Resgate Suicida

A gang of criminals hijack a Norwegian supply vessel for two North Sea oil rigs. After attaching limpet mines to both rigs, they demand a huge ransom from the British Government. The insurers - Lloyds of London - call in the eccentric Rufus Excalibur Ffolkes and his highly trained team to bring an end to the situation.

First off, this is not a great film and makes no pretension to be one. It is however quite enjoyable on its level, which is that of a fairly straightforward and formulaic thriller with some dashes of humour. Roger Moore gives a pleasing performance as the woman hating, arrogant and irascible Ffolkes, who is the complete antithesis of his version of Bond. Much of the gentle humour of the film arises from his constant put downs to all around him. Anthony Perkins is the head of the gang, and plays him with typical cold blooded menace. Also James Mason turns in a nice portrayal of an exasperated Admiral.

Director Andrew V.McLaglen keeps things moving along, and the setting is at least a bit different from the usual scenarios. The finale does seem something of a let down after the build up, but it doesn't ruin the film.

I hadn't seen this for a few years, so I enjoyed watching it again last week when it got a screening on TV. I recorded it and watched it a couple of days later while laid low with the 'flu. Its tongue in cheek nature cheered me up, and surely that's the whole point of these types of films.

North Sea Hijack is a fast paced, frequently entertaining thriller about the ingenious hijacking of a major North Sea oil rig. It features a totally off-the-wall performance by Roger Moore as an anti-terrorist expert who has some bizarre habits indeed, such as sewing, raising cats, and drinking whisky at 10a.m. Other memorable characterisations are conveyed by Anthony Perkins (the principal baddie), James Mason (a stiff upper lipped admiral), David Hedison (a stressed out oil rig official) and Faith Brooks (a strong willed lady prime minister).

The core of the action occurs at sea, with Perkins and his menacing bunch hijacking a supply ship and planting mines beneath the oil rig. Moore is brought in to thwart them, and plays a tense psychological games with his adversaries, constantly provoking them and second guessing their actions whilst trying to ascertain the most effective way to attack them aboard their vessel. There are some well delineated scenes, such as an exciting sequence in which a couple of ships crew try to poison their captors but are found out and killed. Another invigorating sequence features Moore having to sneak up on the terrorists whilst clad in a glowing red wet suit (it was the only wet suit available to him on the oil rig).

Moore's character is wonderful. He has an uncharacteristic beard and follows a series of bizarre daily routines to the letter. His savage side, especially towards women (whom he seems to hate more than terrorists) provides some amusement.

This is an under rated gem. It is the kind of film you discover by accident (it doesn't have a particularly high reputation), but by God it really moves and is enormous fun whilst on.

This film is the archetype for the Die Hard franchise and their ilk, only the Roger Moore character of ffolkes is about twice as interesting as Bruce Willis ever was. The situations, the way they deal with the terrorists are all completely real (barring a few questionable things - would it really take so long to get together $25 million?).

Anthony Perkins, James Mason, and Roger Moore all turn in outstanding performances. There is a female lead as one of the captives who, though not dressed sexy, is somehow incredibly hot. Moore is particularly entertaining as a curmudgeon of a man who openly dislikes women, loves cats, Scottish booze, and needlepoint. The movie builds steadily, keeping tension throughout while retaining a strong sense of humor.

If you've seen Roger Moore as The Saint, as 007, as any other character, even if you haven't liked him, you'll enjoy him as "ffolkes," the cat-loving misogynist of this movie. Even though I'm very much a feminist I loved this character. I don't think that the casting of Anthony Perkins was too obvious, I think he brought complications to a simply drawn character. The supernumeraries on either side are just complicated enough to be slightly confusing and still enjoy their conflicts.

This is one of my favorite movies. Of course, so is "Eating Raoul."

Throughout his career critics have placed Roger Moore in a catagory with such alleged actors as George Hamilton and Pamela Anderson. Individuals whose celebrity status has been maintain by good looks rather than talent.

It is not hard to understand why. From the start Moore has been typecast in the same basic charactor mold; the ruggedly handsome high competant womanizer. James Bond, Maverick, The Saint, they are all virtually the same. Only on rare occations has Moore been able to overcome the stereotype and prove his versitility as an actor. The 1979 action yarn Ffolkes is one such occation.

In the title role Moore is anything but his typical ladies man. The product of a messy divorce, Rufus Excaliber Ffolkes resents women. He considers them inferior at best and a blight on society at worst. He now prefers the company of cats.

Ffolkes is also a gruff reclusive genius with little tolerance for lesser intellects. This is neatly demonstrated when a secondary charactor addressing Ffolkes's intellectual prowess flippantly states,

"You must be one of those people who finish the (London) times crossword puzzle in ten minutes."

"I assure you." Ffolkes angerily responses. "I have never taken ten minutes!"

But Fflokes is no braggart. His genius is quickly proven when a vital British oil drilling platform is taken over by a group of blackmailing terrorists led by Tony (Psycho) Perkins. Ffolkes, an expert in counter terrorism anticipated such an attack months in advance and has a well trained group of handpicked specialists standing by to lead an assult.

Despite the misgivings of the Royal navy command who consider him a loose cannon the prime minister commissions Ffolkes to liberate the platform. What follows is some of the best high action drama in movie history.