Sexta-Feira 13 - Parte 7: A Matança Continua
Título original: Friday the 13th Part VII: The New Blood
AVALIAÇÃO DA IMDb
5,2/10
45 mil
SUA AVALIAÇÃO
A jovem Tina Shepard possui o dom da telecinesia, que lhe possibilita mover coisas com a mente e ver o futuro. Mas, quando um médico desonesto tenta explorar seu poder, ela inconscientemente... Ler tudoA jovem Tina Shepard possui o dom da telecinesia, que lhe possibilita mover coisas com a mente e ver o futuro. Mas, quando um médico desonesto tenta explorar seu poder, ela inconscientemente liberta Jason Voorhees de seu túmulo aquático.A jovem Tina Shepard possui o dom da telecinesia, que lhe possibilita mover coisas com a mente e ver o futuro. Mas, quando um médico desonesto tenta explorar seu poder, ela inconscientemente liberta Jason Voorhees de seu túmulo aquático.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 indicações no total
Lar Park-Lincoln
- Tina
- (as Lar Park Lincoln)
Kevin Spirtas
- Nick
- (as Kevin Blair)
Heidi Kozak Haddad
- Sandra
- (as Heidi Kozak)
Avaliações em destaque
This seventh entry in the series is a letdown, especially after the lively 6th installment. This time around we have a telekinetic girl who proves to be Jason's match but they don't meet until after Jason has already hacked a few teenagers to bits.
This proves to be quite the stupid affair. This kills are downright boring (though not the fault of it's director, the MPAA was especially prudish when downsizing the film's gore), it's got no suspense, the humor misses big time (unlike part 6) and the Carrie inspired twist is awfully handled. Couple that with extreme bad acting and a ridiculous finale (even that was taken out of the director's hands) you end up with a disappointing entry in this long running franchise.
But not all is bad. Kane Hodder is great as Jason, there's a decent showdown between "Carrie" and Jason near the end and it's got good production values. If an ultimate cut would surface, leaving all the gore intact this film would easily be a lot better, that is after all what we want from these films. This film reportedly had a lot of gore cut out, some of which can be seen on the Friday Box Set in a rough cut.
Hate those blasted MPAA a-holes.
This proves to be quite the stupid affair. This kills are downright boring (though not the fault of it's director, the MPAA was especially prudish when downsizing the film's gore), it's got no suspense, the humor misses big time (unlike part 6) and the Carrie inspired twist is awfully handled. Couple that with extreme bad acting and a ridiculous finale (even that was taken out of the director's hands) you end up with a disappointing entry in this long running franchise.
But not all is bad. Kane Hodder is great as Jason, there's a decent showdown between "Carrie" and Jason near the end and it's got good production values. If an ultimate cut would surface, leaving all the gore intact this film would easily be a lot better, that is after all what we want from these films. This film reportedly had a lot of gore cut out, some of which can be seen on the Friday Box Set in a rough cut.
Hate those blasted MPAA a-holes.
Jason is stuck at the bottom of Crystal Lake after the events of the last movie. Luckily for him there's a telekinetic girl (Lar Park-Lincoln) who cries a lot and has Carrie fits. She inadvertently frees Jason, thinking he's her dead father! Jason immediately starts killing people, naturally. The series was clearly trying to move in a new direction here with more of a focus on the paranormal and supernatural. Terry Kiser from Weekend at Bernie's plays a shrink in this. He's better with comedy. Lar Park-Lincoln's performance consists of crying or being on the verge of crying at all times. My sister used to love this entry in the series because of the angle with the telekinetic girl and the handsome guy who looks like he belongs at a Superman audition.
First movie in the series where Kane Hodder plays Jason. He would be the longest-running Jason, playing him for the rest of the series. Frankly, I'm not a big fan of Hodder's Jason. He's too big and bulky, like a football player or pro wrestler. Plus they put him in some kind of suit where you are supposed to be able to see his exposed spine and ribcage. It's incredibly cheesy and just makes Jason cartoonish instead of intimidating.
Most of the people Jason kills in this one aren't particularly annoying or bad. The first couple seemed quite nice, actually. The whole vibe to this sequel seems off but it's still a watchable movie. Not the best of the series but far from the worst. There would only be one more decent one after this then it was downhill.
First movie in the series where Kane Hodder plays Jason. He would be the longest-running Jason, playing him for the rest of the series. Frankly, I'm not a big fan of Hodder's Jason. He's too big and bulky, like a football player or pro wrestler. Plus they put him in some kind of suit where you are supposed to be able to see his exposed spine and ribcage. It's incredibly cheesy and just makes Jason cartoonish instead of intimidating.
Most of the people Jason kills in this one aren't particularly annoying or bad. The first couple seemed quite nice, actually. The whole vibe to this sequel seems off but it's still a watchable movie. Not the best of the series but far from the worst. There would only be one more decent one after this then it was downhill.
After Tommy Jarvis left Jason to rot chained at the bottom of the lake we thought we'd seen the last of Mr Voorhees, but no a psychic girl accidentally frees him and you know the rest.
That's right Jason Voorhees goes on another rampage indiscriminately killing more 20 somethings with very little story actually present.
This however marked the first time Kane Hodder took on the hockey mask and as ridiculous as it sounds you can really tell and new life is breathed into Jason.
Now rotted, chain around his neck and looking seven shades of undead Jason looks amazing and scarier than ever before. Sadly the death sequences in New Blood are more cutaway poorly constructed nonsense and considering this is the 7th movie in the franchise there really is no excuse.
New Bloods greatest weakness is the finale, the movie builds up to the final battle really well, draws it out into a lengthy encounter but then hits you with a moronic unexplained baffling twist just before the credits.
New Blood isn't bad and it marks a real turning point for Jason, but as a standalone film it's not the strongest part of the franchise.
The Good:
Jason looks amazing
Kane Hodder
The Bad:
Weak death scenes
Awful finale
That's right Jason Voorhees goes on another rampage indiscriminately killing more 20 somethings with very little story actually present.
This however marked the first time Kane Hodder took on the hockey mask and as ridiculous as it sounds you can really tell and new life is breathed into Jason.
Now rotted, chain around his neck and looking seven shades of undead Jason looks amazing and scarier than ever before. Sadly the death sequences in New Blood are more cutaway poorly constructed nonsense and considering this is the 7th movie in the franchise there really is no excuse.
New Bloods greatest weakness is the finale, the movie builds up to the final battle really well, draws it out into a lengthy encounter but then hits you with a moronic unexplained baffling twist just before the credits.
New Blood isn't bad and it marks a real turning point for Jason, but as a standalone film it's not the strongest part of the franchise.
The Good:
Jason looks amazing
Kane Hodder
The Bad:
Weak death scenes
Awful finale
Again Jason Vorhees (Kane Hodder who did his own stunts) lurking and killing teens and mask wearing executing uncountable body-count . The film begins with flashbacks from previous part ; then Tina Shepard (Park Lincoln) kills accidentally his daddy on the docks in Crystal Lake . Years later , she returns with her mother (Susan Blue) and a psychiatrist who wishes to exploit her . Then , Tina with her telekinesis (Carrie-alike) power rises Jason from under lagoon with fateful consequences . Jason does a cruel massacre on young people (the B-star Elizabeth Kaitan , among them) using axe , cleaver and his supernatural force.
This seventh following contains horror , suspense , terrifying scenes , grisly killing , shocks and lots of blood . The storyline remains similar happenings and characters as well as predecessor entries and successive chapters . The flick takes accent as the thrills and chills , as well as the guts , gore and blood . John Carl Buechler was so impressed with Kane Hodder when he ate live worms on the set of Prison (1987) , that he pushed for Paramount Pictures to let him cast Hodder in the role of Jason . Atmospheric and creaking musical score by the usual Harry Manfredini . The motion picture was middlingly directed by John Carl Buechler , habitual make-up craftsman.
Followed by ¨Jason takes Manhattan Part VII (1989), ¨Jason goes to hell : The final Friday (1993)¨ ,Jason X (2002, James Isaac)¨, the final chapter is ¨Freddie vs. Jason (2003,Ronni Yu)¨, where again Jason emerges from Crystal Lake and confronting Freddie Kruger . And in production ¨Friday, the 13th¨ by Marcus Nispel with Jared Padelecki, Danielle Panabaker and produced by Michael Bay . The tale will appeal to Friday 13 series fans.
This seventh following contains horror , suspense , terrifying scenes , grisly killing , shocks and lots of blood . The storyline remains similar happenings and characters as well as predecessor entries and successive chapters . The flick takes accent as the thrills and chills , as well as the guts , gore and blood . John Carl Buechler was so impressed with Kane Hodder when he ate live worms on the set of Prison (1987) , that he pushed for Paramount Pictures to let him cast Hodder in the role of Jason . Atmospheric and creaking musical score by the usual Harry Manfredini . The motion picture was middlingly directed by John Carl Buechler , habitual make-up craftsman.
Followed by ¨Jason takes Manhattan Part VII (1989), ¨Jason goes to hell : The final Friday (1993)¨ ,Jason X (2002, James Isaac)¨, the final chapter is ¨Freddie vs. Jason (2003,Ronni Yu)¨, where again Jason emerges from Crystal Lake and confronting Freddie Kruger . And in production ¨Friday, the 13th¨ by Marcus Nispel with Jared Padelecki, Danielle Panabaker and produced by Michael Bay . The tale will appeal to Friday 13 series fans.
"Friday the 13th Part VII: The New Blood" is the moment. That singular moment that many media franchises reach where there is a bit of a rift. A fundamental change. Something that will forever alter the way the subsequent remaining entries are perceived.
Yes. This is the infamous moment in any series that can only be referred to as "jumping the shark."
This is where the franchise wholly committed to the concept of each movie injecting a quirky "gimmick" in order to drum up audience interest. Sure, I'd argue that the previous film (the excellent "Jason Lives") probably started the whole notion of the "gimmick entry" with its focus on self-aware, postmodern meta-humor... but this is the film that really solidified the fact that the remaining films would all have that silly, somewhat kitschy quality of relying on a singular contrivance to set it apart.
In this case of course, it's focus on the supernatural storyline of Jason fighting a psychic/telekinetic.
When psychic Tina Shepard returns to Crystal Lake years after accidentally causing the death of her father with her latent abilities, the opportunity to learn and perhaps heal is interrupted when she accidentally releases Jason from his watery grave. Now, she and a group of teen-aged party-goers next door must struggle to survive against the newly revived (and quite angry) hulking killer... leading to an insane and actually quite entertaining final showdown.
The most notable aspect of this entry is probably the introduction of fan-favorite Kane Hodder as Jason- a role he would continue to play for the next few entries in the series. Hodder arguably defined the role, and actually finally gave him a consistent sense of "character" through both physical presence and movement, and through his own behind-the-scenes exploration of what makes Jason tick. Interesting tidbit: Hodder actually refused to film a scene where Jason kicks a dog away from him, because he feels Jason would never actually hurt animals or young children due to his childhood trauma. Granted, this doesn't quite fit in with Part IV, but I like the idea- it shows that Hodder actually tried to build a sense of character and "rules" for Jason to follow.
The film is also quite a bit of fun at times. The whole psychic angle is stupid beyond belief, there's no doubt about it. But it allows for all sorts of cinematic mayhem to ensue, with explosions, nails flying through the air, furniture being flung around... it's great fun to see Jason finally face an adversary in Lar Park Lincoln's Tina that can truly stand up to him and perhaps give him more than he can handle.
But the strong entertainment factor aside, this is a pretty bland entry on the whole to me. It lacks the pure sense of "fun" that the previous film literally oozed alongside the blood and trades it in for what actually becomes a somewhat depressive feel for much of the screen time. Not only in terms of basic tone, but also in the writing and even in the music. It's just kind of... mournful. Many of the characters (especially Tina) seem to have a deep-seeded chip on their shoulder and it's not as compelling as it could be. And the others are all just... ho-hum and often grating, with characters like the generic nasty vain girl getting on your nerves very quickly. You just kinda feel bad for everyone even before they start getting axed off.
That being said, despite being a middling entry in the overall franchise, the good characterization in Jason and the wickedly wild and entertaining battles between Tina and Jason do make it worth a watch for slasher fans. Just don't expect the best entry in the franchise.
I give it a middle-of-the-road 5 out of 10.
Yes. This is the infamous moment in any series that can only be referred to as "jumping the shark."
This is where the franchise wholly committed to the concept of each movie injecting a quirky "gimmick" in order to drum up audience interest. Sure, I'd argue that the previous film (the excellent "Jason Lives") probably started the whole notion of the "gimmick entry" with its focus on self-aware, postmodern meta-humor... but this is the film that really solidified the fact that the remaining films would all have that silly, somewhat kitschy quality of relying on a singular contrivance to set it apart.
In this case of course, it's focus on the supernatural storyline of Jason fighting a psychic/telekinetic.
When psychic Tina Shepard returns to Crystal Lake years after accidentally causing the death of her father with her latent abilities, the opportunity to learn and perhaps heal is interrupted when she accidentally releases Jason from his watery grave. Now, she and a group of teen-aged party-goers next door must struggle to survive against the newly revived (and quite angry) hulking killer... leading to an insane and actually quite entertaining final showdown.
The most notable aspect of this entry is probably the introduction of fan-favorite Kane Hodder as Jason- a role he would continue to play for the next few entries in the series. Hodder arguably defined the role, and actually finally gave him a consistent sense of "character" through both physical presence and movement, and through his own behind-the-scenes exploration of what makes Jason tick. Interesting tidbit: Hodder actually refused to film a scene where Jason kicks a dog away from him, because he feels Jason would never actually hurt animals or young children due to his childhood trauma. Granted, this doesn't quite fit in with Part IV, but I like the idea- it shows that Hodder actually tried to build a sense of character and "rules" for Jason to follow.
The film is also quite a bit of fun at times. The whole psychic angle is stupid beyond belief, there's no doubt about it. But it allows for all sorts of cinematic mayhem to ensue, with explosions, nails flying through the air, furniture being flung around... it's great fun to see Jason finally face an adversary in Lar Park Lincoln's Tina that can truly stand up to him and perhaps give him more than he can handle.
But the strong entertainment factor aside, this is a pretty bland entry on the whole to me. It lacks the pure sense of "fun" that the previous film literally oozed alongside the blood and trades it in for what actually becomes a somewhat depressive feel for much of the screen time. Not only in terms of basic tone, but also in the writing and even in the music. It's just kind of... mournful. Many of the characters (especially Tina) seem to have a deep-seeded chip on their shoulder and it's not as compelling as it could be. And the others are all just... ho-hum and often grating, with characters like the generic nasty vain girl getting on your nerves very quickly. You just kinda feel bad for everyone even before they start getting axed off.
That being said, despite being a middling entry in the overall franchise, the good characterization in Jason and the wickedly wild and entertaining battles between Tina and Jason do make it worth a watch for slasher fans. Just don't expect the best entry in the franchise.
I give it a middle-of-the-road 5 out of 10.
Você sabia?
- CuriosidadesWalt Gorney: the veteran actor who played Crazy Ralph in the original Sexta-Feira 13 (1980) and in Sexta-Feira 13 - Parte 2 (1981) returns as the voice of the narrator during the opening of this film. It is possible that the narrator could be Crazy Ralph telling the story from beyond the grave.
- Erros de gravaçãoThe tent that Judy and her boyfriend are camping in changes size between shots.
- Versões alternativasUK cinema and video versions were cut by 8 secs by the BBFC to remove an underwater full frontal shot of Sandra skinny-dipping. The cuts were waived in 2002.
- ConexõesFeatured in His Name Was Jason: 30 Years of Friday the 13th (2009)
- Trilhas sonorasI'm Not Mad (Ready For The World)
Written by Cameron Hawkins, Nash the Slash and Michael Waite
Performed by Fm
Courtesy of Duke Street Records
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- How long is Friday the 13th: The New Blood?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Sexta-Feira 13 - Parte VII: A Matança Continua
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.800.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 19.170.001
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.245.038
- 15 de mai. de 1988
- Faturamento bruto mundial
- US$ 19.170.001
- Tempo de duração1 hora 28 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Sexta-Feira 13 - Parte 7: A Matança Continua (1988) officially released in India in English?
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