AVALIAÇÃO DA IMDb
6,8/10
50 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaR.A.S. agents Miss Bianca and Bernard race to Australia to save a little boy and a rare golden eagle from a murderous poacher.R.A.S. agents Miss Bianca and Bernard race to Australia to save a little boy and a rare golden eagle from a murderous poacher.R.A.S. agents Miss Bianca and Bernard race to Australia to save a little boy and a rare golden eagle from a murderous poacher.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 vitórias no total
Bob Newhart
- Bernard
- (narração)
Eva Gabor
- Miss Bianca
- (narração)
John Candy
- Wilbur
- (narração)
Tristan Rogers
- Jake
- (narração)
George C. Scott
- McLeach
- (narração)
Wayne Robson
- Frank
- (narração)
Douglas Seale
- Krebbs
- (narração)
Frank Welker
- Joanna
- (narração)
Bernard Fox
- Chairman
- (narração)
- …
Peter Firth
- Red
- (narração)
Billy Barty
- Baitmouse
- (narração)
Ed Gilbert
- Francois
- (narração)
Carla Meyer
- Faloo
- (narração)
- …
Russi Taylor
- Nurse Mouse
- (narração)
Linda Gary
- Mother Koala
- (não creditado)
Avaliações em destaque
I have always been one of the, maybe, eight or nine big fans of this movie and I have only one small question about it.
WHY CAN'T THEY MAKE MORE LIKE THIS???
If you have not seen this movie yet, you must. It's the first Disney movie to use fully rendered CGI backgrounds throughout and you definately get the sense that the animators wanted to play with this new method. What I'm getting at is that some of you may want to down some motion sickness medicine first.
There are *no* song and dance numbers. Reason being that this is a surprisingly dark, more emotionally complex story for a Disney movie. They went out on a limb and chose not to break the tone up too much.
This is the number two Lost Disney Movie (number one, without a doubt, is "the Hunchback of Notre Dame", which I also love). It's own creators barely acknowledge its existance. The very best evidence of this is on the new video release box's plot summary, where a MAJOR character's gender is misidentified.
On the other hand, I sort of enjoy the idea of a "cult" Disney movie. Instead of marketing "Down Under" to death, Disney can only be accused of the opposite mistake.
So, anyway, here I go again running to this movie's defence. I'll tackle the one major critisism of it before I go. Many critics were expecting another "Rescuers". In my humble opinion, these two movies are two entirely different animals. The original "Rescuers" is an example of where Disney was in the sixties and seventies. "Down Under" is a time capsule of late eighties, early nineties Disney. In other words, you can't really say that one is better than the other as the only thing they have in common are three characters (what I'm getting at is that this should be thought of more as "Rescue Aid Society: the Next Generation").
By the way, I've got an idea that I'm just going to throw out to the proverbial wolves here. Why not make more "Rescuers" movies instead of sequels to Disney movies where follow-up stories make no sence? They are sitting on one heck of a potential franchise here. Just thought I'd let you know.
WHY CAN'T THEY MAKE MORE LIKE THIS???
If you have not seen this movie yet, you must. It's the first Disney movie to use fully rendered CGI backgrounds throughout and you definately get the sense that the animators wanted to play with this new method. What I'm getting at is that some of you may want to down some motion sickness medicine first.
There are *no* song and dance numbers. Reason being that this is a surprisingly dark, more emotionally complex story for a Disney movie. They went out on a limb and chose not to break the tone up too much.
This is the number two Lost Disney Movie (number one, without a doubt, is "the Hunchback of Notre Dame", which I also love). It's own creators barely acknowledge its existance. The very best evidence of this is on the new video release box's plot summary, where a MAJOR character's gender is misidentified.
On the other hand, I sort of enjoy the idea of a "cult" Disney movie. Instead of marketing "Down Under" to death, Disney can only be accused of the opposite mistake.
So, anyway, here I go again running to this movie's defence. I'll tackle the one major critisism of it before I go. Many critics were expecting another "Rescuers". In my humble opinion, these two movies are two entirely different animals. The original "Rescuers" is an example of where Disney was in the sixties and seventies. "Down Under" is a time capsule of late eighties, early nineties Disney. In other words, you can't really say that one is better than the other as the only thing they have in common are three characters (what I'm getting at is that this should be thought of more as "Rescue Aid Society: the Next Generation").
By the way, I've got an idea that I'm just going to throw out to the proverbial wolves here. Why not make more "Rescuers" movies instead of sequels to Disney movies where follow-up stories make no sence? They are sitting on one heck of a potential franchise here. Just thought I'd let you know.
The first one was overall a cute film, definitely a classic, but nothing to scream about, you know what I mean? Anyways, as a kid I would always take characters who would look cool in some big action powered flick with high drama and adventure. Having a real evil villain that threatens death, and kick the pace up a notch from the original movie.
My wish came true, The Rescuers Down Under was a high powered animated action flick with intense drama and heart-pounding emotion. Severely different from the original, which was about two little mice sent out on a mission to save a little girl held captive by a vile woman in search for a priceless diamond. This time, a young boy named Cody was kidnapped by a poacher named McLeach, who desperately wants to enormous eagle that was just saved from captivity. Despite the dangers, these two little mice named Bernard and Miss Bianca head out on probably the most daring rescue ever assigned to the R.A.S. (Rescue Aid Society). Without a moment to lose, they hop aboard the big bird named Wilbur to a nonstop flight to Australia. From then on its just keeps getting better, and the filmmakers weren't afraid how far they strayed from the kinder hearted tone of the original. That's a good thing.
This was easily put in my top animated films, behind Beauty and the Beast and the Prince of Egypt of course. It was a little shorter than I would have liked, which doesn't make this brilliant film absolutely spotless. None the less I recommend this to anyone looking for menacing fun.
Trust me, this is a brilliant film that may be a little too intense for the younglings, but still a family film which I think will be loved by adults and kids alike.
****/**** stars
The Rescuers Down Under (1990): Rated PG for intense moments
My wish came true, The Rescuers Down Under was a high powered animated action flick with intense drama and heart-pounding emotion. Severely different from the original, which was about two little mice sent out on a mission to save a little girl held captive by a vile woman in search for a priceless diamond. This time, a young boy named Cody was kidnapped by a poacher named McLeach, who desperately wants to enormous eagle that was just saved from captivity. Despite the dangers, these two little mice named Bernard and Miss Bianca head out on probably the most daring rescue ever assigned to the R.A.S. (Rescue Aid Society). Without a moment to lose, they hop aboard the big bird named Wilbur to a nonstop flight to Australia. From then on its just keeps getting better, and the filmmakers weren't afraid how far they strayed from the kinder hearted tone of the original. That's a good thing.
This was easily put in my top animated films, behind Beauty and the Beast and the Prince of Egypt of course. It was a little shorter than I would have liked, which doesn't make this brilliant film absolutely spotless. None the less I recommend this to anyone looking for menacing fun.
Trust me, this is a brilliant film that may be a little too intense for the younglings, but still a family film which I think will be loved by adults and kids alike.
****/**** stars
The Rescuers Down Under (1990): Rated PG for intense moments
I love this movie. I saw the original on the cinema when it was re-released and then of course saw this. It is in my opinion the only decent sequel Disney has ever made.(2D animation anyway, Toy Story 2 is superb) All the others have been straight-to-video and terrible. (Lady and the Tramp 2/Pocahontas 2 etc) The animation in Down Under is superb, the voice talent outstanding, and the villain in the shape of John McCleach very very funny. There are no songs, and actually, you don't notice the lack of them. I think it works better. The best line in the film has to be McCleachs' boast: "I didn't make it all the way through third grade for nothing!"
There is a lot to look at during the movie, but most kids don't watch animated films for the scenery. Characters are well developed at the expense of a satisfactory ending. Wilbur, voiced by John Candy & Frank, voice by Wayne Robson are great additions to the rescuers' cast. My beef with the film is at the end when Gordy says let's go home, there are the loose ends of the poor animals still in cages that we don't see freed and we never get to see joy on Gordy's Mother's face on his return from the dead. I guess they just ran out of ink.
The Rescuers Down Under is one of the few times when the sequel is better than the original. The animation is impressive, the plot is engaging and it doesn't have any boring musical interludes. It also has more humor than The Rescuers, which my kids (and my wife) appreciated.
Você sabia?
- CuriosidadesThe producers wanted to have all the voice actors from Bernardo e Bianca (1977) reprise their roles for the sequel. However, in the original, Orville the albatross was voiced by Jim Jordan, who died two years before this film was released. The producers didn't want to replace Jordan, so Orville was replaced with the character's brother Wilbur, voiced by John Candy. This is a reference to Orville Wright and Wilbur Wright, the inventors and pilots of the first functional airplane.
- Erros de gravaçãoWhen the French bug, Francois, first greets Bianca at the fancy restaurant, he calls her "Mademoiselle Bianca." After they finish their conversation, he says, "Allow me, Madame." In French, "Mademoiselle" is used for a single woman, and "Madame" for a married or widowed woman (or for very formal address). A native French speaker, as Francois is meant to be, would never use them interchangeably.
- Cenas durante ou pós-créditosThis movie doesn't end with the Walt Disney Pictures logo, only the credits "This motion picture was created by Walt Disney Pictures" and "Distributed by Buena Vista Pictures Distribution, Inc."
- Versões alternativasIn the French version of the movie (which was made in 1991), the beautiful Anne Meson-Poliakoff's Pop song "Bernard Et Bianca Au Pays Des Kangourous" can be heard during the ending credits with Patrice Tison on lead guitar, Bernard Paganotti on bass, Jean-Jacques Milteau on harmonica, Alex Perdigon, Kako Bessot and Patrick Bourgoin on brass ensemble and Charly Doll on drums & percussions. However she and the other musicians appear to be uncredited.
- ConexõesEdited into Curtas Animados Zen: Flight (2020)
- Trilhas sonorasMain Title
Composed by Bruce Broughton
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Bernardo y Bianca en Cangurolandia
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 27.931.461
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.499.819
- 18 de nov. de 1990
- Faturamento bruto mundial
- US$ 27.931.461
- Tempo de duração1 hora 17 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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What is the Brazilian Portuguese language plot outline for Bernardo e Bianca na Terra dos Cangurus (1990)?
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