O agente 007 tem de impedir um industrial ambicioso que quer matar milhões de pessoas para ter o monopólio na indústria de microchips. De Paris a São Francisco, Bond não pára, mas o tempo é ... Ler tudoO agente 007 tem de impedir um industrial ambicioso que quer matar milhões de pessoas para ter o monopólio na indústria de microchips. De Paris a São Francisco, Bond não pára, mas o tempo é pouco e ele é um alvo em movimento.O agente 007 tem de impedir um industrial ambicioso que quer matar milhões de pessoas para ter o monopólio na indústria de microchips. De Paris a São Francisco, Bond não pára, mas o tempo é pouco e ele é um alvo em movimento.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 6 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Besides , there shows up habitual in Bond series : Louis Maxwell (MonneyPenny) , Geoffrey Keen , Desmond Llewellyn , Walter Gotell (General Gogol) and , adding , the gorgeous Bond girls : Fiona Fullerton , Alison Doody (Indiana Jones and the last Crusade) , among others . The highlights of the film are the following ones : the breathtaking May Day scape in parachute with pursuit by Bond , the horse races with continuous set ups against OO7 ; the Town Hall's burning with risked rescue of Stacey Sutton by James Bond , and, of course , the confrontation-denouement over San Francisco Golden Gate Bridge and fighting on a dirigible . The film contains action-packed , apocalyptic and overwhelming scenarios along with the typically glossy ingredients of the series , but Roger Moore looks a little boring , in fact it results to be his Bond's last film . It packs colorful , spectacular cinematography by Alan Hume and appropriate -as usual- musical score by John Barry . Main title song is catching and performed by Duran Duran . The motion picture was professionally directed by John Glen .
Even though Flemming's material is long gone by this time the plot in this film actually holds together quite well. Actually, in a way the plot borrows on the plot of Goldfinger replacing Gold with sand. This does hold the film together quite well. The biggest problem with this film is Tanya Roberts, on my list the second worst Bond girl. Trouble is there is nothing good to balance her here & since her poor performance dominates the film, we are stuck with her here.
(In case your wondering, the worst Bond Girl of the entire series is Lynn-Holly Johnson. In FOR YOUR EYES ONLY, Lynn proved she can't act, & couldn't even be a believable skater even though in real life she is one. Carol Bouquet balances her off because she is one of the best Bond women ever, because without her, Lynn would have killed the series off for Moore sooner.) Christopher Walken is good as the heavy in this. Grace Jones does a good turn as "Mayday" also.
Roberts is the reason this ended Roger Moore's reign as 007. Maybe this is a good thing, but I wish they could re-shoot it with another better actress (not Johnson) because this film is good. The scenery is good, and the rest of the cast brings this off well. The stunts in this one are top notch too. This film grows on you when you watch it. There are times when Moore's advanced age shows up plainly though.
OK, so there are serious considerations about the film. And it's not so much that Roger Moore looks old, but rather that he *acts* old. Gone is the exuberance and youthful spirit of previous Moore Bonds. Moore seems tired and unenthusiastic, as if going through the motions, as if he doesn't care anymore. He doesn't convince.
Pace-wise, there's a serious flat spot early on and it lasts for a long time. It simply is boring from the moment Bond enters the Zorin residence trying to find out about any wrongdoings and about until Tanya Roberts enters the frame. It's not helped by the plot either: ex KGB agent/ specimen turned microchip businessman trying to take over the market by blowing up Silicon Valley. It could be better, much better.
What literally saves the film is the two stunning action sequences in the second half. First we got Moore and Roberts' narrow escape, leading to one of the best Bond car-chases ever. In a fire-truck of all vehicles! With Moore hanging from the extending ladder!! And then the spectacular Golden Gate Bridge sequence, brilliantly directed - is it a first for John Glen?
So, among the best Bonds this is not, but a nice farewell from Mr. Moore all the same.
It's Moore's final appearance as 007, and he is trying to prevent a psychotic business magnate, Max Zorin (Walken) from destroying Silicon Valley and cornering the world electronic market all for himself. To make matters worse, Zorin is not your average adversary, since he was born as the result of a Nazi doctor's scientific tamperings resulting in him being hyper-intelligent but also uncontrollably murderous. The mission takes Bond from Zorin's French chateau, to San Francisco, and ultimately to an abandoned mine close to Silicon Valley, where Zorin plans to detonate a bomb which will trigger a cataclysmic earthquake.
The set pieces are memorable, including a parachute pursuit from the Eiffel Tower, a fire engine chase around the hilly streets of San Francisco, and an airship crash on the Golden Gate bridge. Moore looks a bit old for the part, and his sexual humour bears a greater emphasis than usual of the "dirty old man" baggage. However, he still has an easy-going charisma and good comic timing. Walken makes for a good, supremely confident villain, and is well backed by the fearsome Grace Jones. However, Tanya Roberts Bond girl character is whining and screaming so much in this film that she eventually wears out her welcome. The theme song from Duran Duran is rather too '80s, but the instrumental music by John Barry is stirring and dramatic.
I'm not sure what all the disappointment is about. A View To A Kill is an above average Bond flick with plenty to keep you entertained.
Você sabia?
- CuriosidadesSir Roger Moore was 57 at the time of this film's release, making him the oldest actor to play James Bond, tied with David Niven in Casino Royale (1967). Moore was also the second-oldest, as he was 55 when 007 Contra Octopussy (1983) was released. The third-oldest are Moore, Sir Sean Connery, and Daniel Craig, who were all 53 when 007 - Somente para seus Olhos (1981), 007 - Nunca Mais Outra Vez (1983), and 007 - Sem Tempo para Morrer (2021) were released, respectively.
- Erros de gravaçãoAs Bond and Stacey are climbing up the elevator shaft, the cables burn through and the elevator falls down the shaft. Elevators have braking systems that prevent them falling even in the event of loss of their supporting cables.
- Citações
[the morning after Bond sleeps with May Day]
Max Zorin: You slept well?
James Bond: A little restless but I got off eventually.
- Cenas durante ou pós-créditosOpening credits disclaimer "Neither the name 'Zorin' nor any other name or character in this film is meant to portray a real company or actual person" appears right before the gunbarrel opening sequence. It was added after producers discovered a real company run by a person named "Zoran."
- Versões alternativasA deleted scene presented on the DVD shows Bond being bailed out of a Paris jail by M following his taxi chase of May Day. The scene shows Bond collecting his personal effects, including the wristwatch with garrote wire from Moscou Contra 007 (1963), an ink pen filled with acid, and a cigarette lighter that's a flame thrower.
- ConexõesEdited into James Bond 007 & Renault 11 in 'A View to a Kill' (1985)
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- 007: En la mira de los asesinos
- Locações de filme
- Château de Chantilly, Chantilly, Oise, França(James Bond stays at Zorin's Estate)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 50.327.960
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.687.114
- 26 de mai. de 1985
- Faturamento bruto mundial
- US$ 50.337.730
- Tempo de duração2 horas 11 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1