Um marechal federal estacionado em uma colônia de mineração em Júpiter descobre uma conspiração de contrabando de drogas. Entretanto, ele não recebe ajuda de trabalhadores ou autoridades qua... Ler tudoUm marechal federal estacionado em uma colônia de mineração em Júpiter descobre uma conspiração de contrabando de drogas. Entretanto, ele não recebe ajuda de trabalhadores ou autoridades quando é marcado por assassinato.Um marechal federal estacionado em uma colônia de mineração em Júpiter descobre uma conspiração de contrabando de drogas. Entretanto, ele não recebe ajuda de trabalhadores ou autoridades quando é marcado por assassinato.
- Indicado a 1 Oscar
- 1 vitória e 7 indicações no total
- Sergeant Montone
- (as James B. Sikking)
Avaliações em destaque
This a well paced film with a solid acting from Sean Connery. The pursuits, especialy the first in the corridors of the space habitat, are gripping. The film was made in 1981, when the CGI effects were not as prevalent as today. For exemple scenes where humans are dwarfed by huge metalic structures, were executed thanks to a then traditional play of mirrors. I have seen this film at the cinema when it played for the first time in 1981. I have recently watched it again on cable TV and I think it has not aged much. Because it is set on a makeshift sleazy outpost and not a shiny white place as too often in science fiction film, it remains realistic enough, twenty two years later. The themes,a bit overlooked, dangerous mind drugs, greedy multinational (or multi-planet, here) companies, the will and courage of one man against the cowardice of all the others, resonate still in our mind, nowadays. But make no mistake, it not a heavy political film but a good suspense and action film with a science fiction flavour.
Despite some scientific oddities like heads exploding and weightlessness in a zero pressure atmosphere, where as inside the habitat the gravity is normal (by Earth standards), the script remains coherent enough. The strong performance of Sean Connery is helped by those of a serious Peter Boyle and a pre-ER Frances Sternhagen. Rent this film on your local video store or watch it on TV, it is worth seeing it.
A particular rendition of ¨High noon¨ set in outer space on a volcanic moon of Jupiter , stars Sean Connery alone versus a planet-wide drug ring . In fact , this one is no more or less than a Western in space , replacing Gary Cooper by Sean Connery . This enjoyable Sci-Fi is plenty of suspense as the dreaded noon hour approaches and the protagonist realizes he must stand alone , but asking his base fellows for help , nobody is willing to help him . An agreeable Science Fiction movie full of emotional thrills , action and suspense , though the science is rather poor . It is a highly mysterious thriller , filled with non-stop action , including a spectacular denouement in its final part . The narration is adjusted in real time , from the beginning to arrival of the enemy aircraft , at a final showdown and it is approximately developed in ninety minutes as the many on-screen ticks clocks will check . It might make a catching double feature along with ¨High noon¨ . Connery is perfect as the flawed hero who faces off professional killers . He gives first-rate acting as a tough agent who takes on vicious hired killers , facing alone after being abandoned to his fate by the gutless population . Suppport cast is pretty well , giving brief but decent acting , such as : James B. Sikking , Steven Berkoff , Clarke Peters , John Ratzenberger , Angus MacInnes , Eugene Lipinski and Peter Boyle is just right as a heinous villain . And special mention for Frances Sternhagen as the veteran doctor who helps Connery , she steals the show , thanks to her sympathetic and valiant performance .
The motion picture contains an excellent cinematography by cameraman Stephen Goldblatt . Rousing and suspenseful musical score by the great Jerry Goldsmith , performed by London symphony orchestra . The yarn was compellingly directed by Peter Hyams . Peter is an uneven filmmaker who has directed all kinds of genres with successes and flops , such as Adventure : ¨Musketeer¨ ; Terror : ¨The relic¨, ¨End of days¨ ; Action : ¨The Presidio¨, ¨Sudden death¨, ¨Timecop¨ , ¨Narrow margin¨ ; Sci-fi : ¨2010 , the year we make contact¨ , ¨Capricorn one¨, ¨Sound and thunder ¨; Drama : ¨The star chamber¨, ¨Our time¨ ; and Comedy : Running scared¨, ¨Stay tuned¨
Você sabia?
- CuriosidadesWriter-director Peter Hyams handled the cinematography for most of this movie, while Stephen Goldblatt usually worked when there was something Hyams did not know how to do. Goldblatt was misleadingly hired by Hyams, who really wanted him to stand aside and do nothing, and to use him as a scapegoat for the Ladd Company in case anything went wrong while using the new IntroVision process. He was furious at being lied to and wouldn't have taken the job if he'd known Hyams' intentions at the outset, but stayed on in order to learn how to use IntroVision, and because as a young cinematographer with a sole prior feature credit, quitting the movie could have ruined his career. It is the only one of his movies whose wrap party he skipped.
- Erros de gravaçãoSeveral times during the first half hour of the movie, O'Niel's uniform name tag changes spelling from "O'Niel" to "O'Neil" and back again.
- Citações
Dr. Marian Lazarus: You know, if you're the kind of guy you're supposed to be, you wouldn't stick around. That's why they sent you here.
Marshal William T. O'Niel: Maybe they made a mistake.
Dr. Marian Lazarus: I was afraid you'd say something like that. You really think you're making a difference?
[O'Neil is silent]
Dr. Marian Lazarus: Then why, for god's sake?
Marshal William T. O'Niel: Because... maybe they *are* right. They send me here to this pile of shit because they think I belong here. I want to find out if... well, if they're right. There's a whole machine that works because everybody does what they're supposed to. And I found out... I was supposed to be something I didn't like. That's what's in the program. That's my rotten little part, in the rotten machine... I don't like it. So I'm... going to find out if they're right.
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Atmósfera cero
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 16.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 17.374.595
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.059.638
- 25 de mai. de 1981
- Faturamento bruto mundial
- US$ 17.374.595
- Tempo de duração1 hora 49 minutos
- Cor
- Proporção
- 2.35 : 1