George e Frederic

This film is a little different than most "period" films in that its characters, although known historical figures, are real people and certainly not above swearing, throwing fits, drinking, smoking or carousing. A wonderful comedy romance with an outstanding performance by Judy Davis as George Sands.

It is also interesting to note how closely the plot of this movie resembles that of Renoir's classic "Rules of the Game": 1) group of romantically and socially inbred cityfolk go to the country, 2) romantic and social inbreeding continue in the country, 3) people slipping from room to room, 4) mistaken identity, 5) hunting in the woods, 6) big hunting scene, 7) gender-bending, 8) poking fun at the upper classes, and 9) climactic theater performance chock full of satire and causing some conflict. This similarity can be no accident.

Impromptu is one of the more charming, lighthearted period movies I have come across. If you are expecting a sweeping drama, prepared to be disappointed. Some people might not like this film, as it lacks some of the lengthy, tragic dialogue and overly melodramatic style that many period films have. If you are looking for something fun for the whole family, this is it. Judy Davis' role as George Sand is strong, and she delivers her character with the perfect amount of gusto. Hugh Grant performance as Fredric Chopin is priceless, and he makes himself very endearing and believable as the timid composer. Bernadette Peters performance as the jealous and spiteful Marie D'Agoult is marvelous - you leave the movie feeling quite annoyed by her character, which is exactly what I imagine the director wanted from her character! The costuming and set designs are exquisite, as is the cinematography, and backs the actors wonderfully.

I liked Impromptu, I liked the characters, their development, the setting, the costumes. I like it all. It was a genuinely funny film. The kids, the duel, the horse's commentary were priceless gems. The story was well written and the acting was outstanding.

George Sand (Judy Davis) a very independent character falls for Frederic Chopin (Hugh Grant) a sensitive basket case who is a genius when it comes to the piano. I understand this is a true story. I hope the original was as fresh and funny as the movie portrayal.

I first saw this film courtesy of "Masterpiece Theater", a weekly program presented by PBS -- had it not been for the good taste of one PBS program manager out there, I might never have seen this charming and provocative film.

Yes, it's a period piece. Yes, there are flounces and top hats and castles and duels. But the core of "Impromptu" explores love, jealousy, and the process of artistic creation in ways that keep the film captivating for the most jaded modern viewer.

Judy Davis capably assumes the mantle of convention-bucking authoress George Sand, providing a fiery counterpart to Hugh Grant's self-deprecating (and effective) Chopin. Mandy Patinkin shines as one of Sand's many jilted ex-lovers, and Bernadette Peters is maliciously admirable as Sand's "friend" who wants Chopin for herself. Emma Thompson's hilarious cameo as a dense provincial duchess itself provides almost enough reason to watch the film.

"Impromptu" boasts a great ensemble cast, witty dialogue, balanced humor and pathos, luscious period costumes and scenery, and the music of Chopin playing all the while -- what more could one want? "Impromptu" unfolds like a 19th-century soap opera, with arresting characters and meditations on art saving it from the banality of a typical romance...or a typical period piece.

This one's worth the flounces.

When I saw this during its theatrical release, it was one of the few films for which I hadn't prepared myself by reading printed reviews and checking out available TV commentators. Therefore my enjoyment was, perhaps, a little keener than it might have been otherwise. I wasn't expecting the definitive biographical treatment of the various famous artists depicted and I'm sure that wasn't the intention of the film-makers. Instead it looks like they achieved exactly what they intended, enabled by a gifted cast (especially the marvelous Judy Davis), a witty script and quite adequate (though not luxurious) production values. I suppose the ultra-demanding can complain about virtually everything in this production, but, my goodness!, it's far and away more entertaining and adult than nearly 100% of the big special effects extravaganzas pandering to today's sensation-seeking audiences.