África dos Meus Sonhos

I Dreamed of Africa could have been a better movie, but I became more satisfied with it after seeing that it stayed pretty close to the real story.

Some have criticized the film because they said it showed no problem with malaria, and the people looked as if they were never sweating in Africa's heat.

The 100,000 acre ranch in Africa is located at an altitude of 6000 feet above sea level, and there is no malaria problem there. It is probably somewhat cooler there than other places in Africa also.

I found the film to be pretty good, but I believe the nude scene with Bassinger and her film husband was unnecessary. Does Hollywood believe that every film has to have nudity?

I rented this film a while ago on video and thought it was a definite 8/10.

I have since bought it on DVD and decided to watch it again a few days ago. Although not having the same impact as my first viewing, here was my opinion.

I saw this film as a wonderfully photographed movie (based on a True Story) about a very strong willed woman "Kuki Gallman".

In the beginning we see her survive a horrific car crash and raising a family by herself. She decides to marry a man called Paolo (Vincent Perez) whom she has known only a short time. She likes Paolo a lot and sees that he is great with her Son Emmanuel, she makes a very difficult decision against the wishes of her Mother (Eva Marie Saint) to move to Africa to live with him.

Their initially idyllic life is shattered by confrontations with Poachers, Loneliness on her part (as her Husband likes danger and is often away on hunting Trips) and culminates with immense personal tragedy.

The performances were very good in this Movie (including a pre-bond outing for Daniel Craig with an excellent South African accent) Vincent Perez was excellent as Kuki Gallman's Husband Paolo. Overall Kim Basinger was admittedly not up to the Oscar Winning Level of LA Confidential and did have a couple of poorly acted scenes, but also showed flashes of dramatic excellence and touches the viewer in some of the more emotional scenes, So overall her performance was quite good. Eva Marie Saint offered a solid supporting performance as Basinger's Mother.

I have to say that it is obvious to me , film critics and a lot of others did not really give this film a chance and possibly compared it to Out of Africa. This is unfair as the film is set in different time and about different individuals. I personally found this film much more watchable than the aforementioned film but probably not as well acted.

Hugh Hudson has directed a great looking film, but the script needed additional work, which would have improved the impact of some scenes.

All in all though this film is well worth your time, do watch it and form your own opinions. 7/10

This film was a fluff piece that succeeded better as a showcase for Kim Bassinger and Africa's natural beauty than it did at telling this true story. The first hour of the film was a succession of Kodak moments depicting the romantic splendor of Africa and how idyllic it would be to live there. Although they showed the occasional storm and threatening wild animal, every effort was made to emphasize the positives. They glossed over little things like the oppressive heat (Kenya straddles the equator but no one in the film ever broke a sweat), insects (not a mosquito in sight), and the fact that the rainy season is three months long and it often rains nonstop for weeks. The first hour seemed more like an advertisement by the Kenyan ministry of tourism than a feature film. It wasn't until the second hour that the story really centered on the characters.

Filming Africa is a cinematographer's dream. Unfortunately, Director Hugh Hudson seems to have been so enamored with creating beautiful photography (and it was truly magnificent) that he rushed through the dramatic elements to get to the next helicopter shot of wild animals loping across the plains. Many of the important dramatic scenes were not allowed to fully develop, giving a snippet and then cutting away to a completely unrelated scene. This took much of the impact out of the film. One example is the egg hanging over the bed. A big point was made over the fact that Paolo had put something in the egg. Yet, we never learn what it is. Why tease us with this tidbit if he is not going to follow through?

The film had strong conservationist undertones, but they were tastefully done and not overly preachy. The point was made that poaching to hunt elephants for ivory is illegal and unconscionable, but it was presented in a way that wasn't strident and smug. The scenes of dead elephants made the statement in a poignant way, much better than any dialogue could have.

Kim Basinger was excellent as Kuki. She went with a more natural look which was very flattering. The understated makeup used in the film revealed that even at 47, she is still one of the most beautiful women on the planet. However, after a three-year hiatus since L.A. Confidential, she delivered her second consecutive acting triumph, proving that she is more than just a pretty face. Her acting was far more genuine and mature than any role I had seen her play before. After having read an interview she gave about the film, it is clear that Basinger is a strong conservationist and naturalist and she identified strongly with her role, which imbued her performance with great conviction and believability.

This film was good, but it could have been much better. I rated it a 7/10. The locations and photography were marvelous, but the story's power was frayed by inattention to basic filmmaking tenets. If Hudson had spent more time developing the characters and creating continuity for the story, it would have been an exceptional film.

I caught this movie on Bravo last night and I asked myself why I never saw it earlier. It was a true story about an Italian socialite named Kuki Gallman. The movie begins with her out on the town with friends and they have a car accident. As Kuki was recovering from the accident, she begins to wonder if there is any purpose in life out there and if so, what is it? It was like the accident was a major turning point, wake-up call or something that made her yearn for something more than what she had. She falls in love and marries this man who is going to Africa to live on a ranch. Kuki remembered learning about Africa as a child and against her mother's better judgement, she packs up herself and child and moves to Kenya. We see that she is going through many transitions and adjustments from the gleeming socialite to the devastating wiles of Kenya. We hear her say that she wondered what she had gotten herself in to. This was a woman who was chasing poachers, caring for a ranch and having to do a lot on her own as her husband was gone often, nothing that she had grown acustomed to in Italy. However, we saw her grow as a person and as she was growing, she was fufilling what she desired, life with a little bit of meaning. It was tragic when her husband and son both died and so close in time. However, it is people like Kuki who should be appreciated as they work for the good of others and try to make this world a better place. I saw the differences in Kuki from beginning to end as she dealt with frustrations, growing pains and all ingredients that prepare us for our purpose out there. Something I can completely relate to at this point in my own life.

I thought the acting was great, Kim Basinger did an exceptional job. I thought the music was great; I liked the version of "The Rivers of Babylon" and the shots of Kenya that are breathtaking. I have two friends from Africa and my mother did some mission work there three years ago so I have learned about some of the culture and way of life there. Africa is dry and hot but beautiful as well. Kudos to all involved in this movie and to Kuki Gallman for sharing her story.

Boy this movie went to video quickly, and now I understand why. It nearly breaks my heart to have to give a thumbs-down to such a huge effort of making a feature film. However, it can't be denied that this movie fell apart from the beginning. I simply did not care about any of the characters and could not connect with them, no matter how I tried. And it's all due to the writing!

It seemed the actors were trying desperately to make up for that lack of continuity and motivation in the script, and so, often their performances seemed contrived, plastic, and/or over-the-top. I think under the guidance of better writing, these actors would shine like we know they can.

What happened to character development and motivation? Perhaps it died in the car crash at the beginning of the film? Was Kuki an American in Italy, or an Italian? Who was the lady that was with Kuki's mother, when they were trying to convince her to come home? Did Kuki and Paolo really love each other or not? Did the people working at Kuki's house become close with her? Kuki seemed oblivious to them. When did Kuki and Ema start speaking the language? It seemed they suddenly just knew it. Why did Ema want to leave to go to school? Kuki was digging a ditch to help out with the water supply, but then we never see any resolution to that situation. What happened??

One of the sweetest moments in the film for me, was when Ema connects with a little African boy, who obviously has a love for snakes too. He shows the boy around his house and introduces them to the snakes he has, and then we never see the boy again (!).

I also would have liked to see what was in the egg that was mentioned repeatedly within the story. Not having the resolution of that aspect (the egg) in particular, left me angry as the credits rolled.

"I Dreamed of Africa" did have interesting scenery and I believe talented cast and crew, but because the script was so bad, everything else really fell apart.