Grand Canyon: Ansiedade de uma Geração

I'll keep this one quite short. I believe that this is an extraordinary movie. I see other reviewers who have commented to the effect that it's badly written, poorly shot, has a terrible soundtrack and, worse, that it's not real in its portrayal of life. OK, so it may not be quite believable for its whole length, but this movie carries a message of hope which some others seemed to have missed. Hope that it isn't too late to save people from the terrible things that go on in so many lives. Gangland violence is real, right? Is it right, no! This movie carries an important social message which the cynics may dislike but which nonetheless is to be praised, rather than denigrated. I have watched this movie with great enjoyment at least eight times, each time with equal enjoyment and each time with the feeling that maybe the world could be made better and is not beyond saving (well not until 2008 anyway). 9 out of 10 from me for this one. It's very nearly perfect in my view. JMV

I rarely review anything on the internet, but want to comment on this film. I think Grand Canyon is entirely under-rated, and is in fact one of the greatest American contemporary films. I have seen it many times, and am amazed at Kasden's directorial and writing skills. I think most reviewers don't understand it! I see very glib reviews about this film but seldom indepth comment.I believe this film is about synchronicity, life-purpose/meaning and the feeling of powerlessness and isolation of people in a fast-moving culture where youth passes rapidly,transition is constant, and big-brother is watching. Outstanding acting from all actors, indepth characterizations and real-life dilemnas. I love the way "Simon" who appears to be the "doubting Thomas" and only believes in "fate" without purpose begins to understand human interconnection towards the end of the film. Though I don't necessarily agree that "the problems of a few little people don't matter a hill of beans" in relation to the majesty of the Grand Canyon, I see Kasden's point that perspective on our lives is important!

I don't know much about Kasden but have tried to learn more. He seems to manage to insert his spiritual message in an entirely entertaining way in recent films: witness "French Kiss" and Mumford"...both of which deal cleverly with loss and reinventing ourselves. I suspect he wrote many of the Jedi and Yoda parts of the original Star Wars films --the Jedi philosophy seems consistent with his own. I am a student of Conscious Creation concepts and love films so am always happy to see how Mr. Kasden weaves his message into his latest films.

Thank you, Mr. Kasden and please keep creating!

On second viewing of this movie, I like it even more than the first time. It is full of nuances and a perception of life as being quite ordinary and often fearful but what lifts this movie to a height rarely realized is its focus on the little incidences in our lives to which we normally only offer the briefest of attention spans. Here the movie spins into the celebration of these incidences, the meeting of a tow truck driver and client, the jogger hearing a baby's cry from the bushes. The dialogue, acting, casting and direction are superb. No two by fours, no grand revelations. What I did observe was how true the characters were to their basic natures and how enhanced their lives became when these were celebrated. Kudos to all involved in this, we need more "Grand Canyons" in our lives. 9 out of 10.

"Grand Canyon" is the rare, fleeting example of a movie handled so truthfully from the start that the journey overwhelms the give-away ending. For a superb 137 minutes flashing by, directing, acting, and screenwriting hit a nearly flawless note. Sucking on this bottle for instant gratification, however, is contra-indicated. Grand Canyon does not leave home with a nursemaid. Those who lust for predictable Hollywood spin with contrived drama and only fantastic elements of human life will feel unsatisfied with Director and Screenwriter (with Meg Kasdan) Lawrence Kasdan's stubborn defiance of proper genre hygiene. Kasdan's visual poetry draws us in to a world of separate images, forcing potential connections to jack-knife through the mind. Yet Kasdan provides no answers, at least not quickly. The radomness deliberately provokes preconditioning that "everything happens for a reason in the movies". Nothing connects. Nothing makes sense in the formula way wished subconciously. After all, one sees movies to escape life, not to immerse in it. The viewer's frustration peaks and the introspective see Kasdan's point about life's overwhelming radomness. Grand Canyon's scenes unfold throughout L.A. and Kasdan brilliantly plays on everyday scenarios of commutes, dodgy neighborhoods, and family tension until familiarity and frustration forces the viewer to hold these images as their own. The tension of the film binds with our personal emotions about how alienating life can be, about how alone we really are. For those who evaluate their suspended belief on his terms, Kasdan has a rich reward. He spoons us our medication precisely when we need it and not when we think we do. Yet by now there is little desire to fast-forward. We are entering with a sort of intrinsic trust into Kasdan's world. He has established that to "get" his story we need every word, each nuance. Kasdan's pace does not disapoint but takes off as the relationships form. His cuts and dialogue sync perfectly to the state of his characters as they (and we) make the connections. Grand Canyon truly gallops just a step in front of its audience beckoning with analytical gestures into its emotional content. But just as his message of alienation seems drilled one too many times Kasdan lifts the man-hole cover off a new hole and declares alienation isn't really what he's talking about at all. The isolating radomness is exposed as a delicate lure that creates humanity and a sense of fragility in the viewer; an understanding of the shared poignancy of coming and going ultimately, alone. We see Kasdan is really speaking of how the life's randomness heightens the beauty of connections to others simply because life usually makes no sense and of the responsibility to light the candle for people simply because we grope in darkness ourselves. In a movie as abstractly symbolic and thought provoking as "Apocalypse Now", Kasdan creates what could be Apocalypse Now's alter ego, the gentle side. His characters unveil a chosen logic, a purposeful proactivity that seems heroic in their chaotic world. However, the superb acting eliminates the possibility that Grand Canyon is populated with two dimensional goody-two-shoes. In fact, it is not so much of a stretch to imagine these characters were ourselves in their situations, a refreshing twist from the standard "wannabe" Hollywood fantasy. Kasdan does not exude easy answers, but seems to nudge us, asking "what would you do?" as we realize how precisely his everyday, chaotic world mirrors our own and how many untapped choices might be right here with us the moment we finish watching his movie and begin our life.

"Grand Canyon" is a lot of things at once, but I found all of it completely fascinating. The characters and situations were realistic and the cast is flawless. You might find yourself crying at the movie - I did. It's a shame there was no audience for this movie, because I think it has a lot to say on several levels.