Uma dona de casa insatisfeita estabelece amizade com uma mulher mais velha e deixa-se conquistar por suas fantásticas anedotas da juventude.Uma dona de casa insatisfeita estabelece amizade com uma mulher mais velha e deixa-se conquistar por suas fantásticas anedotas da juventude.Uma dona de casa insatisfeita estabelece amizade com uma mulher mais velha e deixa-se conquistar por suas fantásticas anedotas da juventude.
- Direção
- Roteiristas
- Artistas
- Indicado a 2 Oscars
- 6 vitórias e 12 indicações no total
Timothy Scott
- Smokey Lonesome
- (as Tim Scott)
Avaliações em destaque
10Ouarda
This is one of my top five films of all time. I was somewhat skeptical the first time I saw it because I adored the book and I knew there were some changes, but I found the essence of Fannie Flagg's fabulous novel in tact. This is a story that burrows into your heart and mind and stays there. It is absolutely magical storytelling with a stellar cast and beautifully written characters that never fade from memory.
A time and place in America, filled with the best and the worst of our life and history, is impeccably captured. The flashbacks take us to the time of an Alabama whistle stop town that was a bustling hub when the railroad was the center of all movement. This was the era of hobos and simple pleasures. The scenes from the past become more powerful by the juxtaposition to modern times, where the story begins and returns at intervals.
Kathy Bates plays Evelyn Couch, an unhappy middle-aged housewife who stumbles on Ninny Threadgoode (the superb Jessica Tandy) one day by accident at the nursing home where she is visiting one of her husband's relatives. The two have an instant chemistry and a deep friendship begins. Ninny proceeds to tell Evelyn the story of Idgie and Ruth, two young women who shared an amazing friendship and love 50 years earlier.
This movie has to be experienced, as mere descriptions might sound like another southern-flavored movie about women or a weepy nostalgic tale. It is much more than that, and more than the most glowing review can ever convey. If you are reading this and haven't seen it, please make a point to. The actors are nothing short of magical. All four actresses (Jessica Tandy, Kathy Bates, Mary Stuart Masterson and Mary-Louise Parker) are at the top of their craft.
I will borrow a line from Ninny Threadgoode to describe how I always feel after seeing this film. "I may be sitting here in this nursing home but in my mind I'm over at the Whistle Stop Cafe having a plate of Fried Green Tomatoes".
I may be sitting here finishing this comment but in my mind I'm at the Whistle Stop Cafe. That's how powerful this story is for me.
A time and place in America, filled with the best and the worst of our life and history, is impeccably captured. The flashbacks take us to the time of an Alabama whistle stop town that was a bustling hub when the railroad was the center of all movement. This was the era of hobos and simple pleasures. The scenes from the past become more powerful by the juxtaposition to modern times, where the story begins and returns at intervals.
Kathy Bates plays Evelyn Couch, an unhappy middle-aged housewife who stumbles on Ninny Threadgoode (the superb Jessica Tandy) one day by accident at the nursing home where she is visiting one of her husband's relatives. The two have an instant chemistry and a deep friendship begins. Ninny proceeds to tell Evelyn the story of Idgie and Ruth, two young women who shared an amazing friendship and love 50 years earlier.
This movie has to be experienced, as mere descriptions might sound like another southern-flavored movie about women or a weepy nostalgic tale. It is much more than that, and more than the most glowing review can ever convey. If you are reading this and haven't seen it, please make a point to. The actors are nothing short of magical. All four actresses (Jessica Tandy, Kathy Bates, Mary Stuart Masterson and Mary-Louise Parker) are at the top of their craft.
I will borrow a line from Ninny Threadgoode to describe how I always feel after seeing this film. "I may be sitting here in this nursing home but in my mind I'm over at the Whistle Stop Cafe having a plate of Fried Green Tomatoes".
I may be sitting here finishing this comment but in my mind I'm at the Whistle Stop Cafe. That's how powerful this story is for me.
I am running out of words to describe how good Fried Green Tomatoes was. It may be two or three minutes too long, but other than that, there is very little wrong with this film. The film is amazing to look at, with gorgeous scenery and cinematography, and the score was beautiful. Fried Green Tomatoes also has an intelligent and heart-warming story, strong direction and some charming, funny and touching dialogue as well. The ending was suitably uplifting, but I admit I did shed a tear, mostly because I was so impressed by how beautiful the film was.
Also superb is the acting. Jessica Tandy is absolutely brilliant in this film, and quite rightly received an Oscar nomination. She plays an old-timer in the American South, who tells stories of the bigotry she encountered during her youth in the 1930s. Kathy Bates is a sheer delight as Evelyn, a modern-day housewife who visits Tandy in the nursing home and finds inspiration in memories from her past. Mary Stuart Masterson and Mary-Louise Parker are terrific as well as Ingrid and Ruth.
Overall, Fried Green Tomatoes is a lovely little film, wonderfully acted and just very relaxing to watch. 9/10 Bethany Cox
Also superb is the acting. Jessica Tandy is absolutely brilliant in this film, and quite rightly received an Oscar nomination. She plays an old-timer in the American South, who tells stories of the bigotry she encountered during her youth in the 1930s. Kathy Bates is a sheer delight as Evelyn, a modern-day housewife who visits Tandy in the nursing home and finds inspiration in memories from her past. Mary Stuart Masterson and Mary-Louise Parker are terrific as well as Ingrid and Ruth.
Overall, Fried Green Tomatoes is a lovely little film, wonderfully acted and just very relaxing to watch. 9/10 Bethany Cox
While I love this film, and have seen it a dozen times at least, the maturing of my mind since the first time I saw it as a teen in 1991, have made me take a second look at this stunningly acted film about love, friendship, devotion and racial issues in a multiple decade look at women's roles in society.
Anyone who went to college where I did would see that Idgy from her childhood is the sterotypical Lesbian. She does not like to wear dresses and prefers a man's dress even as a youngster. As she ages, and as Ruth befriends her, she is tantalized by a kiss Ruth gives her on the cheek at the swimming hole and so devastated by Ruth's wedding that she does not even attend but instead drives hours to Valdosta, Georgia to look on hurtfully from the woods at Ruth carried in her new home in her wedding dress.
As the film progresses and Ruth is rescued from her abusive relationship the two start a cafe called Whistle Stop Cafe in Whistle Stop, Alabama. If one watches carefully they'll see that the two live together in a house near the cafe. In one poignant moment, the two women are talking over coffee late at night in the cafe when Ruth says that she feels bad that Idgy may feel she needs to stay and care for Ruth and Buddy Threadgoode Jr. (Buddy is Ruth's son but has Idgy's last name?!) Ruth says that if it weren't for she and Buddy, Idgy may "settle down" Idgy dramatically replies "I am as settled as I am ever going to be" and "I don't want you to move out" The clincher was the image they showed shortly after that scene of Ruth in a feminine dress and Idgy in shorts and a shirt and tie, holding each other and smiling. Idgy never married or dated and Ruth never remarried.
Everyone must come to their own conclusion but mine is two women in the 1930's who enjoy a healthy, loving lesbian relationship with the disguise of business partners in a time and place when different anything race, religion or creed, was just not tolerated or accepted.
Anyone who went to college where I did would see that Idgy from her childhood is the sterotypical Lesbian. She does not like to wear dresses and prefers a man's dress even as a youngster. As she ages, and as Ruth befriends her, she is tantalized by a kiss Ruth gives her on the cheek at the swimming hole and so devastated by Ruth's wedding that she does not even attend but instead drives hours to Valdosta, Georgia to look on hurtfully from the woods at Ruth carried in her new home in her wedding dress.
As the film progresses and Ruth is rescued from her abusive relationship the two start a cafe called Whistle Stop Cafe in Whistle Stop, Alabama. If one watches carefully they'll see that the two live together in a house near the cafe. In one poignant moment, the two women are talking over coffee late at night in the cafe when Ruth says that she feels bad that Idgy may feel she needs to stay and care for Ruth and Buddy Threadgoode Jr. (Buddy is Ruth's son but has Idgy's last name?!) Ruth says that if it weren't for she and Buddy, Idgy may "settle down" Idgy dramatically replies "I am as settled as I am ever going to be" and "I don't want you to move out" The clincher was the image they showed shortly after that scene of Ruth in a feminine dress and Idgy in shorts and a shirt and tie, holding each other and smiling. Idgy never married or dated and Ruth never remarried.
Everyone must come to their own conclusion but mine is two women in the 1930's who enjoy a healthy, loving lesbian relationship with the disguise of business partners in a time and place when different anything race, religion or creed, was just not tolerated or accepted.
A heartwarming female bonding movie that has all the elements of a good ol' Southern yarn.
It was a good thing that Kathy Bates made this movie so soon after "Misery." She had made such an impression as a psycho in the earlier film that she might have had trouble getting herself out from under the mantle of Annie Wilkes. But she plays a completely different character here, a dowdy, bored housewife who befriends a little old lady forgotten in a retirement home (Jessica Tandy). Tandy begins to tell her the story of a female relative, Idgie Threadgoode, and her deep friendship with Ruth, which is played out in flashback by Mary Stuart Masterson and Mary-Louise Parker. The story is one of those melodramatic, life-affirming ones, but it's acted extremely well by the four women, and the film mostly avoids the treacle that threatens to come pouring in around the edges.
Grade: A-
It was a good thing that Kathy Bates made this movie so soon after "Misery." She had made such an impression as a psycho in the earlier film that she might have had trouble getting herself out from under the mantle of Annie Wilkes. But she plays a completely different character here, a dowdy, bored housewife who befriends a little old lady forgotten in a retirement home (Jessica Tandy). Tandy begins to tell her the story of a female relative, Idgie Threadgoode, and her deep friendship with Ruth, which is played out in flashback by Mary Stuart Masterson and Mary-Louise Parker. The story is one of those melodramatic, life-affirming ones, but it's acted extremely well by the four women, and the film mostly avoids the treacle that threatens to come pouring in around the edges.
Grade: A-
This is such an awesome movie. I remember watching it as a girl, and when I found it in a clearance bin a few months ago, I jumped on it. I watched it then, and now, having watched it again... Mary Stuart Masterson is AMAZING. Tears fall unwittingly down my cheeks during her performance. I was also enchanted by Mary-Louise Parker, and I always always LOVE Kathy Bates. Jessica Tandy is also her usual fit self, and Cecily Tyson was great ("Shoo! I ain't scared of you!") and I could go on for ages about all of them.
I will admit that this is the Ultimate Chick Flick. That title, however, does not detract from its overall quality. The men are more than just caricatures, and the nostalgia and love of the book made its way into the movie. I have to commend Avnet for his efforts.
And now that I am out of intelligent things to say, THIS MOVIE ROCKS MY SOCKS! It's re-watchability and great everything make this the movie (along with Love and Basketball and my Buffy DVDs) that I take with me to college and suggest we watch at every opportunity.
I will admit that this is the Ultimate Chick Flick. That title, however, does not detract from its overall quality. The men are more than just caricatures, and the nostalgia and love of the book made its way into the movie. I have to commend Avnet for his efforts.
And now that I am out of intelligent things to say, THIS MOVIE ROCKS MY SOCKS! It's re-watchability and great everything make this the movie (along with Love and Basketball and my Buffy DVDs) that I take with me to college and suggest we watch at every opportunity.
Você sabia?
- CuriosidadesMary Stuart Masterson did all of the bee stunts herself because her stunt double quit at the last minute.
- Erros de gravaçãoWhen Evelyn was knocking out the wall in her house she was using a 10 pound long-handle sledgehammer to break through the wall. When Ed comes she has switched to a 2 pound sledgehammer. Swinging the big hammer is tiring and imprecise for most people. She switched to the two-pound hammer to knock out the horizontal braces.
- Citações
[Evelyn is cut off in a parking lot]
Evelyn Couch: Hey! I was waiting for that spot!
Girl #1: Face it, lady, we're younger and faster!
[Evelyn rear-ends the other car six times]
Girl #1: What are you *doing*?
Girl #2: Are you *crazy*?
Evelyn Couch: Face it, girls, I'm older and I have more insurance.
- Versões alternativasIn the TV version, Idgie watches Ruth teaching Sunday school before taking her to her birthday party at the saloon.
- Trilhas sonorasMy Blue Heaven
Written by Walter Donaldson and George Whiting
Performed by Gene Austin and His Orchestra
Courtesy of the RCA Records Label of BMG Music
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Tomates verdes fritos
- Locações de filme
- Juliette, Geórgia, EUA(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 11.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 82.418.501
- Fim de semana de estreia nos EUA e Canadá
- US$ 105.317
- 29 de dez. de 1991
- Faturamento bruto mundial
- US$ 119.418.501
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