AVALIAÇÃO DA IMDb
6,2/10
14 mil
SUA AVALIAÇÃO
Três contos de terror: o primeiro sobre um assassino em série, o segundo sobre um transplante de cabelo que deu errado e o terceiro sobre um jogador de beisebol.Três contos de terror: o primeiro sobre um assassino em série, o segundo sobre um transplante de cabelo que deu errado e o terceiro sobre um jogador de beisebol.Três contos de terror: o primeiro sobre um assassino em série, o segundo sobre um transplante de cabelo que deu errado e o terceiro sobre um jogador de beisebol.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 indicações no total
George 'Buck' Flower
- Stranger (segment "The Gas Station")
- (as Buck Flower)
Lucy Boryer
- Peggy (segment "The Gas Station")
- (as Lucy Boyrer)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
John Carpenter presents "Body Bags", in which it reads true as he plays very-well looking coroner (well he might not be as what he seems) late at night fooling around in a morgue, while spitting out macabre jokes (visual and verbal) and then introducing us to three buoyant little stories. They range from horrific, humorous and simply bizarre with a "Tales from the Crypt" spin to them. In this low-budget TV production Carpenter would direct the first two; "The Gas Station" and "Hair", but the third story "The Eye" would be fronted by director Tobe Hopper. Carpenter and Hooper wouldn't be the only recognizable names, as the cast line-up is rather mouth-watering. You got Stacy Keach, David Warner, Mark Hamill, David Naughton, Robert Carradine, Deborah Harry, Twiggy, George Buck Flower, Charles Napier, John Agar, Roger Corman and a minor cameo from Tom Arnold. Also some horror participants have tiny parts; Sam Ramini, Wes Craven, Tobe Hooper and make-up/special effects maestro Gregory Nicotero.
The first story; "The Gas Station" starring Alex Datcher, Robert Carrdine and David Naughton is probably my favourite of the lot. It's the most straight-forward, but effectively atmospheric (very well photographed with its encroaching angles) and suspenseful, which sees a lady on her first day of the job looking over an isolated gas station late one-night night, where she becomes a target of a satanic serial killer. Quite high-tempo with its grounded cat-and-mouse layout. You really do feel the growing unease displayed by Datcher's character and the tension that unfolds from its eerily forlorn backdrop, but this exercise into familiarity just works. Some fruity characters also helps, and it's not without its parodying humour either to balance it out.
"Hair" the second story, starts off with a natural fear before becoming quite an offbeat and quirky entry which sees Stacy Keach being plagued by the fear of losing his hair. After trying everything to combat it, he seeks treatment from a specialist doctor. It works --- lovely long hair, but at what cost. Keach is a blast in the lead and he shares terrific on-screen chemistry with the likes of Sheena Easton, David Warner and a colourful Debbie Harry. Witty dialogues and a nice sense of wicked cruelty in a revelation that's just plain crazy.
Finally we end off with Hooper's "The Eye". A brooding supernatural tale that has Mark Hamill an up-and coming baseball player in a terrible car accident, where he loses his right eye. However a doctor offers him the chance to get that sight back in an eye transplant but there's no guarantee it will work. However it does, but soon he's plagued by headaches and visions --- dark and disturbing ones. This one takes on a more serious approach compared with the previous outings with an excellently confident Mark Hamill with good support by Twiggy. The story might be predictable, but it's well-paced where the inflicted transformation of our edgy central character is suitably pitched. Some ghastly shocks moments show up too.
Joining it up is the enjoyably warped wrap-around segment with Carpenter (where Rick Baker did the make-up for) and this sees the cameo turns of Hooper and Arnold at the end. The dialogues might be what you most remember, but some of the decors on show in this segment are amusingly executed.
As a whole it's a complete package with the stories perfectly complementing each other. They might not be spectacular, but I liked the three.
Good, fun comic horror anthology opus by Carpenter and co.
The first story; "The Gas Station" starring Alex Datcher, Robert Carrdine and David Naughton is probably my favourite of the lot. It's the most straight-forward, but effectively atmospheric (very well photographed with its encroaching angles) and suspenseful, which sees a lady on her first day of the job looking over an isolated gas station late one-night night, where she becomes a target of a satanic serial killer. Quite high-tempo with its grounded cat-and-mouse layout. You really do feel the growing unease displayed by Datcher's character and the tension that unfolds from its eerily forlorn backdrop, but this exercise into familiarity just works. Some fruity characters also helps, and it's not without its parodying humour either to balance it out.
"Hair" the second story, starts off with a natural fear before becoming quite an offbeat and quirky entry which sees Stacy Keach being plagued by the fear of losing his hair. After trying everything to combat it, he seeks treatment from a specialist doctor. It works --- lovely long hair, but at what cost. Keach is a blast in the lead and he shares terrific on-screen chemistry with the likes of Sheena Easton, David Warner and a colourful Debbie Harry. Witty dialogues and a nice sense of wicked cruelty in a revelation that's just plain crazy.
Finally we end off with Hooper's "The Eye". A brooding supernatural tale that has Mark Hamill an up-and coming baseball player in a terrible car accident, where he loses his right eye. However a doctor offers him the chance to get that sight back in an eye transplant but there's no guarantee it will work. However it does, but soon he's plagued by headaches and visions --- dark and disturbing ones. This one takes on a more serious approach compared with the previous outings with an excellently confident Mark Hamill with good support by Twiggy. The story might be predictable, but it's well-paced where the inflicted transformation of our edgy central character is suitably pitched. Some ghastly shocks moments show up too.
Joining it up is the enjoyably warped wrap-around segment with Carpenter (where Rick Baker did the make-up for) and this sees the cameo turns of Hooper and Arnold at the end. The dialogues might be what you most remember, but some of the decors on show in this segment are amusingly executed.
As a whole it's a complete package with the stories perfectly complementing each other. They might not be spectacular, but I liked the three.
Good, fun comic horror anthology opus by Carpenter and co.
Three stories courtesy of John Carpenter and Tobe Hooper, sounds like it can't miss, right? The results are mixed, but pretty interesting all the same.
The Gas Station is vintage Carpenter. Here he maximizes the effect from a truly simple premise and creates a genuinely scary story. It's simple, but the final minutes are riddled with tension and general uneasiness. The best of the bunch.
Hair is a truly funny story with a terrific performance by Stacy Keach. It goes way over the top towards the end, but still, it's highly amusing for the most part.
Eye, the weakest of the three, due to it's complete and utter predictability and complete failure of generating any real chills. It's fun to see Hamill and it's pretty gory but that's about it.
One terrific story, one pretty good and one pretty bad, all in all, it's worth watching but it's nothing spectacular.
The Gas Station is vintage Carpenter. Here he maximizes the effect from a truly simple premise and creates a genuinely scary story. It's simple, but the final minutes are riddled with tension and general uneasiness. The best of the bunch.
Hair is a truly funny story with a terrific performance by Stacy Keach. It goes way over the top towards the end, but still, it's highly amusing for the most part.
Eye, the weakest of the three, due to it's complete and utter predictability and complete failure of generating any real chills. It's fun to see Hamill and it's pretty gory but that's about it.
One terrific story, one pretty good and one pretty bad, all in all, it's worth watching but it's nothing spectacular.
Three short stories in the horror genre: The first about a serial killer. The second about a hair transplant going wrong. The third about a base ball player who receives a questionable eye transplant.
The sad truth is that giving this film as high a rating as I did really comes down to one thing: the endless supply of guest stars from the horror genre (and beyond). Who can dislike a film with Wes Craven, Sam Raimi, John Carpenter, Tobe Hooper and more? That is incredible.
As for the film itself, it is about average. The acting and directing are fine, and the gore really starts to add up in the third segment. But the script was really nothing special, and I am not shocked that Showtime declined to turn this into a regular series (any given episode of "Masters of Horror" is better).
The disc from Scream Factory makes this average film a little something more, with plenty of insight from Stacy Keach, John Carpenter and producer Sandy King. Horror fans may think the movie is average, but you are bound to learn a few things from the commentary.
The sad truth is that giving this film as high a rating as I did really comes down to one thing: the endless supply of guest stars from the horror genre (and beyond). Who can dislike a film with Wes Craven, Sam Raimi, John Carpenter, Tobe Hooper and more? That is incredible.
As for the film itself, it is about average. The acting and directing are fine, and the gore really starts to add up in the third segment. But the script was really nothing special, and I am not shocked that Showtime declined to turn this into a regular series (any given episode of "Masters of Horror" is better).
The disc from Scream Factory makes this average film a little something more, with plenty of insight from Stacy Keach, John Carpenter and producer Sandy King. Horror fans may think the movie is average, but you are bound to learn a few things from the commentary.
This was a pilot episode for a possible series on Showtime. Showtime wanted to spend less money on it, so the idea was aborted and John Carpenter continued to make feature films. All three episodes are packed with guest appearances and cameos by many great actors and horror directors. Performances in all of them are excellent and each episode has a different tone and style. The first is somewhat of a slasher. The second is a bizarre comedy with sci fi elements. Both of those were directed by John Carpenter. The third is the darkest and is directed by Tobe Hooper. Body Bags has a lot of actors that are very talented, but very underrated that normally don't get to do this type of stuff like Robert Carradine and Mark Hamill. Stacy Keach is always excellent as well and does great here. As far as I am concerned the Tales From The Crypt series on HBO is the best anthology horror there is. Body Bags would have made a good series and could have been able to compete with it if it could maintain this sort of quality. John Carpenter is the host of this show and has the right delivery and the right hair to keep up with The Cryptkeeper.
The first segment "The Gas Station" is the only frightening story in this trilogy. Set at night, apparently in the middle of nowhere, it has a plausibilty that the others lack (similarly to Hitchcock's "Psycho", it is scary because it's not completely beyond the realms of possibility). Plenty of atmosphere, a little gore and enough sudden shocks and suspense to make it worthwhile. The second segment is at times funny, but not at all scary. The third is an improvement on the second, but more fantastical than the first and therefore not as frightening.
The scenes with the man in the morgue, between the segments, are pretty weird. Lots of jokes about corpses. Fine, if you like that sort of thing.
The scenes with the man in the morgue, between the segments, are pretty weird. Lots of jokes about corpses. Fine, if you like that sort of thing.
Você sabia?
- CuriosidadesThis film features many great horror directors who act and/or direct. John Carpenter, director of Halloween - A Noite do Terror (1978), plays "The Coroner" who introduces each segment, as well as directs two of the stories, "The Gas Station" and "Hair." Tobe Hooper, director of O Massacre da Serra Elétrica (1974), plays "Man #2" (Morgue Worker) and directs the last segment, "Eye." Wes Craven, director of A Hora do Pesadelo (1984), plays "Pasty-Faced Man" at "The Gas Station." Sam Raimi, director of Uma Noite Alucinante: A Morte do Demônio (1981), plays "Dead Bill" in "The Gas Station." Roger Corman plays Dr. Bregman in the segment "Eye."
- Erros de gravação(at around 22 mins) In "The Gas Station" when "Bill" falls to the floor after being struck by Anne, you can briefly see his prop machete fold as it hits the ground.
- Citações
The Coroner: [looking at bodies] Natural causes... Natural causes... Natural causes... I hate natural causes! Give me a big stab wound to poke at and then I'm happy.
- Versões alternativasThe DVD version is a severely cut version of the original Pay TV release, eliminating a lot of the more violent and gory images.
- ConexõesFeatured in Unzipping Body Bags (2013)
- Trilhas sonorasAlmost Cut My Hair
Written by David Crosby
Performed by Crosby Stills Nash & Young (as Crosby, Stills, Nash & Young)
Published by Stay Straight Music (BMI)
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Special Products
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Body Bags
- Locações de filme
- 13030 Pearblossom Hwy, Pearblossom, Califórnia, EUA(gas station, segment "The Gas Station")
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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By what name was Trilogia do Terror (1993) officially released in Canada in English?
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