AVALIAÇÃO DA IMDb
6,9/10
20 mil
SUA AVALIAÇÃO
Reunido com o seu pai criminoso de carreira, o adolescente brad acha que encontrou o bilhete para uma excitante vida de crime, só para descobrir que está errado.Reunido com o seu pai criminoso de carreira, o adolescente brad acha que encontrou o bilhete para uma excitante vida de crime, só para descobrir que está errado.Reunido com o seu pai criminoso de carreira, o adolescente brad acha que encontrou o bilhete para uma excitante vida de crime, só para descobrir que está errado.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 2 indicações no total
Chris Penn
- Tommy
- (as Christopher Penn)
Avaliações em destaque
The look of the film says rural poverty. There are broken-down cars in the front yards and trash in the streets. People don't say much during supper; they're too involved watching the television. The main story is based on the real life story of killer Bruce Johnson. With the accepting of the character's names being changed, the film features an accurate interpretation of events. It is truly a shame that no one really knows about this film. It features a powerful and emotional tale of an American criminal family.
This is a gritty movie, with great questions about family ties and what to do with your life when you have no real options. Most of the cast was relatively unknown at the time, so check out actors like Kiefer Sutherland, Crispin Glover, and Mary Stuart Masterson at the beginning of their careers. Credit should also go to director James Foley and scriptwriter Nicholas Kazan for not only delivering a powerhouse film but for also getting it right.
Overall rating: 8 out of 10.
This is a gritty movie, with great questions about family ties and what to do with your life when you have no real options. Most of the cast was relatively unknown at the time, so check out actors like Kiefer Sutherland, Crispin Glover, and Mary Stuart Masterson at the beginning of their careers. Credit should also go to director James Foley and scriptwriter Nicholas Kazan for not only delivering a powerhouse film but for also getting it right.
Overall rating: 8 out of 10.
AT CLOSE RANGE (1986) *** Sean Penn, Christopher Walken, Mary Stuart Masterson, Chris Penn, Millie Perkins, Eileen Ryan, Tracey Walter, Crispin Glover, R.D. Call, J.C. Quinn, Candy Clark, David Strathairn, Jake Denzel, Stephen Geoffreys, Kiefer Sutherland. Excellent casting of Penn and Walken as son and father sharing two generations of crime with some modulated tense moments and violence perfectly calculated with a fine ensemble character actor cast. Walken is indelibly chilling. Excellent use of light and shadows in cinematographer Juan Ruiz Anchia's choices and excellently directed by James Foley.
A very good film that I recommend highly if you are in the right frame of mind to view truly evil subject matter. The acting by Walken, Penn, Penn and Masterson is brilliant. Espescially the last few minutes. Sean Penn's performance is my favourite acting moment of all time. Even writing this makes me take a deep exhale.
This is such a well crafted film in so many ways, I urge you not to watch it alone. The writer has dipped into Greek mythology as well as modern newspaper tabloids, and come up with a frightening collection of kids and adults that you absolutely believe could exist down the street in a 'lesser' part of town.
I won't go into the plot, except to say that it's centered around kids need for love from their parents- and what they'll do to get it.
Chris Walken walks away with the film- every time he's on screen, it lights up and all sense of time stops. I'm not exaggerating! He's stunning.
The Penn brothers, Sean and Chris, do fine work as well. But I was most surprised by Chris Penn, he's open and sad and really quite a terrific actor.
I think this is James Foleys best film, and worth a rent.
I won't go into the plot, except to say that it's centered around kids need for love from their parents- and what they'll do to get it.
Chris Walken walks away with the film- every time he's on screen, it lights up and all sense of time stops. I'm not exaggerating! He's stunning.
The Penn brothers, Sean and Chris, do fine work as well. But I was most surprised by Chris Penn, he's open and sad and really quite a terrific actor.
I think this is James Foleys best film, and worth a rent.
This raw look at small town hoods brutally exposes us to a portion of society rarely depicted in movies. Souped-up cars and small time heists are nothing new, but `At Close Range' is really more The Godfather' than `Bonnie and Clyde'.
Disobedient kids, worthless mom, ineffective stepfather. Every day we hear tell of it on Montel, Jerry Springer, and Sally. Here, we see it, here we live it.
James Foley does his best work here, you might think it funny to call a film with a lot of 4x8 paneling and muscle shirts stylish' but this film has its own distinctive style, in many ways reminding me of Michael Mann's very stylish `Thief'
Christopher Walken is nothing short of spectacular. Both the Penn brothers (Sean and Chris) do very strong turns as sons of this verrry badddd man.
Great story, powerful performances. All too real. Even a bit of a storybook ending doesn't tarnish this one.
Disobedient kids, worthless mom, ineffective stepfather. Every day we hear tell of it on Montel, Jerry Springer, and Sally. Here, we see it, here we live it.
James Foley does his best work here, you might think it funny to call a film with a lot of 4x8 paneling and muscle shirts stylish' but this film has its own distinctive style, in many ways reminding me of Michael Mann's very stylish `Thief'
Christopher Walken is nothing short of spectacular. Both the Penn brothers (Sean and Chris) do very strong turns as sons of this verrry badddd man.
Great story, powerful performances. All too real. Even a bit of a storybook ending doesn't tarnish this one.
Você sabia?
- CuriosidadesWhen Christopher Walken works with guns in film, he checks them himself before each scene for safety reasons and his own personal ease. During the scene when Sean Penn sticks a gun in Walken's face, Walken checked the gun before the scene started. Before the director had the chance to say "Action", Penn ran off camera and shouted, "Give me the other gun!" He immediately returned to Walken and started the scene. This is the cut that made it into the movie, and Walken was really terrified.
- Erros de gravaçãoThe shotgun pellet wounds on Sean Penn's face disappear almost immediately and leave no scars.
- Citações
Brad Whitewood Sr.: [to Brad, Jr] Boy ain't got the life expectancy of a housefly.
- Versões alternativasThe UK cinema version was cut by 1 min 1 sec by the BBFC to remove scenes of a cockfight. The 1986 Rank video version was pre-edited by the distributors to remove most of the scene beforehand and subsequently the cuts were reduced to 14 secs. However MGM submitted the original cinema print for the 2003 DVD release and thus 49 secs were cut from the same scene.
- ConexõesFeatured in Madonna: Live to Tell (1986)
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Detalhes
Bilheteria
- Orçamento
- US$ 6.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.347.000
- Fim de semana de estreia nos EUA e Canadá
- US$ 180.286
- 20 de abr. de 1986
- Faturamento bruto mundial
- US$ 2.347.077
- Tempo de duração
- 1 h 56 min(116 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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