Flores de Aço

As much as I enjoyed watching this film and reading the reviews; I'd like to comment on one aspect of the film that I haven't seen touched upon. The character of Shelby is meant to be portrayed as an optimistic, strong willed individual, determined to buck the odds to have the baby she longs to have. However, I can't help but see the character as incredibly selfish. Even though she knows that going through a pregnancy will put undo strain on her weakened system and potentially threaten and shorten her life, she resolves to get pregnant anyway; just so she can have a baby. Apparently she hasn't given a thought to either the child or her husband for that matter. She intentionally puts her husband in the position of probably losing his wife and raising a child as a single parent and whatever child she has, of losing its mother. Not exactly the behavior of someone who has a child's best interest in mind. All the character illustrated was that her husband was just a means to an end.

An extremely episodic story of several smalltown southern women whose social lives revolve around meetings in the local beauty parlor, STEEL MAGNOLIAS' script and performances are dogged by an aura of artificiality--but it scarcely matters, for the film is a tremendous amount of fun.

Some of the performances are more successful than others, with Shirley MacLaine, Olympia Dukakis, Julia Roberts, and Darryl Hannah coming out on top (I am greatly surprised that so many other reviewers dislike Hannah's performance, which seems to me considerably less artificial than many others--but perhaps since I'm actually Southern I have a different perspective). Sally Fields and Dolly Parton are less successful, but not in any sense that actually distracts from the fun. Perhaps most surprising in a film which focuses on women are the brief but impressive performances from the male supporting cast, which includes effective performances by Tom Skerrit, Sam Shepherd, and Dylan McDermott, and which serve to ground the film with a sense of the broader community in which the women live.

The script abounds in zinging one-liners ("If you can't say something nice, come sit by me!") and often hilarious situations (imagine Olympia Dukakis surrounded by naked men in the highschool football team's locker room); it also contains some very touching segments sure to choke up all but the most heartless viewer. And although the story is extremely manipulative and rather predictable, those factors don't actually get in the way of its effectiveness. While probably not a "great film" by any serious standard, it is tremendously good-natured, well-intended, and extremely entertaining, and most people will find that it lingers pleasantly in mind and holds up well under repeated viewings.

Gary F. Taylor, aka GFT, Amazon Reviewer

This film is worth watching for two reasons. First, it is based on a tragic, real life event. As such, an enhanced credibility sustains the film's underlying premise, and thus renders a much greater potential for viewer impact and depth of meaning, as opposed to a work of fiction. Second, quite aside from its autobiographical roots, the film has entertainment value, expressed mostly as snappy, funny dialogue, delivered competently by an ensemble cast of likable actresses. Attention to detail in costumes and production design, and adroit film editing, further amplify the film's overall technical quality.

"Steel Magnolias" is a story about the close knit relationships between six ordinary Southern women, living in a small town in Louisiana. The film has a homespun, unpretentious feel to it, rather like "Fried Green Tomatoes".

The plot alternates between humorous, small, everyday events and good-natured quips, on the one hand ... and on the other hand, the seriousness and heartache attendant to life's unexpected crises. Through the laughs and tears, the six women learn to endure hard times, and thus emerge from their struggles with grace and dignity.

Finding something to criticize here is not easy. I can think of several changes that I would have made, to satisfy my own personal preferences. But the film is solid and substantial, as is. I suppose one could zero in on the acting. A couple of the cast members overact their parts, at some point or another in the film.

Overall, "Steel Magnolias" is technically well made. And the content engages our interest, as a result of its true-to-life theme, its all star cast, and some very clever dialogue.

This wonderful comedy drama romance tells the tale of a close knit group of six Southern women (of varying ages) in a small Louisiana town. The film gives us a glimpse into their daily lives over a period of several years, their laughter, their joy, and their tears, all through the lens of their enduring friendship.

Here are the six magnolias...

M'Lynne (Sally Field)...perhaps the steeliest of all the magnolias, who has a bittersweet relationship with her grown daughter

Shelby (Julia Roberts)...everyone's favorite girl next door, M'Lynne's endearing, diabetic daughter; we see her planning her very pink wedding (wait till you see the groom's cake!) and charting a difficult path, given her medical history

Truvy (Dolly Parton)...the married but lonely hairdresser with the heart of gold, who owns and operates Trudy's Beauty Parlor, center of social life for these ladies, site of gossip, teasing quips, and comfort

Ouisser (Shirley MacLaine)...the sarcastic spinster and cantankerous comic relief who is frequently seen carting her little dog around and exchanging barbs with her Old Nemesis, M'Lynne's husband, Drum

Clairee (Olympia Dukakis)...the charming, gossiping widow and town bigwig

Annelle (Daryl Hannah)...the shy, awkward new girl in town, who has a mysterious past and lands a job at the beauty parlor, under Truvy's mentoring

Through these six, we see the strength that lies behind the legendary Southern lady's charm (well, maybe Ouisser's not that charming!) and supposed flower fragility, their humor, their optimism, their faith, and above all, their banding together and supporting each other in the face of adversity.

I understand that this movie is based on a well known play by a famous Louisiana playwright. The women depicted in the film are by and large good Christian, church going folk, which is laudable. My initial reaction was to blame Hollywood for mocking Annelle's newfound deep faith and having her act as though she hadn't a clue in her dim witted Southern head. The playwright may have intended to cast her as going overboard and being too judgmental. If so, I personally don't consider this a kind or necessary depiction, and find Annelle to be very sincere and kind hearted.

However, otherwise this is simply a "funny tearjerker" and a great movie.

Another movie that is part of my permanent video collection and never get tired of watching, STEEL MAGNOLIAS is the beautifully expanded version of Robert Harling's play about the relationship between six women who frequent the same beauty parlor. I am pretty sure the first phrase that comes to mind for most people when this film is mentioned is "Chick Flick", but, as a male, I happily admit to loving to watch this movie over and over again, not just because of the six charismatic performances by the actresses, but because this film also has one of the funniest screenplays ever written. Claree: "The only thing that separates us from the animals is our ability to accessorize." Truvy: "Ruth Robeline...now there's a story...her whole life has been an experiment in terror...first her husband was killed in WWII and then her son was killed in Vietnam... I tell you, when it comes to suffering, she's right up there with Elizbeth Taylor." Claree: "well, you always know what I say...if you can't think anything nice to say about anybody, come sit by me." Ouiser: "I'm not crazy...I've just been in a bad mood for the last thirty years." And just when you think your sides about to split open from laughing so hard, the film takes a tragic turn and you're reaching for the Kleenex. The scene in the cemetery is riveting, thanks primarily to a flawless and raw performance by Sally Field, who climaxes what is already a beautiful and commanding performance in the film, with her rage against God as her only outlet of grief at the moment. This scene makes me cry every time I watch the movie. An appeal to the gentlemen out there who have never seen this movie: Give it a chance. I did and I have never regretted it.