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IMDbPro

Carrington, Dias de Paixão

Título original: Carrington
  • 1995
  • R
  • 2 h 1 min
AVALIAÇÃO DA IMDb
6,8/10
6,1 mil
SUA AVALIAÇÃO
Jonathan Pryce and Emma Thompson in Carrington, Dias de Paixão (1995)
Home Video Trailer from MGM Home Entertainment
Reproduzir trailer0:31
1 vídeo
18 fotos
BiografiaDramaDrama de épocaRomance

Adicionar um enredo no seu idiomaThe platonic relationship between artist Dora Carrington and writer Lytton Strachey in the early twentieth century.The platonic relationship between artist Dora Carrington and writer Lytton Strachey in the early twentieth century.The platonic relationship between artist Dora Carrington and writer Lytton Strachey in the early twentieth century.

  • Direção
    • Christopher Hampton
  • Roteiristas
    • Christopher Hampton
    • Michael Holroyd
  • Artistas
    • Emma Thompson
    • Jonathan Pryce
    • Steven Waddington
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    6,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Christopher Hampton
    • Roteiristas
      • Christopher Hampton
      • Michael Holroyd
    • Artistas
      • Emma Thompson
      • Jonathan Pryce
      • Steven Waddington
    • 61Avaliações de usuários
    • 21Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado para 2 prêmios BAFTA
      • 7 vitórias e 9 indicações no total

    Vídeos1

    Carrington
    Trailer 0:31
    Carrington

    Fotos18

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    + 12
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    Elenco principal25

    Editar
    Emma Thompson
    Emma Thompson
    • Dora Carrington
    Jonathan Pryce
    Jonathan Pryce
    • Lytton Strachey
    Steven Waddington
    Steven Waddington
    • Ralph Partridge
    Samuel West
    Samuel West
    • Gerald Brenan
    Rufus Sewell
    Rufus Sewell
    • Mark Gertler
    Penelope Wilton
    Penelope Wilton
    • Lady Ottoline Morrell
    Janet McTeer
    Janet McTeer
    • Vanessa Bell
    Peter Blythe
    Peter Blythe
    • Phillip Morrell
    Jeremy Northam
    Jeremy Northam
    • Beacus Penrose
    Alex Kingston
    Alex Kingston
    • Frances Partridge
    Sebastian Harcombe
    • Roger Senhouse
    Richard Clifford
    Richard Clifford
    • Clive Bell
    David Ryall
    David Ryall
    • Mayor
    Stephen Boxer
    Stephen Boxer
    • Military Rep
    Annabel Mullion
    Annabel Mullion
    • Mary Hutchinson
    Gary Turner
    • Duncan Grant
    Georgiana Dacombe
    • Marjorie Gertler
    Helen Blatch
    • Nurse
    • Direção
      • Christopher Hampton
    • Roteiristas
      • Christopher Hampton
      • Michael Holroyd
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários61

    6,86K
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    Avaliações em destaque

    10josiegrrl

    Love in its many forms

    When love comes, it doesn't always come in a form that allows its fullfillment, as Dora Carrington knows. Her lifelong love of Lytton, a man for whom romantic love only knows a male face, is both a source of great anguish and great joy. Emma Thompson portrays Dora with great sensitivity, depicting her other loves and lovers as genuine yet never enough to supplant her love of Lytton. In our society the love of "one and only" can be an oppressive ideal that few can attain, and Hollywood is its loudest proponent. This movie allows for a well thought out exploration on of the many other faces of true love. Superb acting, direction, editing, costuming, the works. I highly recommend it.
    Tabarnouche

    Delicately portrayed amorous eccentricity as only the British can do

    If you require the overdone loudness, violence and aggressivity of an American film (Training Day comes to mind), you'll need to take an extra dose of Ritalin to get through this film. (That advice could have been useful to a few of the previous reviewers, in fact.)

    For those who don't have to be hit over the head, though, this film is a riveting masterpiece about the varied forms human love can assume--and a reminder that subcultures, like the Bloomsbury Group, have always given social norms a wide berth. British society has long tolerated eccentricity, especially when discreetly indulged, of which the nuanced contours of relationships among the literate in early-20th-century Britain provide an excellent illustration. Combine this refreshing glimpse of consensual mores with outstanding interpretations by Thompson and Pryce, and with fidelity to historical fact, and you've got two delightful hours of first-rate cinema on your hands.

    And not an exploding car or a vengeance-driven, gadget-laden military operation against a demonized third-world country anywhere to be found. Amazing. And bravo. 9 out of 10.
    8kwft620-radio

    Art for art's sake

    A movie that asks the question, how did it ever get made? Absolutely not a chance that it was made for profit. Once I stopped asking the question, I could enjoy the superior cinematic quality of all the elements that elevate a film to a work of art. I suppose it must have been exhibited in a theater, somewhere, though getting it booked must have been quite an accomplishment for its backers. I caught it on cable which allowed me to sip on a brandy while the film took its time unfolding in a style that I would describe as a splendidly animated coffee table book.

    I am moved to comment on Carrington to express my gratitude to its makers.
    9Hermit C-2

    High class and high quality.

    Emma Thompson in a period piece--I would bet that's a pretty good movie, and 'Carrington' did not disappoint me. It concerns the unusual relationship of writer Lytton Strachey (Jonathan Pryce) and painter Dora Carrington (Thompson) in their insular world of upper-class friends and other artists in England between the Great Wars. When we first meet Strachey he's a fastidious homosexual of thirty-six going on seventy-six. He mistakes Carrington, with her bobbed hair and masculine clothes, for a boy. Despite this inauspicious beginning, they soon find themselves fascinated with each other, then the fascination turns to love. Their non-sexual relationship endures in spite of her marriage, their other lovers and their lover's lovers. As the years go by, a flow chart might help out the viewer trying to remember who's who.

    As you might surmise, this film is not for everyone. There are some who will dismiss the whole group as "immoral" or as an effete corps of impudent snobs, but we won't be that narrow- minded and judgemental, will we? If you allow yourself into 'Carrington's' world I think you'll find it rewarding. It's full of good actors but I believe its success is largely due to director Christopher Hampton's screenplay. It's a full two hour movie without the benefit of car chases, explosions or kickboxing matches, so it's a big plus to have something nice to look at for all that time. We can thank cinematographer Denis Lenoir and production designer Caroline Ames for that.
    fred-83

    extremely well-acted

    I dont know what it is about these Brits, they somehow (almost) always manage to pull these movies off, and it all seems so effortless. Remains of the day, Sense and sensibility, Howards end, they´re all so well made that I find myself drawn into the narrative right away and simply have to follow it to the end. While not being anything spectacular, this fine movie share these qualities. It´s extremely well-acted (especially Jonathan Pryce), absorbing, and moving. If you also have a soft spot for period drama and enjoy the movies I´ve mentioned, this is also one for you. The only thing I found slightly distracting was one actors similarity with Jim Carrey (!). I only wish we could make as good films in Sweden, with this level of writing and acting, because its virtually non-existent at the moment. 4 out of 5.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Christopher Hampton finally got to direct the script he'd been sitting on since 1976, but only because original helmer Mike Newell opted to direct Donnie Brasco (1997) instead.
    • Citações

      Dora Carrington: [voice-over, a letter] My dearest Lytton, There is a great deal to say, and I feel very incompetent to write it today. You see, I knew there was nothing really to hope for from you, well, ever since the beginning. All these years, I have known all along that my life with you was limited. Lytton, you're the only person who I ever had an all-absorbing passion for. I shall never have another. I couldn't, now. I had one of the most self-abasing loves that a person can have. It's too much of a strain to be quite alone here, waiting to see you, or craning my nose and eyes out of the top window at 44, Gordon Square to see if you were coming down the street. Ralph said you were nervous lest I'd feel I have some sort of claim on you, and that all your friends wondered how you could have stood me so long, as I didn't understand a word of literature. That was wrong. For nobody, I think, could have loved the Ballards, Donne, and Macaulay's Essays and, best of all, Lytton's Essays, as much as I. You never knew, or never will know, the very big and devastating love I had for you. How I adored every hair, every curl of your beard. Just thinking of you now makes me cry so I can't see this paper. Once you said to me - that Wednesday afternoon in the sitting room - you loved me as a friend. Could you tell it to me again. Yours, Carrington.

      Lytton Strachey: [voice-over, his written reply] My dearest and best, Do you know how difficult I find it to express my feelings, either in letters or talk ? Do you really want me to tell you that I love you as a friend ? But of course that is absurd. And you do know very well that I love you as something more than a friend, you angelic creature, whose goodness has made me happy for years. Your letter made me cry. I feel a poor, old, miserable creature. If there was a chance that your decision meant that I should somehow or other lose you, I don't think I could bear it. You and Ralph and our life at Tidmarsh are what I care for most in the world.

    • Conexões
      Featured in Emma Thompson om 'Carrington' (1995)
    • Trilhas sonoras
      Adagio from 'String Quintet in C Major', D. 956, op. post. 163
      Composed by Franz Schubert

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    • How long is Carrington?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 29 de janeiro de 1996 (Brasil)
    • Países de origem
      • Reino Unido
      • França
    • Idioma
      • Inglês
    • Também conhecido como
      • Carrington
    • Locações de filme
      • Cliveden House, Taplow, Buckinghamshire, Inglaterra, Reino Unido
    • Empresas de produção
      • Polygram Filmed Entertainment
      • Freeway Films
      • Cinéa
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 3.242.342
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 151.722
      • 12 de nov. de 1995
    • Faturamento bruto mundial
      • US$ 3.242.342
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 1 minuto
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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