De Volta Para Casa

Being a teenager in the 80s and growing up in the Los Angeles area myself, this movie appealed to me because of the obvious relate-ability to it. Adrock sure did a stupendous job, especially being that it was his debut in a film. We always think of him as the crazy, funny and party-animal beastie boy, but here he was a dramatic, lost and frustrated protagonist looking to find his way amongst a myriad of issues. This film depicts the consequences of Reaganomics and how the 80s culture-especially amongst white Americans-worshiped greed and money. In this quest to have all the better things in life-which often was because of both the father and mother having careers-the kids become lost and bored and turned to things like drugs, sex, booze, partying non-stop, recklessness, gangs etc. It is interesting how a motif is the Latino gang lifestyle (his nickname was "chino") and how many young white males succumbed to that, especially in Southern California, in their quest to want to feel apart of something and seem important. Little did they know, but the filmmakers foreshadowed a major theme of the 1990s by doing this. The plot was mediocre, but it was the superb acting by Sutherland and Horovitz, and their chemistry along with how the film captured the end result of what happens when greed is god (this film was made in 89) and a seque into the the problems that these lost kids continued on with in the 90s. By that token, it is now a cult classic. I hear many people complain about the ending; I do not think the ending was too bad. Sure, it seems sugarcoated, but the protagonist found himself through the feeling he was able to care for someone else--the Donald Sutherland character. Because of this, he found his way back home.

All you really need to know about this movie is that its the first time I ever saw Michael Bolton in a movie. No, not the singer, but the character from Office Space. He plays a minor role as a wise ass in rehab named Carlo. He has some really funny lines and is a good example of the different kind of rebellious teens the 80's produced. You can see how we all became underachievers and slackers by watching this movie. It has a pretty good message about joint income families producing lazy, drug addicted, sex crazed, hyper active, non attentive kids. The movie isnt that great, but the insite into what was going on in the wake of Reaganomics is really important. Its a good capstone for movies like repo man, rad, thrashin, less than zero, and so on. Not that theres much in common here, but the genre is the same. This movie is pretty much an expanded after school special. But the gang and club scenes are great. Theres some decent dialogue and some 80's music. Its worth renting if your from this era, most younger wont get it, most older wont understand. 7 of 10*'s

I was really moved by this movie. I grew up in similar circumstances and was really able to relate to what was happening to the character. Growing up in the city around drugs crime can really wear a kid thin. If you don't make the right choices you'll end up either dead or in jail. This movie portrayed exactly that, but it's happy ending was unnecessary.

Really a sweet movie - yes, VERY formulaic, but that does not disqualify any film. Plot - OK, crap. But Sutherland and Horowitz (yes, the guy from Beastie Boys and son of the famous playwright) do well by the roles they are given.

It is the gentle attention that the director give to the characters that makes the movie for me. The two main characters are cast in a very typical ("Ordinary People") situation, but they transcend it with their performances. Sutherland could easily have coasted through this movie for the paycheck, but doesn't. Adam Horowitz could have just posed and postured - but doesn't.

Or I'm nuts - could be. There is no harm, however, in a feel-good story that doesn't cheat on the difficulties of the characters' situations or their needs. This plot may speed past them, but the performances give them depth.

Honest sentiment is no crime - and I would claim that Sutherland and Horowitz give nuanced performances (not exactly typical for either).

Adam Horowitz a.k.a. King AdRock of the Beastie Boys puts in a surprisingly good performance as a troubled teen here, but overall the film is pretty unremarkable. King AdRock and Donald Sutherland? That lineup has cult classic written all over it, but unfortunately, there really ain't a whole lot going on here. There are some great scenes where Adrock gets mad, gets in fights or complains about things, but they are the only high points. Worth watching if you're a Beasties fan, if only to see that Adrock is actually a good actor, but that's it. The film is slow moving and very serious and not even Adrock and Donald Sutherland can save it. Adrock should get back into acting, he's funny as hell, too.