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Why did I rent this movie? Because my friend Paul said it best shows off the "charms" of Greta Scacchi, who was in her late 20s when the filming was done. She truly is a stunningly beautiful woman, and the makeup and lighting are just perfect for her. Bare above the waist, in the sea, she is also striking.

Anyway, Scacchi plays the very young wife of an older, rich man, and they have traveled to Kenya where a lot of rich Brits hung out around 1940, trying to put world strife out of their minds. She flirts a lot, has an affair with a young playboy, and her husband doesn't take it well. Eventually the lover is found shot to death in his car.

You don't have a lot of latitude when making a film based on fact, however it implies that the most likely shooter was the old husband. The case never was solved. I enjoyed this film because of its faithfulness to the period, the beautiful Greta Scacchi, and a pretty interesting story. I rate it "7" of 10.

In no way a mainstream movie, White Mischief is a fascinating study of decadence among the expatriate English crowd in Kenya during WWII. Shows that not all Brits through the years have been stiff upper lip. [I already knew this.] Excellent photography, fine performances, witty dialog. Based on a true story.

A wild and wicked romp through the expatriate community around Nairobi, Kenya, during World War II. Greta Scacchi is radiant beyond mortal words as the femme fatale that upsets the not-so-delicate social, sexual, psychosexual balances of the "happy valley" crowd of faded British aristocrats and other late-era colonials. The steller cast, including Charles Dance in a terrific romantic lead, an over-the-top Sarah Miles, Joss Ackland in his best role, John Hurt, Trevor Howard, Geraldine Chaplin, even a young Hugh Grant, and so many others, is absolutely superb. Set against the spectacular backdrop of East Africa, this movie is a tale of love, lust, revenge, and destruction, and expertly captures the look and feel of the waning British colonial era in its dialogue, costumes, even music. An absolute treat!

Based on the book by James Fox (not the handsome English actor of a certain age) this film remains hard to pin down: it's part murder mystery, part sociological study, part history of pre-WW2 East African colonialism, part romance, part dionysian orgy (really), part Evelyn Waugh/Somerset Maughm, part romance, part.... etc. etc. And it's all true.

Yes, the actors are more spectacular looking than their real life counterparts (particularly Scacchi, seldom more stunning.) Sarah Miles' strange character wafts through as most memorable of all in a rich ensemble set of louche decadents. (And yet the actress in real life admitted she may not have gotten a handle on the real woman, just an impression. Based upon my reading of Fox's and Trzebinski's books' accounts on the Alice de Janze, I'd have to agree. Nothing like her except the memorable quips and woozy flair.) Plus, most folks who didn't swim through the primo decadence of the 1960's firsthand might be appalled at what passes for entertainment in British colonial East Africa of the 1930'/40s. But what you'll get for your treasure hunt (this is a hard film to find) is the truth of a murder mystery, weird but real characters, a slice of history, all against the gorgeous panoply of Kenya, despite all its troubles one of the most beautiful spots on the entire planet, all shot on location right where the real events unfolded.

Circa World War II a grisly - but rich- old buffer and his far-too-young-for-him wife enjoy the high life in Kenya's Happy Valley. However their happiness proves sadly short lived. Based on a famous true life case.

Interesting approach to the "central" crime-celeb subject. While many would have plunged straight in to the murder-mystery to get the movie off with a bang - not here. This is a lesson in restraint.

This film seems to view the crime of secondary importance to atmosphere and the establishment of character and order. This is probably wise, because the mystery part of the crime is rather weak and one-sided. Especially in the manner the story is told.

(While tying to be true to the facts there is more nodding and winking going on here than in a New York gay bar!)

You can't complain about production values and acting, they are only of the very first order. Charles Dance was an actor born in to the wrong age - if the studio system had got a hold of him they could have turned him in to a superstar. He doesn't have enough to do here - but he does this "cad" act well enough.

Kenya is made to look like heaven on earth - if you are white and well off that is. Here life is one big party with plenty of sun, sea and sex - with an army of cheap black labour to do any real work.

The gin and tonic set form their own little England allowing the sex games to go on a bit further than at home because there are no prying eyes.

If any movie showcased Scacchi's ample prime-time charms is this one. I don't know if the lady is a naturist in real life, but she never looks that bothered about whether she is wearing clothes or not. Her classy English accent further convinces you that if any woman was worth killing over it is her.

(In interviews she talks about the audience getting tired of seeing her breasts!)

Watching the film is rather like watching the film Titanic. You realize that everything you see is going to be destroyed, while those on the screen sail on without a care in the world.

If the central crime had been more interesting and more ambiguous I might have enjoyed it more. A clear case of a film being rather weighed down by being based on facts rather than having the freedom of total fiction.