Adicionar um enredo no seu idiomaThe evil local land baron forecloses on Angie's place, and she and her two daughters must leave and continue their life of crime. A reporter witnesses their heist of a bank, and helps them b... Ler tudoThe evil local land baron forecloses on Angie's place, and she and her two daughters must leave and continue their life of crime. A reporter witnesses their heist of a bank, and helps them become folk legends by writing a story about them.The evil local land baron forecloses on Angie's place, and she and her two daughters must leave and continue their life of crime. A reporter witnesses their heist of a bank, and helps them become folk legends by writing a story about them.
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Big Bad Mama II is more (and less) of the same. Mostly less, since writer- director Jim Wynorski aims for camp, but can't manage to get laughs with anything. (This was a career-long failing for him.) Angie is back, but she's now over 50, and the Depression gangster genre has put on a few years too. With nothing new in the way of story ideas or screen visuals, there seems to be no point too having made a sequel beyond cashing in on the original for its video notoriety. More car chases, more guns, but little point. The sequel is only for die hard Angie fans. Collectors of celebrity nude will be disappointed that Angie's nude scenes were doubled (by former Penthouse model Monique Gabrielle).
"Big Bad Mama II" isw a very embarrassing followup to the 1974 Angie Dickinson drive-in hit. Currently in regional theatrical release, cheapie was advertised to open at three Manhattan sites but bumped to bookings in the other boroughs only.
As with producer Roger Corman's novel redoing of hsi "Jackson County Jail" as a "parallel world" sequel called "Outside Chance", "Mama II" is not a sequel to the original pi. Only Dickinson encores, as Wilma McClatchie, a gun-toting, tough-talking 1930s gangster in the mode of Ma Barker and Bonnie Parker. Her sexy daughters (Susan Sennett and Robbie Lee in the 1974 film; Danielle Brisebois and Julie McCullogh currently) are left fatherless in a prolog wherein villain Bruce Glover has their dad killed and the family evicted from their homestead.
Dickinson vows to get Glover, who is running for governor of Texas. She kidnaps his son (Jeff Yahger) and inducts him into her family band of bank robbers. Pic at this point becomes virtually plotless, with a hapless Robert Culp along for the ride as a Philadelphia reporter out to exploit the outlaws' story (and romance Dickinson). An action montage of footage from the first film is used to suggest scope and save money.l When not straining for idiotic "socially redeeming value" in having Dickinson show solidarity with striking miners and Hoovertown denizens, pic is one long rehash with endless machine gun fire, exploding squibs and period car chases.
Ita main thrust is to provide some skin for those successors to the drive-in: home video and paycable. Big surprise is that former tv child star of "Archie Bunker's Place", Danielle Brisebois, goes topless in a requisite frolic in a pond with sis McCullogh and in the process handily proves to have a better body than the former Playboy centerfold model. Dickinson has a nude bed scene with Culp, but is obviously subbed for b a body double this time.
The Peter Principle has former Corman publicis and writer for "Castle of Frankenstein" magazine Jim Wynorski directing this mess, which falls into the "no retakes" school of cinema. Actors' readings suffer accordingly and sense of ripoff is underscored by Chuck Cirino's music which draws heavily (and without credit) upon the work of Ennio Morricone, particularly his "The Good, the Bad and the Ugly" score. Idiotic ending features Dickinson in a white wig in 1987 with great-granddaughter Willie (played by Kelli Maroney) to carry on the family tradition.
*** (out of 4)
This "sequel" to the 1974 cult classic is more of a remake since the events in the first film are overlooked and the characters are pretty much starting from scratch. This time out after her husband is murdered, Wilma McClatchie (Dickinson) takes her daughters Billie Jean (Danielle Brisebois) and Polly (Julie McCullough) on a crime spree so that they won't have to go to bed hungry at night. Mama decides to get even with a crooked politician (Bruce Glover) by kidnapping his son (Jeff Yagher) but things don't go as planned. BIG BAD MAMA II was shot in about two weeks for an extremely small amount of money so one should keep that in mind. What's so funny is that director Wynorski knows that this isn't going to be an Oscar-winner so instead of trying something fancy he just keeps the film moving at a nice pace and throws in as much action as he can. The movie certainly isn't high quality and there's no question that it's not nearly as good as the first movie but I think the characters are so memorable and the cast do such a good job with them that you can't help but have fun as long as you don't mind this type of "B" film. Dickinson does a fine job in her role as she has no problem playing tough and she's still quite believable in the part. Robert Culp plays a reporter/love interest and he too does a fine job. I've read some reviews that said he looked embarrassed but I don't agree at all as it seems he's having a wonderful time and he has some nice chemistry with Dickinson. Brisebois is fine playing the tough daughter while McCullough is awfully cute as the good girl. Even Yagher is enjoyable in his part and fans of HALLOWEEN will enjoy seeing Charles Cyphers in a quick bit. Glover really steals the film as the sleazy bad guy as you can't help but get a real kick because he's certainly a no-good snake that you love to hate. The director keeps the film moving at an incredibly fast pace and we're treated to all sorts of action with non-stop bullets going around and we even get several explosions. In true Roger Corman fashion we even get a sequence where some new footage is mixed in with mostly scenes from the original movie. The nudity on display, especially that of McCullough, just adds to the fun. One strange thing is that in 1987 just about anything could go in the direct to video market (this did hit a few theaters) but this film is actually a lot tamer than the original with much of the sleaze cut out.
This sequel to a film that ripped-off one film(BLOODY MAMA), which in turn was a rip-off of another flick(BONNIE AND CLYDE).
Needless to say, BIG BAD MAMA II is a watered-down affair. And Robert Culp looks embarrassed. It's a time-killer, with the emphasis on "kill".
Você sabia?
- CuriosidadesAngie Dickinson's nude scenes in the film were done by an uncredited Monique Gabrielle.
- Erros de gravaçãoA boom mic is visible in the windshield of the car after the bank is robbed.
- Citações
Daryl Pearson: You know, your little girls have grown up.
Wilma McClatchie: No, my little girls have grown out; it's not the same thing.
- Cenas durante ou pós-créditosAny unauthorized exhibition, distribution or copying of this film or any part thereof (including soundtrack) is an infringement of the relevant copyright and will subject the infringer to severe civil and criminal prosecution... not to mention a midnight visit from some of our boys.
- ConexõesFeatured in The Directors: The Films of Roger Corman (1999)
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- How long is Big Bad Mama II?Fornecido pela Alexa
Detalhes
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- Também conhecido como
- Big Bad Mama: A Mulher da Metralhadora
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- Consulte mais créditos da empresa na IMDbPro
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- Orçamento
- US$ 1.200.000 (estimativa)