AVALIAÇÃO DA IMDb
6,7/10
3,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn ex-convict is tracked down by his estranged teenage son, and the pair try to build a relationship and life together in Seattle.An ex-convict is tracked down by his estranged teenage son, and the pair try to build a relationship and life together in Seattle.An ex-convict is tracked down by his estranged teenage son, and the pair try to build a relationship and life together in Seattle.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 4 indicações no total
Avaliações em destaque
An ex-convict (Jeff Bridges) is tracked down by his estranged teenage son (Edward Furlong), and the pair try to build a relationship and life together in Seattle.
Elements of the screenplay for "American Heart" were based on material originally covered in the director's prior documentary film "Streetwise" (1984), such as the relationship between Dewayne and his father. Having not seen the earlier film, I cannot comment on the connection any more than that.
Not surprisingly, Edward Furlong won an award for this, and Jeff Bridges is as great as ever (he is quite the natural). It is a shame that Furlong went on to a more questionable future. One cannot help but wonder if the early success tainted his later life.
Elements of the screenplay for "American Heart" were based on material originally covered in the director's prior documentary film "Streetwise" (1984), such as the relationship between Dewayne and his father. Having not seen the earlier film, I cannot comment on the connection any more than that.
Not surprisingly, Edward Furlong won an award for this, and Jeff Bridges is as great as ever (he is quite the natural). It is a shame that Furlong went on to a more questionable future. One cannot help but wonder if the early success tainted his later life.
Man, was Jeff Bridges excellent in this! Talk about being pitch perfect in a character who is trying to change and just having the hardest time. Subtle touches, like when he takes away the joint from his son, only to slip it into his own pocket. This is a good film, small gem. Rent it!
This is a dramatic, narrative film by Martin Bell, the director of the excellent documentary "Streetwise". And while it is obvious Bell was a little uncomfortable with the narrative format, it is one of the few independent films of the 1990's that doesn't suffer from the Quentin Tarantino syndrome--i.e. it is not just a pastiche of other movies the director has seen. It's clear Bell based a lot of this movie on real life. In fact, many of the characters here were obviously based on real people in "Streetwise"--the kid and his ex-con father, the tomboy lesbian, the 14-year-old amateur hooker. The movies suffers a little in comparison to early Gus Van Sant films ("Mala Noche","Drugstore Cowboy", "My Own Private Idaho")which had similar down-and-out characters and were also set in the American Northwest. But many will find this film refreshingly honest and less pretentious, at least, than some of Van Sant's films.
What really makes this film is the acting. It marked Jeff Bridges return to independent film (five or six years before "The Big Lebowski"), and his performance here makes one forgive him for the Hollywood crap he made in the 80's like "Against All Odds". Edward Furlong is also very good. I remember reading some alarmist claptrap about him in Premiere magazine around the time of this movie, about how he was dating a 30-year-old woman (oh, the horror! the horror!) and about to become another young Hollywood casualty. Well, starting with this film he ended up carving a nice little niche for himself in independent film (i.e. "Pecker", "Animal Factory"). Turns out that just because you're not starring in "Terminator 3" it doesn't necessarily mean you're sharing needles in a crack house with guys named Corey and girls named Shannen. And as a little icing on the cake this movie has a great Tom Waits theme song which you can't find any of his albums. Definitely a recommended movie.
What really makes this film is the acting. It marked Jeff Bridges return to independent film (five or six years before "The Big Lebowski"), and his performance here makes one forgive him for the Hollywood crap he made in the 80's like "Against All Odds". Edward Furlong is also very good. I remember reading some alarmist claptrap about him in Premiere magazine around the time of this movie, about how he was dating a 30-year-old woman (oh, the horror! the horror!) and about to become another young Hollywood casualty. Well, starting with this film he ended up carving a nice little niche for himself in independent film (i.e. "Pecker", "Animal Factory"). Turns out that just because you're not starring in "Terminator 3" it doesn't necessarily mean you're sharing needles in a crack house with guys named Corey and girls named Shannen. And as a little icing on the cake this movie has a great Tom Waits theme song which you can't find any of his albums. Definitely a recommended movie.
I have to admit being somewhat biased toward this film, as I was living in the apartment building (at the time) where most of the filming took place! The rent was $225/month if I remember correctly, and it was indeed a "studio"... complete with bare bulb hanging from the ceiling and a lot of roaches :-) (the room used in the movie was somewhat nastier than the one I was in - there was a top floor, a middle and a basement, and I was living in one of the middle floor rooms at the time). But I got to see a great deal of the process of filming a movie (extremely interesting and educational) as well as meeting Jeff Bridges and Edward Furlong (no, I don't appear anywhere in the film as either an extra or an actor). As for the movie itself, it turned out quite a bit better than I had expected. Martin Bell is underrated as a director, and it's unfortunate that lately he's concentrated on TV rather than movies - he really is talented (See "Streetwise," 1984). The ending of American Heart really was sad, although we've seen it before in a lot of movies. Yet another reflection on the sad state of today's society.
And now, a small revelation... in the movie, the apartment where "Jack" and his son lived was portrayed as being on Queen Anne Hill in Seattle. Actually, the building used in filming was on Capitol Hill, a few blocks west of Broadway. No, I'm not going to give away the street address or the name of the apartments, sorry :-).
My overall review for "American Heart" - 9/10.
And now, a small revelation... in the movie, the apartment where "Jack" and his son lived was portrayed as being on Queen Anne Hill in Seattle. Actually, the building used in filming was on Capitol Hill, a few blocks west of Broadway. No, I'm not going to give away the street address or the name of the apartments, sorry :-).
My overall review for "American Heart" - 9/10.
What makes "American Heart" a better film than many others with a similar theme (father and son struggling with their relationship) is the exceptional acting. Jeff Bridges and Edward Furlong are both brilliant in this film. The story is also very well-written and interesting. Definitely a film above the average. 6/10
Você sabia?
- CuriosidadesJeff Bridges' favorite film of his own.
- Erros de gravaçãoNear the end of the movie, the ferry is leaving Seattle (towards Bainbridge Island or Bremerton). However a few seconds later we see the boat wake with the Olympic Mountains in the distance indicating the boat is headed towards Seattle, not away from it.
- Citações
Jack Kelson: Keep my name outta your mouth.
- Trilhas sonorasI'll Never Let Go of Your Hand
Composed by Tom Waits and Kathleen Brennan
Produced and performed by Tom Waits
Jalma Music Inc (ASCAP)
Tom Waits performs Courtesy of Island Records, Inc.
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- How long is American Heart?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 384.048
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.549
- 9 de mai. de 1993
- Faturamento bruto mundial
- US$ 384.048
- Tempo de duração
- 1 h 53 min(113 min)
- Cor
- Proporção
- 1.85 : 1
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