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IMDbPro

007 - Permissão para Matar

Título original: Licence to Kill
  • 1989
  • 12
  • 2 h 13 min
AVALIAÇÃO DA IMDb
6,7/10
116 mil
SUA AVALIAÇÃO
POPULARIDADE
3.696
929
Carey Lowell, Talisa Soto, Timothy Dalton, and Robert Davi in 007 - Permissão para Matar (1989)
Trailer 2 for Licence To Kill
Reproduzir trailer1:54
3 vídeos
99+ fotos
SpyActionAdventureThriller

Quando o traficante Franz Sanchez mata o agente da CIA Felix Leiter, Bond vai atrás dele. Mas após receber ordens de Londres para parar, Bond vai ter de escolher entre a lealdade a um amigo ... Ler tudoQuando o traficante Franz Sanchez mata o agente da CIA Felix Leiter, Bond vai atrás dele. Mas após receber ordens de Londres para parar, Bond vai ter de escolher entre a lealdade a um amigo e a lealdade ao seu país e ao serviço secreto.Quando o traficante Franz Sanchez mata o agente da CIA Felix Leiter, Bond vai atrás dele. Mas após receber ordens de Londres para parar, Bond vai ter de escolher entre a lealdade a um amigo e a lealdade ao seu país e ao serviço secreto.

  • Direção
    • John Glen
  • Roteiristas
    • Michael G. Wilson
    • Richard Maibaum
    • Ian Fleming
  • Artistas
    • Timothy Dalton
    • Robert Davi
    • Carey Lowell
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    116 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.696
    929
    • Direção
      • John Glen
    • Roteiristas
      • Michael G. Wilson
      • Richard Maibaum
      • Ian Fleming
    • Artistas
      • Timothy Dalton
      • Robert Davi
      • Carey Lowell
    • 479Avaliações de usuários
    • 98Avaliações da crítica
    • 58Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos3

    Licence to Kill
    Trailer 1:54
    Licence to Kill
    Licence to Kill
    Trailer 1:19
    Licence to Kill
    Licence to Kill
    Trailer 1:19
    Licence to Kill
    License To Kill: Private Vendetta
    Clip 1:37
    License To Kill: Private Vendetta

    Fotos253

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    Elenco principal65

    Editar
    Timothy Dalton
    Timothy Dalton
    • James Bond
    Robert Davi
    Robert Davi
    • Franz Sanchez
    Carey Lowell
    Carey Lowell
    • Pam Bouvier
    Talisa Soto
    Talisa Soto
    • Lupe Lamora
    Anthony Zerbe
    Anthony Zerbe
    • Milton Krest
    Frank McRae
    Frank McRae
    • Sharkey
    Everett McGill
    Everett McGill
    • Killifer
    Wayne Newton
    Wayne Newton
    • Professor Joe Butcher
    Benicio Del Toro
    Benicio Del Toro
    • Dario
    Anthony Starke
    Anthony Starke
    • Truman-Lodge
    Pedro Armendáriz Jr.
    Pedro Armendáriz Jr.
    • President Hector Lopez
    • (as Pedro Armendariz)
    Desmond Llewelyn
    Desmond Llewelyn
    • Q
    David Hedison
    David Hedison
    • Felix Leiter
    Priscilla Barnes
    Priscilla Barnes
    • Della Churchill
    Robert Brown
    Robert Brown
    • M
    Caroline Bliss
    Caroline Bliss
    • Miss Moneypenny
    Don Stroud
    Don Stroud
    • Heller
    Grand L. Bush
    Grand L. Bush
    • Hawkins
    • Direção
      • John Glen
    • Roteiristas
      • Michael G. Wilson
      • Richard Maibaum
      • Ian Fleming
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários479

    6,7116.4K
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    Avaliações em destaque

    gavsalkeld

    A criminally underrated Bond picture

    Licence To Kill is one of the most underrated Bond movies since On Her Majesty's Secret Service. Slipping easily back into 007's shoes with style after his previous role as Bond, Timothy Dalton embodies the character. With a break away from the comic-book villains and fantastical locations, the filmmakers decide to focus instead on a very adult and contemporary story about drug smuggling and revenge. Michael G. Wilson and Richard Maibaum's story is engaging and exciting, with a steadfast confidence in their leading man. This is a Bond movie that took risks -- it was the first 15-rated Bond film in the UK -- and surely deserves kudos for doing so. Make no mistake; this is not a family Bond picture. Its themes require a more mature perspective than its predecessors, and the violence is certainly stronger than anything that had come before. Unfortunately, these factors seem to be what critics of Licence To Kill call 'faults'. But why is change so bad, I ask? Casino Royale is getting major appreciation from critics for its grittiness and its darker edge. So why not Licence To Kill? After all, this is the movie that started the current trend, with Dalton's mature portrayal of Bond paving the way for Pierce Brosnan and, without doubt, Daniel Craig. It always amazes me that people do not give Dalton more respect for what he did with the character. This guy started the ball rolling. And boy did he give it a hard push.

    The characters in Licence To Kill are one of it's major plus points. James Bond is the most human we have seen him in 20 years, as Dalton brings a real sense emotional depth to the character; a tortured man full of hurt and pain and vengeance, his determined and stony face almost cracking with the burning hatred that is barely contained inside of him. We also get a strong female lead with Carey Lowell, whose portrayal of Pam Bouvier is at once intelligent, sexy, and funny. On the flip side of the coin, we have a genuinely terrifying villain in the shape of Robert Davi, playing his role deadly straight with not a hint of camp. It's a rare scenario where you feel Bond has met someone of equal competence. The Sanchez character is a frightening presence, and an early role from Benicio Del Toro is just as effective; his chilling grin a fear-inducing sight.

    Technically speaking, John Glen's direction is taught and assured, with the pace never really letting up for the 130+ minutes running time, save at the very end of the movie where the spectacular truck chase sequence perhaps drags just a little. The brilliant Michael Kamen also supplies us with an elegant, sensual and brooding score that is a vital player unto itself, complimenting the visuals excellently.

    In spite of these pluses, there are some minor quibbles. As I said before, the truck finale is perhaps a bit long, even though the stunt work is amazing, but it does slow the pace a bit. Talisa Soto is indeed beautiful as Sanchez' girlfriend but, bless her, she isn't exactly the most talented actress on the planet. She plays her part well enough, but the role isn't exactly Oscar-worthy, and it's not helped by the fact that the script tends to relegate her to the sidelines. Everett McGill's cigar-chomping Killifer is rather too pantomime for me - he just doesn't stand up to the characters of Sanchez or Anthony Zerbe's Krest but he doesn't stick around long so doesn't get in the way too much.

    With a striking leading man in Bond's shoes, Licence To Kill deserves a lot more credit than it gets. This is the film that broke the mould, opening the doors to a more adult, violent Bond world that continued briefly with some of the Brosnan films and certainly with Daniel Craig's portrayal of the character. In Timothy Dalton we have a brilliant actor in the starring role who brought us a more human and believable Bond, yet it is Daniel Craig who is currently getting the credit for these exact traits. Don't get me wrong, his characterisation is superb. But Dalton is the one who started it off, and it is a shame that he only made the two films.

    John Glen says that from all of the Bond movies that he directed, Licence To Kill is the one he is most proud of. And rightly so. Not only do we get a more fleshed-out character in Bond than previous outings, we get a more believable and mature storyline, with great characters and competent direction. Definitely one of the most underrated Bond movies, this engaging film is a great piece of entertainment, and one that I hope will gather praise with time. See it.

    4 stars.
    MrsRainbow

    close to the best

    I wish more Bond films were like this one. It's almost my personal favorite. Too often 007's humor is so obvious and unsubtle that it's just not enjoyable, i.e. Roger Moore and his all too ready one-liners. LTK took the high road and avoided that altogether, and wound up being quite an entertaining film. A refreshing change from the typical fare being thrown at us.
    didi-5

    Dalton's best run in the role

    The worst-performing movie in the Bond movie in terms of grosses, it probably failed because it wasn't really a Bond at all. True, it is the character Fleming created, and Q is in there, but this extremely violent thriller with its strong female characterisation (Carey Lowell, perhaps the only Bond girl with `balls') is not a neat fit with the others.

    The only one of the franchise created especially with star Timothy Dalton in mind (perhaps the sexiest Bond of them all?) it is a tale of loyalty, drug cartels, sharks, and 007 losing his licence and setting off as a vigilante. Lowell plays agent Pam Bouvier, who shines in a bar fight and gives 007 as good as he gets. And boy, do these two have chemistry together!

    The only problem with this movie is that it gets so truncated on its TV showings that it loses a lot of its point (and in the worst edit I saw, its sense). There is perhaps too much going on - the abused Latino bimbo, the crooked evangelist, the Japanese businessmen touring the factory, the casino …

    Not at all as bad as many commentators at the time and since have suggested. What a pity the series stagnated after this before its big budget Pierce Bronson revival. Dalton should have had the chance to show us more of the character he portrays in `Licence to Kill'. And what a great theme tune from Gladys Knight.
    8aheaven2005

    Dalton is a great Bond

    Another great Bind movie with Timothy Dalton. Again, the stakes are clear from the get go and the villain is mean. Even the opening scene fits in the movie story this time around. Benicio Del Toro playing a Henchman is also a great nice to have!
    barnabyrudge

    Hard-edged Bond film. Not a great commercial success, but it has interesting points.

    Timothy Dalton only played Bond twice, but he tried to base his interpretation of the character on the descriptions provided by Ian Fleming in the original novels. Therefore, his Bond is quite ruthless and embittered, and always ready to stick two fingers up at the establishment if he feels they've got it wrong.

    Bond is vacationing in Florida, acting as best-man at his friend Felix Leiter's wedding, when the unthinkable happens. Leiter and his wife are assaulted by some Central American thugs; the wife is murdered and Leiter is crippled by sharks. Bond is obviously deeply unhappy about this, but his bosses instruct him to let the matter drop and get on with another assignment. 007 knows who is responsible for the injuries to his friend, so he revokes his licence to kill and becomes a rogue agent, tracking down the villainous drug lord Sanchez (Robert Davi) to his Latin America headquarters. Here, aided by Sanchez's unfaithful mistress Lupe (Talisa Soto) and CIA agent Pam Bouvier (Carey Lowell), Bond attempts to wipe out their enormous clandestine drug operation single-handedly.

    There's definitely an uneasy, hard edge to the film which makes it unique among the Bond series. Whether or not this improves the film depends on your personal taste: if you like safe, humorous Roger Moore escapades, you'll probably find this too jarring, whereas if you prefer espionage stories with a bit of grit and sweat, this may be just what you're after. The action sequences are still outrageous in the tried-and-trusted Bond style, with memorable episodes featuring a daring helicopter .vs. airplane pursuit; a barefoot water-skiing sequence; and a truck chase down the side of a mountain. Some of the language, though not out-and-out "foul", is a bit stronger and more believable than in other Bond entries. The theme tune from Gladys Knight and the Pips is one of the better 007-tracks.

    Licence to Kill is a new twist on the Bond theme. It isn't the best, and some of its new ideas don't fit with the usual routine (which may or may not be a good thing), but it is certainly interesting.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Timothy Dalton stated in an interview about why his Bond was a much darker, grittier incarnation. It was because he wanted to go back to the Ian Fleming novels, and capture the essence and the spirit of the character Ian Fleming created.
    • Erros de gravação
      When the air hose on a truck's braking system is severed, the brakes lock on, they do not release as shown.
    • Citações

      [Sanchez is about to kill James]

      Franz Sanchez: You could have had everything.

      James Bond: Don't you want to know why?

      [Shows Sanchez Felix's lighter, then sets Sanchez on fire]

    • Cenas durante ou pós-créditos
      The Surgeon General's warning appears at the end credits, due to the characters' use of tobacco products.
    • Versões alternativas
      On pan and scan VHS prints issued since 1990, the opening title credits have been slightly altered to fit the screen. Some credits that took one line in the widescreen version were altered to fit two lines in the pan and scan version.
    • Conexões
      Edited into Folgers Coffee 'Licence to Kill' Television Commercial (1989)
    • Trilhas sonoras
      Licence to Kill
      Music by Narada Michael Walden

      Lyrics by Walter Afanasieff

      Performed by Gladys Knight

    Principais escolhas

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    Perguntas frequentes27

    • How long is Licence to Kill?Fornecido pela Alexa
    • Who is the woman dancing in the opening credits?
    • What is Sharkey's real name?
    • What is 'Licence to Kill' about?

    Detalhes

    Editar
    • Data de lançamento
      • 31 de agosto de 1989 (Brasil)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
      • México
    • Idiomas
      • Inglês
      • Espanhol
    • Também conhecido como
      • 007: Con licencia para matar
    • Locações de filme
      • Ernest Hemingway Museum - 907 Whitehead Street, Key West, Florida Keys, Flórida, EUA(M revokes Bond's licence to kill)
    • Empresas de produção
      • Danjaq
      • Eon Productions
      • Estudios Churubusco Azteca S.A.
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 32.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 34.667.015
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 8.774.776
      • 16 de jul. de 1989
    • Faturamento bruto mundial
      • US$ 156.167.015
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 13 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby SR
      • Dolby Surround 7.1
    • Proporção
      • 2.39 : 1

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