Adicionar um enredo no seu idiomaFrustrated with a legal system gone haywire, a secret society of judges hires hitmen to snuff out criminals who escape courtroom justice - but one young judge questions the ethics of their v... Ler tudoFrustrated with a legal system gone haywire, a secret society of judges hires hitmen to snuff out criminals who escape courtroom justice - but one young judge questions the ethics of their vigilante system.Frustrated with a legal system gone haywire, a secret society of judges hires hitmen to snuff out criminals who escape courtroom justice - but one young judge questions the ethics of their vigilante system.
- Direção
- Roteiristas
- Artistas
- Dr. Harold Lewin
- (as James B. Sikking)
- Stanley Flowers
- (as DeWayne Jessie)
Avaliações em destaque
In one of his earlier features,Michael Douglas plays a young judge who becomes disillusioned with the law system he used to so admire when he finds himself continually having to aquit particularly dispicable criminals on the grounds of ridiculous technicalities.Sensing his frustration,a close friend (Hal Holbrook) informs him of a secret judicial society that meets and dishes out the appropriate punishment to those who have escaped the clutches of the law.However,events take a turn for the worst as the wheels get set too far in motion and he finds himself having to turn against this group and bring them down.With the aid of an inquisitive detective (Yaphet Kotto) this proves easier than anticipated.
The whole thing weirdly ends up emerging as some sort of left-wing statement against the death penalty and the complications that could arise with it,in much the same way as the Kevin Spacey/Kate Winslet thriller The Life of David Gale would 20 years later.In this sense,it makes it's point fairly well,although the plot does seem to borrow rather too heavily from Clint Eastwood's Magnum Force to have the full lasting impact it could have had and it has a kind of far-fetched,unintentionally surreal feel to it that ultimately clouded my judgement.The odd title is never really explained or delved in to with much detail either.
Still,for all these criticisms,it's riveting and consistently exciting enough to sustain your interest till the end,which,ironically for how unbelievable the plot is in some respects,is extremely believable and satisfactory.This star chamber is lucky enough to be granted two more from this generous benefactor.***
I wouldn't call this one of Douglas's best movies, but it is fairly enjoyable for a thriller. Douglas hadn't attained the star power like he would in the upcoming years at this juncture. It is clearly evident that he would become a household name in the acting world. This is a good story about uncovering the corrupt system. It's nice to see a Judge that cares, wanting to do right. If anything else, this movie will uplift you. It's definitely worth a look
6.8/10
The story (by Roderick Taylor with the script co-written by Taylor and director Peter Hyams) rose slightly above the usual vigilante movie clichés. The movie asks what if some judges, frustrated by the law that they are supposed to uphold, took matters into their own hands? Despite strong evidence that would incriminate the accused, the judges have to reject the evidence on technicalities, freeing the accused individuals.
Though the film has a strong cast, I though Michael Douglas was a little too young to play a judge (he was 39 at the time the movie was released). Hal Holbrook is essentially playing the same role he played in Hyams other "what if?" conspiracy thriller a few years earlier (Capricorn One): the veteran judge who is involved in this conspiracy and gets the Douglas character involved.
Yaphet Kotto does what he can in the underwritten role of the L.A. police detective investigating the case. Sharon Gless is wasted as Douglas' understanding wife. Veteran character actors Don Calfa and Joe Regalbuto (Frank Fontana from "Murphy Brown") played the unsympathetic, cartoon criminals who are on the Chamber's hit list.
Only James B. Sikking's performance as a victim's father who finds himself in prison when he tries to take the law into his own hands, came through. It was a very sympathetic and heartbreaking. In retrospect, it's interesting that Sikking played the SWAT commander on "Hill Street Blues" when the movie was released.
Hyams' films (including "2010", "The Presidio", "Outland", the previously mentioned "Capricorn One", even the Jean Claude Van Damme flicks "Timecop" and "Sudden Death") are interesting to look at. "The Star Chamber" is no exception. But many of his films tend to disappoint and, sadly, "The Star Chamber" is also on that list.
Update (July 2006): The current DVD cover of the movie is misleading. It has Michael Douglas holding a gun. In the film, his character never used a gun. What's up with the 20th Century Fox marketing department trying to mislead potential viewers of this movie?
This is the problem facing Michael Douglas, who portrays an idealistic judge of the L.A. Superior Court who finds himself being forced to free criminals up on charges that include kidnapping and murder because the police bent the law a bit to get the evidence that would send "the bad guys" to jail for life or possibly to Death Row. Douglas later learns from his mentor (the always watchable Hal Holbrook) about a secret cabal of judges--a Star Chamber--that metes out its own brand of justice against those it feels have wrongly been set free. As a result, numerous criminals wind up getting executed. The further Douglas gets into the Star Chamber, however, the more he realizes that the cure these judges propose to rid society of criminal disease is far worse than the disease itself.
Though it is not always plausible, THE STAR CHAMBER is nevertheless compelling, with Douglas and Holbrook giving standout performances under the direction of Peter Hyams (OUTLAND; CAPRICORN ONE; 2010), who co-wrote the film's script with Roderick Taylor. Some might compare it to the 1973 Dirty Harry film MAGNUM FORCE (in which the cops take the law into their own hands), and many would say its theme of vigilante judges is drenched in right-wing gilt, but I don't think that's the case. This is one of those films that definitely makes you think; and while THE STAR CHAMBER may have been released twenty years ago, its themes still hold up in a world where, rightly or wrongly, people see the justice system as too slanted in favor of the criminals.
Você sabia?
- CuriosidadesThe film's title is taken from a controversial English law court called the "Star Chamber" which was founded in 1487 by King Henry VII. This court sat at the Royal Palace of Westminster until 1641. The "Star Chamber" was so-called because the ceiling of the court where the judges met featured gold decorative stars. The court operated as a supplement to local justice processes where other courts of law could not for one reason or another enforce justice. This court took its name from another court also called the "Star Chamber" or "Starred Chamber" from the reign of King Edward II which functioned for meetings of the King's Council.
- Erros de gravaçãoAfter deciding to correct the mistake the Star Chamber has made, Judge Hardin is seen in his dark office. The lights are off except for the desk lamp he is using. The office door is open showing the adjacent courtroom where Judge Caulfield appears, calling Hardin. When Hardin exits his office, entering the courtroom, his office is brightly lit.
- Citações
Superior Court Judge Steven R. Hardin: The law. Nothing is right or wrong! It's either the law or its not the law. Well, we got a problem here, because it's not working anymore. It turns out that right and wrong count.
- Cenas durante ou pós-créditosActress Fritzi Burr's performance as Judge Alice McCardle was accidentally left of the movie's credits. The 10th August 1983 edition of show-business trade paper 'Daily Variety' reports that Peter Hyams, producer Frank Yablans and the 20th Century Fox Film Corporation ran an advertisement apologizing for this mistake and oversight and praising Burr for her acting contribution to the movie.
- ConexõesReferenced in Blankety Blank: Episode #11.10 (1987)
- Trilhas sonorasNew Church
Performed by The Lords of the New Church
Written by Brian James (uncredited) and Stiv Bators (uncredited)
courtesy of IRS Records
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Star Chamber
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 5.555.305
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.980.105
- 7 de ago. de 1983
- Faturamento bruto mundial
- US$ 5.555.305
- Tempo de duração1 hora 49 minutos
- Cor
- Proporção
- 2.39 : 1