but definitely one of Moore's best films and a totally harmless and civilised way to while away a lazy afternoon.
The story is undeniably slight, but diverting all the same. It tells of a con man (Moore) who is washed ashore - bruised and beaten after being thrown off a gangster's yacht - on a beach in Maine. The nearest building is a ramshackle bed and breakfast hotel run by three generations of women, all from the same family and all constantly bickering about their (unimpressive) lot in life. Moore talks his way into their lives and awakens long repressed sexuality in all three of them. Then, predictably, the gangsters he was involved with earlier turn up and threaten his ruse....
The gangster subplot is quite hokey and does little to increase the interest of the picture. The film would have been enjoyable enough without it. However, the inter-relationship between Moore and the three isolated, frustrated women makes for intriguing and occasionally heart warming viewing, and gives all the actors the chance to deliver some excellent dialogue. The background photography, capturing the lovely Maine seascapes, is a treat throughout.
Bed and Breakfast is a film that everyone should see. No classic, true enough, but definitely one of Moore's best films and a totally harmless and civilised way to while away a lazy afternoon.
I've got two favorite Robert Ellis Miller films - "Hawks" (featuring Timothy Dalton) and "Bed & Breakfast" (featuring Roger Moore , Colleen Dewhurst and Talia Shire) which originally was considered as a TV movie , but it was found very interesting so it was shown at cinemas. (The film was made in 1989 but it was first shown in 1992.)I'm not surprised because it's one of the best movies I've ever seen. Whole cast is just great but especially Roger Moore who proves that he's someone more than the Saint or Bond. He's a great actor.
Você sabia?
- CuriosidadesFinal theatrical movie of Colleen Dewhurst (Ruth), who died before it was released.
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- How long is Bed & Breakfast?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Bed and Breakfast
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 44.947
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.767
- 9 de ago. de 1992
- Faturamento bruto mundial
- US$ 44.947
- Tempo de duração1 hora 37 minutos
- Cor
- Mixagem de som
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By what name was Bed & Breakfast (1991) officially released in Canada in English?
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