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IMDbPro

Rebelião do Século 21

Título original: Crash and Burn
  • Vídeo
  • 1990
  • R
  • 1 h 25 min
AVALIAÇÃO DA IMDb
5,0/10
1,5 mil
SUA AVALIAÇÃO
Megan Ward in Rebelião do Século 21 (1990)
HorrorSci-Fi

Adicionar um enredo no seu idiomaUnicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of e... Ler tudoUnicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of economic stability". When a Unicom Synth robot infiltrates a southwest TV station and kills... Ler tudoUnicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of economic stability". When a Unicom Synth robot infiltrates a southwest TV station and kills the manager, a revolutionary against the gestapo-like corporation, a lowly Unicom deliver... Ler tudo

  • Direção
    • Charles Band
  • Roteirista
    • J.S. Cardone
  • Artistas
    • Paul Ganus
    • Megan Ward
    • Ralph Waite
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,0/10
    1,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Charles Band
    • Roteirista
      • J.S. Cardone
    • Artistas
      • Paul Ganus
      • Megan Ward
      • Ralph Waite
    • 27Avaliações de usuários
    • 45Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Fotos67

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    Elenco principal13

    Editar
    Paul Ganus
    Paul Ganus
    • Tyson Keen
    Megan Ward
    Megan Ward
    • Arren
    Ralph Waite
    Ralph Waite
    • Lathan Hooks
    Bill Moseley
    Bill Moseley
    • Quinn
    Eva LaRue
    Eva LaRue
    • Parice
    • (as Eva La Rue)
    Jack McGee
    Jack McGee
    • Winston Wickett
    Elizabeth Maclellan
    • Sandra
    Katherine Armstrong
    • Christie
    John Davis Chandler
    John Davis Chandler
    • Bud
    • (as John Chandler)
    Kristopher Logan
    Kristopher Logan
    • Scratch
    David DeCoteau
    David DeCoteau
    • ILU Member
    • (não creditado)
    John Schouweiler
    John Schouweiler
    • ILU Member
    • (não creditado)
    Michael Shamus Wiles
    Michael Shamus Wiles
    • Cop
    • (não creditado)
    • Direção
      • Charles Band
    • Roteirista
      • J.S. Cardone
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários27

    5,01.5K
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    Avaliações em destaque

    amesmonde

    One of Fullmoons better outings.

    The year is 2030, a remote TV station has been infiltrated by a Synthoid, a Terminator-like robot who is programmed to kill those who oppose the tyrannical Unicom organization.

    With B film execution Crash and Burn steals some concept elements from Class of 1999, The Terminator, Robocop, Blade Runner and The Thing to name a few. Although it's slow-paced there's room for a gratuitous shower, electrocution scene, shogun action and stop motion animation, anyone familiar with the studio offerings will appreciate the pace and tone. Oddly dubiously marketed as Robot Jox 2 or from the makers of Arena (don't expect the fights of Arena or Jox) as it contains less than a minute of giant Robot action.

    Director Charles Band (this generations Roger Corman) gives a tight little flick that benefits from being filmed on location giving it an almost cinematic feel. The shadowy setting gives it some atmosphere with a dusty desert setting bookending the film and the Synthoid is menacing at times - realised by some surprisingly good practical special make-up effects. Despite borrowing music cues from Richard Band's other Fullmoon film scores the music is effective enough.

    Lead Paul Ganus as Keen wields a shotgun well enough but he looks like he's just walked off a Danielle Steele TV adaptation. Co-star Megan Ward as Arren gives a solid performance considering the sparse script. Supporting cast include Jack McGee and veteran actor Ralph Waite, Eva La Rue gives physical performances (and like Ward went on to do bigger things). There's also some genuinely humours lines from Bill Moseley as Quinn who ensures the title of the film is uttered in J.S. Cardone's dialogue.

    Even though Crash and Burn doesn't pretend to be more than it is the casual viewer may be disappointed. All things considered, even with the future looking suspiciously like the 1980s, right down to the computer hardware, braces and hairdos it's one of Fullmoons better outings.
    lor_

    Asimov territory

    My review was written in August 1990 after watching the movie on Paramount video cassette.

    Latest fantasy film from Charles Band is a well-executed but uninspired futuristic tale. It's going direct to video, unlike its recent predecessors from the Full Moon label.

    Pic's claustrophobic format resembles scripter J. S. Cardone's previous efort "Shadowzone" in trapping a group of characters at a remote spot with something preying on them.

    Story is set in the year 2030, when a technocratic government has outlawed robots and private use of computers. A motley crew is stuck at Ralph Waite's local tv station during a lengthy "thermal" (storm). A synth (robot) is killing the cast.

    TItle "Crash and Burn" refers to a type of computer virus use to override the synth's programming (derived fro Isaac Asimov's Laws of Robotics) not to kill humans. There's an okay twist explaining the clue as to the synth's identity, but once this baddie is identified, the film's suspense evaporates.

    Band gets good ensemble performances, especially from Waite as the rebellious figure. Young Megan Ward, cast as Waite's daughter, heads the cast of beautiful women, with both Eva LaRue and Katherine Armstrong offering diversion.
    wellthatswhatithinkanyway

    Is life meant to be that unfair...?

    STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs ...I don't know what other people (other IMDB reviewers,for example)might think of me,judging me by myself or by my reviews,but I've never thought I was that much of a demanding individual.I've always thought I was quite easy going and undemanding as a person.I try not to winge when things don't go my way,or if I have to do a job for other people.I know other people who've tossed stones at old people's houses,or taken drugs like draw and got pregnant at an early age.Yes,stones are readily available for those nasty,thoughtless people to throw at their own pleasure,yes,draw and sex are there to be consumed whenever the mood suits them.So,okay,I decide to take a risk..I decide to spend a fiver of my hard earned money on a video I had'nt previously seen,which on impulse,I would never usually do.I buy it from this really convienient store in the market,which is'nt perhaps majorly up to date,but still sells old or forgotten films,at cheap prices,which I think is really ace.Judging by the cover and the Sci-Fi genre attached to it,heck,even by the supposedly brilliant plotline on the back of it,I thought Crash And Burn would be a risk worth taking.

    Then,after I've seen Coronation Street,I race upstairs to watch this baby.Hello,what's this?Not 2 seconds in,and already I've noticed this is'nt shot like a regular film.That's probably one of the biggest,in my many ,complaints about Crash And Burn:if every other film can manage to be shot like a proper film(even the realy,really bad ones)why the hell can't this one pull itself together and do the same thing?This is shot like a poloroid-cum-video recorder.That was my first step towards getting really angry and fed up with this film.In fact,it was the main thing that bugged me about it throughout.Not once did it appear to improve.I'm aware it has the (V)for video symbol by it,but what,is that a direct excuse for crappiness ?(does this serve as a direct example with the Billy Blanks dud 'Tough And Deadly?).

    And,what from the back looked like it was going to serve like an original and exciting Sci-Fi venture went totally downhill from there.The special effects were diabolical,the acting was abysmal,the dialogue was atrocious , although the end line 'you really felt for her?Well,she'd only break your heart...then tear it out'had some credit to it.But that only led to a glaring implausibility error that the hero had had sex with the female robot and not noticed she was'nt a real person.And that only lead to the fact this was the only movie I knew that thought it was being clever by giving a human-looking-robot it's own name,a synthoid.Every other Sci-Fi movie calls them cyborgs.And that only led to the fact that the main 'synthoid' in question is a pathetic Terminator rip-off,that gets done in at the end by an impressive giant robot,which we only see for a brief glimpse then disappears,presumably to a better movie because this giant robot has much more talent than all the actors in this drivel.He was cool. , He quashes him in a standard better suited to the Wrigley's Spearmint gum adverts ,the only thing missing was the 'pluuurp'sound.

    It really is very unfair.All I asked for was decent entertainment.Society,and hollywood,really should set better examples than this.*
    7anne_something

    Robot Jox 2: Crash And Burn

    I really liked this movie, a typical B movie thriller of the early 90s

    There's one thing i need to point out tho

    In some European markets, this movie is officially called Robot Jox 2: Crash and Burn - here's the VHS cover - http://i13.photobucket.com/albums/a277/lovegunner/203804745.jpg

    It's interesting that Charles band directed the movie (he was Robot Jox' producer) and that Robot Jox theme plays in the opening sequence of the movie.

    An official sequel?

    I've never seen that title anywhere else than in Europe

    Other than the musical theme, title and giant robot at the end, the movie doesn't have to do anything with it's prequel
    4darren_steven

    I am a glutton for punishment

    The cacksters that brought you Arena and Robot jox now bring you this. CRASH AND BURN.

    When i was a kid, two films in Gold video, Cheadle Hulme, always stood out Arena and robotjoxs. My dad being a sensible man always refused to rent either of them; because they looked crap.

    I have bought all of these films and have to say crash and burn is the worst of the lot. It was the giant robot that did it for me. Why did these people make loads of films about dodgy stop motion robots?

    It says on the cover of the box "From the makers of Robotjox and Arena," like this is some badge of honour, trust me it is not. Robotjox had a touch of class but this movie is cack. Watch it for its badness. It seems to have been filmed in an old warehouse, that just happens to have a huge hulking robot rusting away in the garden. Aaaahh

    BAD BAD MOVIE. Damn you Transformers you caused these films to be made.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The two hookers were also drug users in an earlier draft of the script, but Charles Band requested that this aspect of the screenplay be toned down because he thought the hookers as initially conceived were too vulgar and over the top.
    • Erros de gravação
      Reflected in the window behind Quinn when Winston is looking for Arren in the dark.
    • Conexões
      Edited from Robojox: Os Gladiadores do Futuro (1989)

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • setembro de 1990 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Crash and Burn
    • Locações de filme
      • Alabama Hills, Lone Pine, Califórnia, EUA
    • Empresa de produção
      • Full Moon Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.000.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 25 minutos
    • Cor
      • Color
    • Mixagem de som
      • Ultra Stereo
    • Proporção
      • 1.66 : 1

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