Acima de Qualquer Suspeita

Presumed Innocent is directed by Alan J. Pakula, who also co-adapts for the screen with Frank Pierson from the Scott Turow novel. It stars Harrison Ford, Brian Dennehy, Bonnie Bedelia, Raúl Juliá, Paul Winfield, John Spencer and Greta Scacchi. Music is scored by John Williams and Richard Wolf, and cinematography is by Gordon Willis.

Prosecuting attorney Rusty Sabich (Ford) suddenly finds himself a murder suspect after his one time lover, Carolyn Polhemus (Scacchi), is found raped and murdered in her home. As the evidence piles up against him, and his marriage comes under further strain, Rusty hires top lawyer Sandy Stern (Juliá) to represent him when the case goes to trial. Battling the system that he knows inside out, Rusty finds that there's a big can of worms about to be opened.

A tip top court room mystery drama that we could do with seeing more of these days. Expertly strung together by the director of All the Presidents Men and Sophie's Choice, Presumed Innocent isn't just a by the numbers legal who done it? The makers get in deep with the political machinations of a district attorney's office, the intricate steps of a police investigation, and of course the legal eagle operations of a court room. In to the mix is an horrendous crime, of which a lawyer himself is charged with committing, he may or may not be guilty of the crime, but wonderfully we are never sure until the astonishing finale plays out. The air of mystery hangs heavy throughout, nagging away like an itch you can't scratch, with Pakula neatly unfolding the drama in a collage of flashbacks, side-plots and present time intricacies. Mood is heightened by the photography of Gordon Willis, who along with Pakula's looming camera work, manages to convey a claustrophobic feel in keeping with an unstable marriage and a court room itself.

A great cast is assembled for the picture. Ford expertly plays it low key, brooding intently, he makes us unsure as to his guilt or innocence, and that's a testament to how good his performance is. Bedelia is excellent as the stoic wife, holding it together as the marital cracks begin to appear, and Juliá dominates the second half of the picture as we shift to the court room. Dennehy does a nice line in morally compromised smarm, and Scacchi wonderfully exudes a femme fatale sexuality. Winfield is a mighty presence as the judge presiding over such a tricky case, and Spencer is as reliable as ever. Only disappointments come with the performances of Joe Grifasi and Tom Mardirosian, who as the prosecutors come across as wimpy and hardly brick tight lawyers trying a high profile murder case.

An intense and intellectual adult drama, Presumed Innocent is one of the best of its type from the modern era. 8.5/10

I don't know that I've ever seen a "perfect" depiction in a movie as far as how things really work in police investigations and in the courtroom.

Sometimes there are errors so blatant and ridiculous that it ruins the film. But with Presumed Innocent, I was able to quickly overlook things I felt were maybe questionable, because the plot and twists and acting were engaging enough to overcome these minor shortcomings.

Overall, this was an engrossing film which kept me engaged for the entire two hours, and I would recommend it.

Presumed Innocent presents a stiff challenge to its principal actors. Many of them must read their lines and convey body language that is ambiguous, suggesting both guilt or innocence and good or evil. The talented cast accomplishes this superbly. The story (based on a book of the same name which I haven't read) intelligently and knowledgeably examines the morality of the legal system and how it is compromised because of human fallibility. All in all, this was a very engrossing motion picture. Strongly recommended, 8/10.

When Carolyn Polhemus, a young prosecutor employed by the District Attorney of an American city, is found murdered, the job of investigating her murder is given to Rusty Sabich, one of her colleagues and her former lover. The DA, who is shortly coming up for re-election, wants quick results, but Sabich seems to be making slow progress. The DA is defeated in the election, and Sabich finds himself arrested by his successor and charged with the murder. The evidence against him initially seems strong, but more questions emerge during his trial. Is he really guilty? Is someone trying to frame him? If so, who? Was the murder connected to an investigation which Carolyn was pursuing into judicial corruption? Or was it connected to her complex sex life? We learn, through flashbacks, the story of her affair with Sabich and that she was promiscuous, sleeping with a number of influential men who could help her career, including not only Sabich but also the DA himself.

Besides being a legal thriller, "Presumed Innocent" is also a study in contrasts in character- either contrasts between two different persons or between the inner and outer person. Harrison Ford is often good at playing rather stolid individuals who have difficulty in showing their feelings but whose impassive exterior can hide powerful emotions. Norman Spencer in "What Lies Beneath" was one such individual; Sabich is another. Both are men whose life spins out of control after they become involved in extramarital affairs. Fortunately for Sabich, he has someone to take control on his behalf, his smooth and fluent defence lawyer Sandy Stern. Ford and Raul Julia, who plays Stern, form a double act in the second half of the film, both playing their parts very well. Sabich and Stern are both lawyers, but with very different characters and different approaches to the law. Sabich is determined to tell the truth as he sees it; the wily Stern sees the law as a game to be won on behalf of his client rather than a search for truth. If winning involves preventing the truth from emerging, so be it.

There is also a contrast between Sabich and his former lover Carolyn. While he is undemonstrative but inwardly emotional, she is outwardly seductive and flirtatious but inwardly cold-hearted. Both Sabich's wife Barbara, seemingly noble and forgiving, and the judge who tries his case, may have hidden secrets. Raymond Horgan, the DA, initially seems to be a friend of Sabich, but later turns against him when his self-interest dictates.

This concentration on character pays off, raising the film above the run-of-the-mill legal thriller. Contrasts between the various characters, and their inner conflicts, give rise to a gripping courtroom drama, one of the best in recent years. The pace of the film never flagged, and it held my attention throughout. The ending (which I will not reveal) has been criticised as either predictable or implausible. In my view it was perhaps unlikely, but neither completely unbelievable nor inconsistent with what has gone before. I certainly did not predict it. This is a tense and watchable drama. 7/10

This is a very good film centering around a murder investigation and trial involving a chief deputy DA and a beautiful, young attorney in his office who is found murdered one morning. The direction, screenplay, and acting are all top notch and you never really know how it's going to turn out til the very end.

Harrison Ford is the deputy DA accused of murdering one of the female attorneys in his office. Ford's character is that of a strident upholder of the law who strays into marital infidelity. Caroline Polhemus, played by Greta Scacchi, is beautiful and manipulative, using her sexuality to get what she wants, career advancement and power.

Ford is assigned to head the murder investigation team, however, his boss, played by Brian Dennehy, loses his re-election bid a few weeks later and the new district attorney charges Ford with Caroline's murder. He knows Ford had had an affair with the victim and has physical evidence that he was at the murder scene and had been placing phone calls to her apartment in the days prior to her death.

The continuing investigation by Harrison Ford's team of lawyers and his friends in the DA's office and the trial highlight the remainder of this film. Events take strange twists and turns and the viewer is taken along for the ride without really knowing where it will take him. The ending is a bit of a surprise and neatly ties everything together.

The direction by Alan J. Pakula is tight and suspenseful. I thought it was his best film since the early days when he directed "Klute" and "The Parallax View" - certainly better than the muddled "Pelican Brief." The overriding theme of the movie is darkness, people hiding secrets from one another, and the direction emphasizes that. There are very few outdoor daytime scenes and most of the interior shots are of dark rooms and corridors.

Harrison Ford is good in the role of the besieged deputy DA, but I thought the secondary actors were the ones who made this picture as good as it was. Raul Julia plays Ford's attorney defending him in court and he's excellent (I thought it was his best role in any film). He's urbane and confident, and he steers the defense through a very difficult set of circumstances.

Bonnie Bedelia plays Ford's wife and her character is much more complex than that of the supportive wife standing by her man. She also has dark secrets of her own and she plays the part with sly understatement. John Spencer ("L.A. Law") plays an investigator in the DA's office helping Ford, Brian Dennehy plays Ford's boss who turns on him, and Paul Winfield plays the judge handling the trial, and all are excellent.

My only criticisms would come from Harrison Ford's character, who is so emotionally detached that it makes the circumstances of the affair with Greta Scacchi unbelievable. He's not an easy person to identify with or feel sympathy for, but the film is so well done that you can easily skip over that void and just sit back and enjoy the performances.