Um vagabundo do ensino médio comete um ato chocante e prossegue a contar o segredo a seus amigos. Entretanto, a reação dos amigos é quase tão ambígua e desconcertante quanto o próprio crime.Um vagabundo do ensino médio comete um ato chocante e prossegue a contar o segredo a seus amigos. Entretanto, a reação dos amigos é quase tão ambígua e desconcertante quanto o próprio crime.Um vagabundo do ensino médio comete um ato chocante e prossegue a contar o segredo a seus amigos. Entretanto, a reação dos amigos é quase tão ambígua e desconcertante quanto o próprio crime.
- Direção
- Roteirista
- Artistas
- Prêmios
- 4 vitórias e 5 indicações no total
Joshua John Miller
- Tim
- (as Joshua Miller)
Christopher Peters
- Tom
- (as Chris Peters)
Avaliações em destaque
"River's Edge" (1986) was based on a true story that took place in 1981: a high school student murders his girlfriend and tells his friends at school about it; the group goes to view the body in the woods but they're so apathetic and spiritually bereft that no one informs the authorities and the body just lies there for a couple of days. Daniel Roebuck plays the lumbering murderer and his clueless friends are played by Keanu Reeves, Crispin Glover and Ione Skye, amongst others; Dennis Hopper is on hand as an aged biker/hippie.
What struck me about the film was how much it reminded me of real life experiences, both as a youth growing up and also as an adult dealing with youths. Here are some of the things in the movie that I've also experienced:
This was (and is) the downside of the 60's revolution -- a somewhat sad emptiness in people who have lost their innate moral compass with the passing of religious faith as they desperately search for meaning or cause in the new secular frontier (Layne's "cause" in the film is rigid loyalty to John, since he had "his reasons" for murdering the girl, and covering up his crime). Most of the characters are neither likable nor unlikable; they're just human beings trying to live and find meaning or fulfillment with the hand they've been dealt.
The film runs 99 minutes and was shot in California (Sacramento, La Crescenta and Los Angeles).
BOTTOM LINE: Glover steals the show with an over-the-top (yet believable) performance in a film that details the dark side of coming-of-age in modern America. It plays like a mid-80's version of Coppola's "The Outsiders" (1983), which was about early 60's youths; note, for instance, the seemingly incongruent melodramatic score (there's also a great metal soundtrack, but the songs are merely soundbites). People who have grown up in loving homes with positive role models & friends probably won't like "River's Edge." They'll likely think it's trash. However, those who grew up in the dysfunctional insanity depicted in the film understand it fully. And many of us are doing everything in our power to prevent our kids and other youths from experiencing it.
GRADE: B+
What struck me about the film was how much it reminded me of real life experiences, both as a youth growing up and also as an adult dealing with youths. Here are some of the things in the movie that I've also experienced:
- Kids as young as 11-13 obsessed with "partying." - The idolization of drugs (pot, pills, etc.) and the party lifestyle above all else. - Kids, that young and older, out all night doing whatever (partying, having sex, crime). - Parents who aren't much more than phantoms in their kid's lives and therefore allow such. - Older, crazy dudes that the youths sometimes hang with, get drugs from or look up to. - The group dynamics of such youths and the unwritten law of not being a "narc." - Killing a friend and leaving the body where it lies for a couple of days.
This was (and is) the downside of the 60's revolution -- a somewhat sad emptiness in people who have lost their innate moral compass with the passing of religious faith as they desperately search for meaning or cause in the new secular frontier (Layne's "cause" in the film is rigid loyalty to John, since he had "his reasons" for murdering the girl, and covering up his crime). Most of the characters are neither likable nor unlikable; they're just human beings trying to live and find meaning or fulfillment with the hand they've been dealt.
The film runs 99 minutes and was shot in California (Sacramento, La Crescenta and Los Angeles).
BOTTOM LINE: Glover steals the show with an over-the-top (yet believable) performance in a film that details the dark side of coming-of-age in modern America. It plays like a mid-80's version of Coppola's "The Outsiders" (1983), which was about early 60's youths; note, for instance, the seemingly incongruent melodramatic score (there's also a great metal soundtrack, but the songs are merely soundbites). People who have grown up in loving homes with positive role models & friends probably won't like "River's Edge." They'll likely think it's trash. However, those who grew up in the dysfunctional insanity depicted in the film understand it fully. And many of us are doing everything in our power to prevent our kids and other youths from experiencing it.
GRADE: B+
Although the movie begins with a crime on the river's edge ,the film is not really a detective story,not a thriller.It is rather a chronicle of the lives and times of a bunch of high school students ,not particularly brilliant.The milieu in which they're nurtured is not particularly appealing:the scene when the mother screams that she would never have had children if she had had the choice is desperate to a fault.There's an interesting parallel between DEnnis Hopper's doll ,the young sister's one and ...the criminal's one.No actor overacts so the movie can be depicted as realistic.The history teachers provides the low point of the movie,his lesson being made of clichés we have heard a thousand times or more.THe wanderings through the night recall sometimes Lucas's "American Graffiti" but it seems that the young heroes come here from the wrong side of town.
Less Than Zero could have been the 80s movie that reveals teenage apathy in its most extreme form had they actually stuck to the damn book. But, where they hadn't, this movie presents does the job, and leaves you with the creepiest feeling when its all over in ways not done until the late nineties with Larry Clark's movies 'Kids' and 'Bully.'
Societal outcast teens are faced with a rather curious dilemma (they don't treat it much like one) when their estranged friend (Daniel Roebuck) boasts to them that he killed a teenage girl near the river's edge in their suburban town. Keanu Reeves may be the only civilized character among the bunch, the only one willing to exhibit any sort of conscience, anyway, while the others either don't do anything about the girl's death or want to help their friend hide the body.
I don't know who is more sick in this film--Crispin Glover--who becomes nearly obsessed and quite paternal in trying to protect the friend and hide the crime by smuggling him out of the state. Dennis Hopper, an on-edge drug dealer (who clings to a female blowup doll) that befriends the teens (as a dealer, of course) and suddenly becomes involved in the events. Or, Josh Miller, who plays Reeve's little brother, Tim. He appears to be the most apathetic of them all, at least until his emotional breakdown at the end. It is definitely not peppy 80s teen fare, obviously. And certainly makes the point strikingly clear about the serious detachment these kids deal with (despite a bizarre series of events) thanks to many great performances all around (even Reeves proved some acting capability).
Help yourself to a comedy to recover if it rocks you too hard.
Societal outcast teens are faced with a rather curious dilemma (they don't treat it much like one) when their estranged friend (Daniel Roebuck) boasts to them that he killed a teenage girl near the river's edge in their suburban town. Keanu Reeves may be the only civilized character among the bunch, the only one willing to exhibit any sort of conscience, anyway, while the others either don't do anything about the girl's death or want to help their friend hide the body.
I don't know who is more sick in this film--Crispin Glover--who becomes nearly obsessed and quite paternal in trying to protect the friend and hide the crime by smuggling him out of the state. Dennis Hopper, an on-edge drug dealer (who clings to a female blowup doll) that befriends the teens (as a dealer, of course) and suddenly becomes involved in the events. Or, Josh Miller, who plays Reeve's little brother, Tim. He appears to be the most apathetic of them all, at least until his emotional breakdown at the end. It is definitely not peppy 80s teen fare, obviously. And certainly makes the point strikingly clear about the serious detachment these kids deal with (despite a bizarre series of events) thanks to many great performances all around (even Reeves proved some acting capability).
Help yourself to a comedy to recover if it rocks you too hard.
Samson 'John' Tollet (Daniel Roebuck) is a strange guy. But nobody foresaw that he would kill his girlfriend Jamie. He left her naked body on the river's edge. When he tells everybody, nobody believed him. When people actually saw the body, everybody must deal with it in their own way.
The friends are all heavy metal listening slacker disaffected teens. Keanu Reeves plays the nice guy Matt. He's conflicted about Jamie's death. He knows something is morally wrong but he's unable to voice it at first. Keanu is able to inhabit this role perfectly. His uncomfortableness with Layne afterwards is amazing. Ione Skye plays Clarissa the sweet girl who just can't get up the courage to call the police. But it's Crispin Glover who steals the show playing Layne. He is the complete amoral weirdo. It's almost as if he enjoys the rush. It's more than a simple great movie. It's actually giving a slice of humanity and inhumanity without being preachy. It is unique.
The friends are all heavy metal listening slacker disaffected teens. Keanu Reeves plays the nice guy Matt. He's conflicted about Jamie's death. He knows something is morally wrong but he's unable to voice it at first. Keanu is able to inhabit this role perfectly. His uncomfortableness with Layne afterwards is amazing. Ione Skye plays Clarissa the sweet girl who just can't get up the courage to call the police. But it's Crispin Glover who steals the show playing Layne. He is the complete amoral weirdo. It's almost as if he enjoys the rush. It's more than a simple great movie. It's actually giving a slice of humanity and inhumanity without being preachy. It is unique.
I can remember a college professor commenting as to how disturbing this film was, reflecting the apathy of adolescents (this was before Generation "X").
In a way, most of us are products of the same consumer culture; these high school kids spend their time drinking, getting high and wondering what to do about the body left on a riverbank.
What would they do today? Would things be different?. Some very important questions. There are some excellent scenes with Keanu Reeves, and the dysfunctional family he lives with; his 11 year old brother going out to get wasted; the mother has no idea what to do- spends her time drinking with her boyfriend.
This film was a bit before its time in that it addresses the problems in lower class American society; these kids had no outlet; what is available for them in this dirt-water town? . All in all a few interesting social commentaries are presented, and there are no solutions. 9/10.
In a way, most of us are products of the same consumer culture; these high school kids spend their time drinking, getting high and wondering what to do about the body left on a riverbank.
What would they do today? Would things be different?. Some very important questions. There are some excellent scenes with Keanu Reeves, and the dysfunctional family he lives with; his 11 year old brother going out to get wasted; the mother has no idea what to do- spends her time drinking with her boyfriend.
This film was a bit before its time in that it addresses the problems in lower class American society; these kids had no outlet; what is available for them in this dirt-water town? . All in all a few interesting social commentaries are presented, and there are no solutions. 9/10.
Você sabia?
- CuriosidadesAlthough this film is a work of fiction, it was inspired by the murder of Marcy Conrad, who was killed by her friend Anthony Jacques Broussard in Milpitas, California, in 1981.
- Erros de gravaçãoLayne drives two different VW Beetles in the movie. One car seen later in film has the stock front hood and fenders, while another seen early on has a modified "dune buggy" front end, with the headlights moved to the center. The rear rims on Layne's VW changes style from scene to scene. In some scenes, they are of a five-spoke style (which match the front rims) while in others the rims change to another style.
- ConexõesFeatured in Fates Warning: Kyrie Eleison (1986)
- Trilhas sonorasKyrie Eleison
Written byJim Matheos & John Arch
Performed by Fates Warning
Courtesy of Metal Blade Records
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- How long is River's Edge?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- River's Edge
- Locações de filme
- Sacramento, Califórnia, EUA(River scenes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.900.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.600.000
- Fim de semana de estreia nos EUA e Canadá
- US$ 67.794
- 10 de mai. de 1987
- Faturamento bruto mundial
- US$ 4.600.000
- Tempo de duração1 hora 39 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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