Seis Dias, Sete Noites

This romantic comedy and adventure story had a bunch of good and bad things going for or against it., but overall was an enjoying story that was a pleasant diversion. I don't know if I'd own it, but it's worth watching once or twice.

THE GOOD - Some tremendous South Seas island scenery; a good mix of comedy and adventure with attractive leads in Anne Heshe and Harrison Ford; and fast-moving story meaning good entertainment.

THE BAD - Poor messages about fidelity and marriages; an annoying, whining character played by David Schwimmer; too heavy - for family viewing - on the profanity and cleavage.

I have seen Six days, Seven nights and I loved it. One of Harrison's best films in a long time. I think what did it for me was the film being set on the island of Kuaii. Quinn and Robin's personalities may have been different but it just proves that in paradise, anything can happen. I would recommend this to anyone that's looking for a light- hearted romantic comedy.

The script/timing/acting in this movie is excellent, and is a great joy to watch. The perfect timing of the cast and an excellent story make this one of our favorites along with Fifth Element,American President, In and Out, The MatchMaker , The Local Hero and The Mystery Man..

Sinan

I don't write many reviews, unless I really feel close to the movie or believe it was unfairly rated, like this one. This movie has found it's way back to my DVD player several times since it's first release to DVD about 10 years ago. It whisks you up from your easy chair to a sunny vacation spot in the Polynesian Islands and never slows up or misses a beat. One scene moves to the next in a seamless manner often foreshadowed by a soundtrack that is very good and quite catchy.

The film was well cast with Harrison Ford as the crusty cargo pilot - Ann Heche as the assistant editor of a fashion magazine - David Swimmer as her pasty but very nice fiancé and Jacqueline Obradors as the beautiful but dingbat club dancer. This romantic comedy and action adventure film pits two people together from different backgrounds and age groups. Normally the two would never get along long enough to get to know the other. But, forced to spend time together and under challenging conditions, a small attraction begins to develop and grow stronger. The character development of the cast moves forward with the same speed as the rest of this cute story.

While the film is certainly not for everyone, judging from IMDb ratings and rotten tomatoes, I really believe it was the message and not the movie that failed to impress. This story expresses a throwback to traditional values in the relationship of Ford and Heche and their experiences on the Island. This may explain the reaction to the film by many of the younger viewers. Some of the more mature viewers may have been turned off by news of Ann Heche and Ellen Degeneres in real life. This may explain why some seem to love the movie, while others have curiously rated it rather poorly.

In any case, if you need a quick escape and love flying to beautiful Polynesian Islands loaded with beautiful scenery and good-looking people, then his film may be your ticket!

Ivan Reitman's comedy-drama is as entertaining as it is undemanding. Harrison Ford and Anne Heche are convincing and funny as crabby airline pilot Quinn Harris and jet-setting fashion magazine editor Robin Monroe, contending with being lost on a Pacific island, and battling with some modern-day pirates. Though their course from mutual dislike, through respect and friendship, to the finishing line of love, is familiar, they run it with style. There are the added pleasures of spectacular scenery, realistic flying sequences, and some nifty cutting between a hula dance performance and a crash landing. (Even David Schwimmer, as Robin's waiting boyfriend with a roving eye, is for once reasonably cast.)

In some respects this is a remake of the 1951 classic The African Queen - both involve a snooty woman and a tough guy thrown together in adversity. But a big difference is that, whereas Bogart and Hepburn were aged 52 and 44 when their movie was made, Ford and Heche were 56 and 29. It seems ironic that in those far off pre-feminist-movement days both movie-makers and audiences could accept older leading ladies; while now female stars over 40 can't find roles, and have to watch older male counterparts romancing women young enough to be their daughters.

But most viewers will ignore such considerations, relax, and simply enjoy this cinematic equivalent of "easy listening" music.