The Secret Cinema

Okay, you've chanced to see something that sticks in your craw after gawd only knows how many decades - much like "Eclipse of the Sun Virgin" and a few other rarities from the day of true "underground" film. So you decide to check it out on IMDb just to see if anyone else has had the same grace and seen this movie. And you find out that it has already been filtered and reduced to some pablum for the masses already, and for TV, no less. Leave this gem alone, Mr Spielberg. The black and white ORIGINAL is so powerful and fun and dark that doing anything with the content or.... needless to say, Hollywood seems to have run out of ideas, or original ideas, or any means to make a buck without investing a whole lot of energy (as I see it). This wonderful movie should be on any serious film buff's list of must sees. Are you paranoid? This movie gives credence to anyone and all of us who have felt that there ain't an inch of life left to ourselves and that your meager little life is an open book for other's amusement - and our personal horror. Love love love this film.

5 out of 10

An interesting idea that would have been better had it been played out more and at a feature length instead of just thirty minutes. A young women, who has a very hard luck existence, slowly finds that her whole life is secretly being filmed. The film is then shown at secret locations throughout the city all to the amusement of others including her own friends and family.

With the advent of shows like "Big Brother" and other reality series this idea doesn't seem to have the novel edge that it once did. First time director/writer Bartel only touches the surface here and his 'twist' ending is very derivative and flat. Take away the offbeat context and everything else is handled in a very routine fashion. There is no humor or jokes and despite being only thirty minutes there are several segments that are long and drawn out.

Bartel did this feature on weekends with friends of his. Yet despite it's very miniscule budget it really isn't bad especially on the technical side. In particular are the dubbed voices. Bartel did not have the means to film it with sound so he had to use the Italian technique of filming without sound and then dubbing in the voices later. In the Italian films this always seems very obvious and annoying yet here it is not so obvious and actually rather well done.

This film is good on a certain symbolic level. It seems to be as a kind of breaking in to a deeper, darker type of underground filmmaking. A sort of correlation to what the nation was going through at the time. This film embodies that same type of transition. It was filmed in black and white and has very much the look and feel of a old fashioned conventional comedy. Yet it very quietly works in these strange and offbeat qualities that become more pronounced as it goes on. Sort of like a warning to the dawn of change.

In 1986 director Bartel remade this feature for the old "Amazing Stories" TV show. This updated version was in color and had more of a edge. It starred Penny Peyser and Eve Arden as her mother.

I only saw this short subject once and never forgot it. Three whole decades before THE TRUMAN SHOW, there was this early work by Paul Bartel about a woman who slowly comes to realize that her life is being secretly filmed and shown for the entertainment of her close "friends" and "family" as well as the general masses. I thought that this short conveyed the pain and paranoia of invaded privacy much better than TRUMAN and in a much shorter time as well. "Secret Cinema" was remade by Bartel as an episode of Steven Spielberg's AMAZING STORIES, but didn't have anywhere near the impact that the original had. Not only that, but it was given a sickeningly sweet happy ending that ruined the theme of the original story. Now I feel vindicated because whenever I described this film to friends, most of them looked as if I was making it up or dreamed it. Now, here is the proof. Look for this film, it will be well worth the hunt.

An influential (in it's time), inventive 30 minute black and white short that examined an 'Ed TV' like idea way before others did. A woman has her life secretly filmed, edited and shown to a laughing audience each week. Far more surreal and stylized than the features and TV shows that later used this concept, it's stylish, a lot of fun and effectively creepy. On the other hand, the acting is amateurish, production values nonexistent, and the post dubbed sound is pretty awful. But somehow, that homemade quality sort of works with the story. Worth seeing if you have any interest in the semi-experimental late 60s cinema that combined what would have been sleaze with far more artistic aspirations (Brian DePalma, Bartel, and many others were part of this art/exploitation film trend).

Jane is a single secretary in NYC. Her boss Mr. Troppogrosso is pushing her to go on a date with him. Her boyfriend Dick dumps her. Her mother tells her about a secret cinema. She starts to suspect her life is being filmed. Her best friend coworker Helen prepare her for the date with a ridiculous hairdo. She finds a cinema showing her life with many people she knows in attendance. She faints and the cinema is gone. She goes to her therapist desperate for help.

It's a wonderful no-budget 30 minute short from the warped mind of Paul Bartel. The idea of a personal reality show is not mainstream yet and it's not until 1998 that 'The Truman Show' is released. It's an inventive idea from left field. The low budget feel actually works for this movie giving it an underground tone. Amy Vane is awesome and it's too bad that she didn't continue to act. This is fun little movie.