Adicionar um enredo no seu idiomaFrustrated with a legal system gone haywire, a secret society of judges hires hitmen to snuff out criminals who escape courtroom justice - but one young judge questions the ethics of their v... Ler tudoFrustrated with a legal system gone haywire, a secret society of judges hires hitmen to snuff out criminals who escape courtroom justice - but one young judge questions the ethics of their vigilante system.Frustrated with a legal system gone haywire, a secret society of judges hires hitmen to snuff out criminals who escape courtroom justice - but one young judge questions the ethics of their vigilante system.
- Direção
- Roteiristas
- Artistas
- Dr. Harold Lewin
- (as James B. Sikking)
- Stanley Flowers
- (as DeWayne Jessie)
Avaliações em destaque
Michael Douglas, in one of his earliest star vehicles, plays Steven Hardin, a young judge who's frustrated by the legal system with which he has to work. Far too often criminal scum are able to escape just punishment due to legal technicalities and savvy defense attorneys. Stevens' cagey, witty mentor Benjamin Caulfield (a marvelous Hal Holbrook) eventually reveals to Steven the method he and some fellow judges have employed to deal with the situation: review old, particularly infuriating cases, make judgments, and pass sentence, utilizing the services of a hired gun.
This is certainly slick stuff, well made technically with efficient direction by Peter Hyams and it's at least smart enough to provoke some debate. For example, what would *you* do: let the 10 guilty men go free or let the one innocent man get executed? It includes some fairly exciting foot chases as well as one brief and decent car chase in a parking garage. The climactic sequence in the abandoned building is appropriately atmospheric. And Michael Smalls' music score is haunting and effective.
Douglas is good in the lead but it's the men in the major supporting parts that truly shine: besides Holbrook, Yaphet Kotto scores as a dedicated detective and James B. Sikking is touching as the father of a murdered child. Sharon Gless has little to do as Stevens' concerned wife. The cast contains an impressive Who's Who roster of character actors, including Joe Regalbuto ('Murphy Brown') and Don Calfa ("The Return of the Living Dead") as a pair of goofy creeps, as well as Jack Kehoe, Larry Hankin, Dick Anthony Williams, David Proval, Robin Gammell, Matthew Faison, Michael Ensign, Jason Bernard, and Robert Costanzo. David Faustino ('Married with Children') plays one of Douglas's kids and Douglas's own real-life mother Diana plays Caulfields' wife; Charles Hallahan ("The Thing", 'Hunter') appears uncredited as police officer Picker.
The movie does move along quite well, getting off to a good start but not concluding as strongly. Still, it's good entertainment for most of the time, and may have people talking about its themes after it's over.
Seven out of 10.
The story (by Roderick Taylor with the script co-written by Taylor and director Peter Hyams) rose slightly above the usual vigilante movie clichés. The movie asks what if some judges, frustrated by the law that they are supposed to uphold, took matters into their own hands? Despite strong evidence that would incriminate the accused, the judges have to reject the evidence on technicalities, freeing the accused individuals.
Though the film has a strong cast, I though Michael Douglas was a little too young to play a judge (he was 39 at the time the movie was released). Hal Holbrook is essentially playing the same role he played in Hyams other "what if?" conspiracy thriller a few years earlier (Capricorn One): the veteran judge who is involved in this conspiracy and gets the Douglas character involved.
Yaphet Kotto does what he can in the underwritten role of the L.A. police detective investigating the case. Sharon Gless is wasted as Douglas' understanding wife. Veteran character actors Don Calfa and Joe Regalbuto (Frank Fontana from "Murphy Brown") played the unsympathetic, cartoon criminals who are on the Chamber's hit list.
Only James B. Sikking's performance as a victim's father who finds himself in prison when he tries to take the law into his own hands, came through. It was a very sympathetic and heartbreaking. In retrospect, it's interesting that Sikking played the SWAT commander on "Hill Street Blues" when the movie was released.
Hyams' films (including "2010", "The Presidio", "Outland", the previously mentioned "Capricorn One", even the Jean Claude Van Damme flicks "Timecop" and "Sudden Death") are interesting to look at. "The Star Chamber" is no exception. But many of his films tend to disappoint and, sadly, "The Star Chamber" is also on that list.
Update (July 2006): The current DVD cover of the movie is misleading. It has Michael Douglas holding a gun. In the film, his character never used a gun. What's up with the 20th Century Fox marketing department trying to mislead potential viewers of this movie?
For the most part this is a highly entertaining and thought provoking film which always leaves you wondering where its going to turn next. However, there are a few important things that are left unexplained or just plain forgotten about, which was somewhat sloppy. Otherwise, a good film about an interesting topic. Certainly one of Douglas' best. 7/10.
Besides, I must admit that I prefer Ted Post's most famous feature, starring Clint Eastwood. Peter Hyams gives here a correct film, but he has done much better. See CAPRICORNE ONE, for instance.
I will finish this comment in pointing out that this kind of topic was very common in the late seventies and early eighties.
I wouldn't call this one of Douglas's best movies, but it is fairly enjoyable for a thriller. Douglas hadn't attained the star power like he would in the upcoming years at this juncture. It is clearly evident that he would become a household name in the acting world. This is a good story about uncovering the corrupt system. It's nice to see a Judge that cares, wanting to do right. If anything else, this movie will uplift you. It's definitely worth a look
6.8/10
Você sabia?
- CuriosidadesThe film's title is taken from a controversial English law court called the "Star Chamber" which was founded in 1487 by King Henry VII. This court sat at the Royal Palace of Westminster until 1641. The "Star Chamber" was so-called because the ceiling of the court where the judges met featured gold decorative stars. The court operated as a supplement to local justice processes where other courts of law could not for one reason or another enforce justice. This court took its name from another court also called the "Star Chamber" or "Starred Chamber" from the reign of King Edward II which functioned for meetings of the King's Council.
- Erros de gravaçãoAfter deciding to correct the mistake the Star Chamber has made, Judge Hardin is seen in his dark office. The lights are off except for the desk lamp he is using. The office door is open showing the adjacent courtroom where Judge Caulfield appears, calling Hardin. When Hardin exits his office, entering the courtroom, his office is brightly lit.
- Citações
Superior Court Judge Steven R. Hardin: The law. Nothing is right or wrong! It's either the law or its not the law. Well, we got a problem here, because it's not working anymore. It turns out that right and wrong count.
- Cenas durante ou pós-créditosActress Fritzi Burr's performance as Judge Alice McCardle was accidentally left of the movie's credits. The 10th August 1983 edition of show-business trade paper 'Daily Variety' reports that Peter Hyams, producer Frank Yablans and the 20th Century Fox Film Corporation ran an advertisement apologizing for this mistake and oversight and praising Burr for her acting contribution to the movie.
- ConexõesReferenced in Blankety Blank: Episode #11.10 (1987)
- Trilhas sonorasNew Church
Performed by The Lords of the New Church
Written by Brian James (uncredited) and Stiv Bators (uncredited)
courtesy of IRS Records
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Star Chamber
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 5.555.305
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.980.105
- 7 de ago. de 1983
- Faturamento bruto mundial
- US$ 5.555.305
- Tempo de duração1 hora 49 minutos
- Cor
- Proporção
- 2.39 : 1