Super-Herói Americano

This show did a great deal of changing over it's three year run. Starting as a spring replacement show, it starred relative newcomer William Katt as the tragically named Ralph Hinckley (I'll get to the tragedy in a minute), a high school teacher with lots of troubled kids in his class. Hinckley is in the middle of a custody suit with his exwife, and is falling in love with his lawyer, Pam Davidson (Connie Sellecca).

Things are looking OK for Hinckley until one night, in the California desert, he encounters aliens who give him a suit that endows upon him superpowers when he wears it. Then he loses the instruction manual. Nothing can throw a monkey wrench into your divorce/custody/employment plans like running around in what looks like red footie pajamas with a cape claiming you are saving the day. Ralph is instructed by the aliens to work with FBI agent Bill Maxwell (Robert Kulp), and this part is easy because Maxwell is there when the aliens give them the suit in the person of his recently deceased partner, who is going with the aliens but gives Bill the "live long and prosper" hand movement through the car glass window a full year before "The Wrath of Khan". Hmmmmmmm.

Thus Bill and Ralph form this sort of good cop/bad cop duo, except Ralph is no cop. Bill is the formal law and order type. Ralph is the give peace a chance type. For all of his super powers, Ralph didn't seem to notice that his son, who brought him and Pam together in the first place, disappears after four episodes, never to be mentioned again. Maybe this invisibility was inherited from the ex-wife, because we never see or hear about her again either.

The tragic naming of our protagonist that I mentioned? Well 12 days after this show debuted President Reagan was shot by John Hinckley. In a typical case of overreacting, the show had Ralph renamed "Hanley" or "Mr. H" for the rest of the first season, as though just being named Hinckley somehow made you an untouchable. Then, he magically went back to Ralph "Hinckley" at the beginning of the second season.

As for the "bad kids" in Ralph's class, among them there was Michael Pare in his first role, and apparently a role that got him noticed because he was making movies at a pretty frenetic pace for the rest of the 1980's, though he stuck with the show for the rest of its run. There was also Faye Grant as Rhonda, who is supposed to be a troublemaking rather loose girl. Hey, it was 35 years ago and double standards still applied.

The first season was a delight, as was part of the second season, but then the network suits wanted to advertise it more as children's fare over producer Steven J. Cannell's objections, and it never could escape that pigeon-holing. Overall though, I remember it fondly.

If you aren't familiar with "The Greatest American Hero" you owe it to yourself to get the DVDs... you won't be disappointed. I used to watch the show as a kid and I loved it... they used to play it on Saturday mornings after the cartoons had ended and I never missed an episode. Flash forward twenty years and I'm amazed at not only how well the show has held up but at all I missed the first time around.

Ordinary schoolteacher Ralph Hinkley is given a supersuit by space aliens... when wearing the suit he has all the powers of a superhero. The trouble is he lost the suit's instruction book in episode one and has to figure out how it works as he goes along. He's partnered with crusty, by-the-book FBI agent Bill Maxwell (Robert Culp) and gets lots of help from his gorgeous girlfriend Pam (Connie Selleca). If you think this is a broad, goofy comedy or kid's show you couldn't be farther off... if you think it's kitschy nostalgia you'd be wrong as well. The Greatest American Hero is nothing short of one of the greatest TV shows of all time.

The concept of the everyman becoming superman allowed the show's creators and writers to examine different aspects of human nature... there's so much going on in every episode that getting the bad guy is almost secondary. In one of the best episodes "My Heroes Have Always Been Cowboys," Ralph is forced to examine what it means to be a hero while Bill wrestles with having to arrest his OWN hero, a veteran police officer who has turned to a life of crime. The show was unbelievably human, and the three leads are a perfect triangle... Robert Culp grounds the show by not pulling any punches as the skeptical, impatient fed; his disbelief at the premise only serves to make the premise more real.

William Katt as Ralph is excellent, completely believable as a man trying to balance his roles as boyfriend, father, teacher and superhero. Connie Selleca is not just beautiful... she's a confident, funny actor, putting more into Pam than was on the page. This show is also wonderful as a time-capsule piece, a reminder of when TV could appeal to everyone and still be intelligent, dramatic, and FUN. (Today so many dramas open every episode with a corpse it's all but become the rule.) "GAH" is also one of the BIGGEST TV shows ever made... by that I mean its visual look and style of direction is grand, cinematic. If you get the DVD's you'll see that every episode is a mini-movie. You'll also see that it's one of the best transfers EVER done. The show, twenty years later, is more bright, clean and vivid than anything on TV today. And you also get the memorable theme song, which still gives old-time fans like myself instant nostalgia whenever we hear it.

In conclusion I highly recommend "The Greatest American Hero" to everyone... you will love it, your kids will love it, and it will stimulate your imagination, make you laugh and make you think. What more could you ask for?

GRADE: A+

I really wish this show was done today, because I just watched it on DVD, and found it incredibly entertaining, and very funny. The story begins with Ralph Hinkley(William Katt) a high school teacher, is lured out in the dessert, comes across FBI Agent Bill Maxwell(Robert Culp) and they are approached by a UFO, and is told they must work together as a team, they give Ralph a suit that has magical powers whenever he wears it. The funny part comes when Ralph loses the instruction book on how to use the suit, he keeps getting in trouble, because he does not use the power too well. But he seems to make the best out of the bad situation. I enjoyed the show, I still wish it was made today.

I can still recall, quite fondly, watching the pilot episode of The Greatest American Hero. It can be corny and silly at times... but it was also humorous, warm, and uplifting. A group of people suddenly thrown into a situation where they have to "save the world". And working together (more or less :) ) they do it. From saving little kids, freezing in the wilderness to "baggin' bad guys" on the streets of L.A. My life is pretty dull and uneventful... oh but what I wouldn't do if suddenly >I< had a super suit. And while I'm old and getting gray now... I still dream, every now and again, of flying around in the sky... (and over the years I've gotten better at landing on my feet). Ralph wasn't the best... but he always gave it the old team try. You gotta love him for that!

The most prominent clue is that Bill Maxwell is playing a turn on his "I Spy" Kelly Robinson fifteen years down a dead-end road, where his Cold War battles have apparently led him to be mired in eroded ruts.

The very opening sequence implies the murder of his long-time black partner.

In fact, the entire series -- from the pilot movie -- onward is a witty investigation of the uses and abuses of power, from the roles and capabilities of women (contrast/compare Connie Sellaca's attorney with Rhonda's confused teenager struggling for esteem) to the limits of American adventurism against the continuing threats of the Cold war. Here is a man of conscience chosen by Higher Powers to right wrong who struggles to be a decent father, lover, friend, and inspire kids by his "ordinary" example.

My favorite episode is "Lilacs, Mr. Maxwell", where Emmy-winning writer Robert Culp reveals in the Season 2 finale the depths and intelligence of the Bill Maxwell character.

Cannell wrote the pilot in an atmosphere of the Iran US Embassy hostage situation and a cultural dearth of idealism. Many viewers saw the red suit comedy and missed the morally ambiguous complexity lying beneath.