Morte Cerebral

Brain Dead...where do I begin? One could easily go crazy thinking about this movie. Brain Dead was written by the late Charles Beaumont (the man responsible for some of my favorite Twilight Zone episodes) and was directed by Adam Simon (The American Nightmare). It's basically one long chaotic nightmare and, at the same time, one of my favorite films. It's a real head trip where one is constantly questioning the sanity of the main characters. Is Bill Pullman crazy, is Bill Paxton out to get Bill Pullman, should the two Bills be taken seriously? In this movie, yes. The Bills are excellent and so is the rest of the cast. This is the film that really made me take notice of Bud Cort. He's hilarious as Halsey. If you're up for some serious insanity, give Brain Dead a spin. I give this movie a 10 on the psychological mind bender scale. It ranks up there with Cronenberg's Videodrome.

Note for genre buffs: Miskatonic University is mentioned by Dr. Martin in the film. That is the same school Dr. West attends in Re-Animator and is mentioned in many films based on the works of H.P. Lovecraft.

Brain Dead is many things, including a mess, but with an ambitious story which is enough to hide the idiocy (mostly), it becomes a fairly enjoyable mess.

Dr. Rex Martin is a renowned brain surgeon who is approached one day by a representative of the Eunice corporation. One of the corporation's best mathematicians has gone Brain Dead, but there are still some numerical data locked in the back of his mind which Eunice wants. Dr. Martin is asked to operate, but as he manages to tap into the patient's mind, he triggers something in his own. He starts behaving strangely. What follows is a seemingly endless series of dreams and illusions that follows the old rhetorical 'what is fantasy and what is reality' question.

As messy as Brain Dead is, it's not dull. The question is whether you enjoy being confused. Making do with a fragmented budget, first time director Adam Simon has constructed the film with a kind of post-modern sci-fi approach. There are times when it resembles some of David Cronenberg's early work, which shows that the film has intellectual potential, but I would'nt call Brain Dead an intelligent film. Then again, next to Carnosaur (simon's proceeding feature) This is actually pretty brilliant.

If I am interpreting correctly, it looks as if Brain Dead is trying to say that the brain is not merely a vital organ, it is a living thing. Whether I am right or not, means nothing. You can interpret this film any way you want.

This is a very underrated movie that somewhat reminds you of Jacob's Ladder. The movie starts out with Bill Pullman as a doctor who studies brains and has a lab full of brains in glass bottles. Pullman is friends with Bill Paxton and Paxton is in some trouble with the corporation he works with and tries to get Pullman to help him. Pullman agrees and and he has to try and find out if a brilliant doctor, played by Bud Cort, who went and killed his family is actually insane or not. Pullman says he his insane and Paxton isn't too happy about it because Cort has some top secret information in his head and Paxton doesn't want it to ever get out. Pullman operates on him and then and the next thing Pullman knows he is in a mental ward and his entire reality starts to mess with him and he can't tell what is real and what is not. It's a great movie that should be more well known.

I didn't expect much from this movie, but it turned out to be decent thriller given its low budget and its cast - Bill Pullman and Bill Paxton, arguably the two dullest actors in Hollywood! Bill Pullman is Dr. Rex Martin, a brain scientist who has developed a technology to manipulate a person's thoughts and therefore their reality. He is recruited by a sleazy corporate administrator, Jim Reston (Bill Paxton), to use this technology on a former corporate genius, Dr, Hasley, turned paranoid psycho killer, to pry some valuable corporate information from his memory. Martin then suffers an accident, and then descends into a world of madness and paranoia, where objective reality is turned upside down. In true twilight zone fashion, it appears that Dr. Martin's technology is now being experimented on him. Pullman plays the part of the eccentric Martin well, and Paxton does a reasonable job as the ambitious, yet, sleazy, corporate type. I found the ending, at least my interpretation of it, somewhat conventional and a little disappointing. This movie has some genuine scenes of suspense without needing to resort to lavish special effects. There is also a gratuitous nude scene involving Martin's Wife, Praticia Charbonneau, which, of course, is always a bonus. Again I didn't expect much from this movie, and I was pleasantly surprised. For those who enjoy movies that involve the theme that objective reality is, or can be made to be, an illusion, this movie is worth seeing as a pre cyber version of this theme; the cyber version of course being the Matrix, The 13th Floor and Existenze.

Bill Pullman and Bill Paxton star in this ambitious sci-fi thriller from director Adam Simon ("Carnosaur") and the late, great writer Charles Beaumont (known for his work on 'The Twilight Zone' and Roger Corman films). Pullman stars as Rex Martin, a brilliant young scientist who becomes involved in a plan to pry vital information from the mind of Jack Halsey (Bud Cort), an equally brilliant mathematician. Also worked into the plot is the idea of erasing unpleasant memories from peoples' brains, or otherwise changing their personalities.

It's all quite an intriguing set-up by Beaumont, although the film doesn't really reach its full potential due to ultimately telling a rather routine story. And it's a story that falls back on the time-honoured theme of forcing the lead character and audience to figure out what is fantasy and what is reality. As this tale progresses, Rex suffers from visions and hallucinations that may well be the product of a deteriorating mind. Eventually, it resolves itself in a way that isn't exactly unpredictable.

Still, the ride taken here is interesting. "Brain Dead" is certainly a notch above most product created by Concorde, the company formed by Corman after his departure from New World. It's played as well as it can be played by a top cast, with Pullman and Paxton in fine form. (One of the questions posed is whether or not Paxton, as Pullmans' friend, is a smarmy, self-serving jerk just out for himself.) George Kennedy does not get to do much as a corporation head, but sexy Patricia Charbonneau is easy to watch as Pullmans' wife, and character actor Nicholas Pryor has a field day in a trio of inter-related roles. Other familiar faces include Lee Arenberg, Willie Garson, Brent Hinkley, and Kyle Gass. Paxtons' father John has a bit as a board member. But it's Cort, a longtime specialist in quirky and offbeat parts, who tends to steal the show much of the time.

"Brain Dead" is, overall, adequately filmed, and it shows its audience a pretty good time. Some gore here and there, decent makeup effects (especially the "experimental face"), and a fine score by Peter Rotter help to keep it watchable.

Produced by Cormans' wife Julie.

Seven out of 10.