Tudo por Dinheiro

Paul Bartel's ultra-low budgeted quickie is still one of the best black comedies ever made, even though I found it less funny than when I first saw it, approximately ten years ago now. Then again, it was my very first "politically incorrect" comedy and I've seen many others since… This is a very charming film and the reasons why it works so well especially are the overly eccentric characters and the straight-faced acting performances of the talented B-cast. Writer/director Bartel and his favorite B-movie muse Mary Woronov star as an uptight and exaggeratedly square couple, the Blands, who're social outcasts in the wild L.A. region. Paul and Mary dream of opening their own little restaurant in the countryside but they have trouble financing it, while so many "swingers" waste their money on parties and bizarre sexual fetishes. After a first – and accidental – homicide, Paul and Mary find out that they could make easy money by luring more perverts to their apartment and kill them. The situation gets more complicated when Latino-crook Raoul discovers what the couple is doing. There aren't any special effects or gore and the set pieces aren't at all spectacular…and yet this little gem is entertaining from start to finish! Especially the first half (when you make acquaintance with the bizarre Blands) is terrific, with brilliant dialogues and offensive – yet very clever – black humor. It's obvious that Paul Bartel was an acolyte of the all-mighty Roger Corman, since he manages to deliver a fun movie without a large budget being required. The gags are simple - often not more than the sound of a frying pan hitting a human head – but it works and the atmosphere is so tongue-in-cheek that you can't but love what you see. I do wish that the film had been a little longer, especially since the ending comes so abrupt! "Eating Raoul" also contains many interesting trivia aspects, like for example the name of the co-writer, Richard Blackburn. Especially when you're familiar with Blackburn's other (and only) film "Lemora: a Child's tale of the Supernatural", this screenplay is a giant change in style. The supportive cast is marvelous as well, with the dazzling Susan Staiger as "Doris the Dominatrix" and Ed Begley Jr. as a pot-smoking hippie! Good fun!

It's the lurid deprived world of Hollywood. Paul Bland (Paul Bartel) is a liquor store clerk in a bad neighborhood but he has gourmet tastes. His wife Mary (Mary Woronov) is a nurse. Their rent is getting raised and they are low on cash. They hate their swinging noisy neighbors. When one of them tries to rape Mary, Paul kills him with a frying pan and steals his money. After another kill, they decide to advertise to lure more swingers. Thief Raoul Mendoza (Robert Beltran) breaks in and discovers a dead body. He proposes to join the Blands with them keeping the money and him keeping the bodies.

It's weird and ridiculous deadpan humor. It's also fun. Bartel and Woronov are a great couple. It has a few big laughs but it is generally a lot of sly silly comedic takes. It is definitely unique.

One of the greatest comedies ever made (right up there with National Lampoon's Vacation, Caddyshack, Dumb and Dumber, and Clerks) that really makes a strong statement about swingers, s&m, rape, murder, and cannibalism without becoming tasteless. This is Bartel's greatest accomplishment. A major cult hit and deservingly so.

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The Basic plot: A bland couple, The Blands, composed of a wine fanatic and a shapely nurse , live in an apartment house filled with sex-pervert swingers , and when they want to go out and own a restaurant in the country ,but don't have enough money ,so they become bondage merchants who kill their clients for cash.But, Raoul, a handsome young thief, comes in and violates their plans.....

The praise: Dementedly funny,original and quirky, you really can swallow it up. The comic acting by Mary Woronov, Robert Beltran, Paul Bartel, and Doris the Dominatrix is perfect, and the satiric, ironic,darkly comic side is played to a luscious extent. The bondage merchant scenes are hilarious so much that I can't tell you, and the theme song adds deeply to the ironic side........Enjoy!

Lengthy description to describe a movie that runs less than 90 minutes, but wow, can't say I've ever seen anything quite like it. I'm sure plenty of people would find this movie dull, as it moves at a snail's pace. It is early 80s B-movie schlock, which is exactly what I liked about it. What's there not to like about a couple with zero sex drive that decides, right after killing a few people, to make their money by advertising sexual fantasies, sexually enticing people, then whacking them with a frying pan before enthusiastically emptying their wallets.

I wanted to see this movie because I knew Paul Bartel was a cult flick God, having seen his master cheese flick Death Race 2000 and his rebellious teacher role in Rock N Roll High School. Shabby dialog throughout, awful (but wonderfully so) dubbing, don't watch this movie to add points on your IQ test. The pace is rather slow throughout, yet Eating Raoul is also goofy and surrealistic. The over the top sexual innuendos and rampant sexual scenes are countered by the bizarre calmness of Mary and Paul Bland (Mary Woronov and Paul Bartel, respectively) as they take care of victim after victim. Not really a laugh out loud movie (except for the botched robbery scene and the hot tub sequence, they were freakin funny) but it will make you chuckle.

One thing that was great about this movie is that even though it was obviously an 80s cult flick, the music was, for the most part, great. It gave a cartoonish feel to large portions of the movie and added atmosphere to the strangeness that permeated throughout. The hammy manner in which the murders take place also adds to the offbeat feel of this film as there is no emphasis on violence and blood. No gruesomeness needed, for if the frying pan does the job, why not use it?

I would recommend this flick to cult movie fans but it's a lot more off kilter than anything you've ever seen. I found much of the humor to be delectably inane, and even though the pace was slow, I had a good time watching this Paul Bartel vehicle. Roles by Buck Henry, Ed Begley Jr and Don Steele (you know, the DJ guy from Rock N Roll High School and Death Race 2000) add to the zaniness of a flick that rightly could offend many but could also be found endlessly amusing, as I did.