A Batalha da Vingança

The first thing you notice about this film is the racist MPAA. Despite it being rated PG for war violence, there was nudity. Breasts were exposed, but they weren't those of Barbara Parkins ("Peyton Place", Valley of the Dolls, and her skintastic moment in Breakfast in Paris), but of African natives. Seems that black breasts are not taboo for children to see.

But, to the film itself. It is actually two films. The first half in 1912, has Lee Marvin (Cat Ballou, Paint Your Wagon) as a drunken ivory poacher who manages to get Roger Moore (The Spy Who Loved Me, "The Saint") to partner up with him. After Moore and Parkins (Marvin's daughter) plan to marry, there is a great fight scene reminiscent of many John Wayne pictures.

Then the film changes. World War I is declared and the Germans are on the march led by Reinhard Kolldehoff (Moon Over Parador, "The Winds of War"), a big fat German pig whose men slaughter Moore and Parkins baby, and set them on a search for revenge.

The film has plenty of action, including what I would call a paper mache bi-plane which almost takes Moore's life, and culminates in the blowing up of a German battleship that had run over Moore and Marvin earlier.

Marvin was extremely funny and Moore looked just great painted black to get on the ship. Parkins was radiant throughout, even when consumed with revenge for the murder of her baby.

Sir Ian Holm (Chariots of Fire) was also fantastic as Marvin's mute servant.

Shout at the Devil finds Lee Marvin in sub Sahara Africa in 1914 just before the start of World War I. He's a rollicking, live by your wits character named Flynn, very much similar to Humphrey Bogart's Charlie Allnut in The African Queen. Marvin takes up with an Englishman played by Roger Moore who's been stranded in Africa on his way to Australia.

Marvin has a running rivalry with the local German governor played with Teutonic relish by Reinhard Kolldehoff. He's the Road Runner to Kolldehoff's Wily Coyote. During the first half of the film, it plays just like a road runner cartoon.

When war is declared however, Kolldehoff crosses into British territory where Marvin has operated with sanctuary and exacts a terrible vengeance for being constantly made a fool of. On Marvin, on Moore, and on Barbara Parkins, Marvin's daughter who Moore has now married and had a child with.

This is World War I so the Germans aren't behaving like the Nazis of the second World War. But Kolldehoff you can see a potential recruit for Hitler in the post war years. In fact I don't think it's an accident that Kolldehoff and his character Fleischer look very much like German Field Marshal Ludendorff who was sympathetic to the early Nazi party.

Shout at the Devil is a broad comic adventure for the first half and turns serious in the second half. Moore and Marvin have a nice easy chemistry between them, Marvin is reaching back to his Cat Ballou days and the bag of scene stealing tricks he used to get an Oscar. Moore is hard pressed, but does keep up.

And who doesn't like a live road runner cartoon.

This guy seems to have been the most under-rated star in the Biz. His dry sense of humor combined with a subtle charisma made Lee Marvin one of the most likeable stars of the war movie genre. Here he played an older soldier, past his prime, that coaxes the younger Roger Moore into doing life-endangering things against the Germans. This is done with much humor, as Moore is in love with Marvin's daughter, and feels compelled out of family honor to do whatever he can. The action is really excellent, and the love story is touching. A must see for any war movie fan, and/or Moore fan. Marvin, himself, delivers another Marvin like performance, and reminds viewers of his earlier days from the film "The Dirty Dozen".

A British action adventure; A story about unlikely partners in the East African ivory trade who join forces to fight occupying German troops in German East Africa. Adapted from the Wilbur Smith novel, it is based on a true story about a raid on the SMS Konigsberg by an ivory hunter in World War I. It is an opulent film, well photographed but pastiche, the sort of actioner that harks back to an older generation of films featuring exploitative, larger-than-life characters put through a cavalcade of action and unlikely situations, out of which humour and thrills naturally arise, with a cartoonish villain to satisfy all tastes. Lee Marvin plays wonderfully, a man on the make, out to plunder the environment, downing copious amounts of hooch in the process, and Roger Moore, as Sebastian Oldsmith, fits his part well, giving contrast as an establishment toff. Both commit and play amiably amidst some slack and silly slapstick comedy. Peter R. Hunt stages scenes with workmanlike efficiency, although some sequences are like longueurs. Overall, it is a treat as a postprandial Sunday matinee. As an aside, the full theatrical release is the version that garnered more credit for the fuller and more rounded characters it portrays, though some extra scenes are stark in portraying the ivory trade.

This rollicking, exotic adventure is one that happens to be inspired by a true story. It gets some mileage out of the teaming of Lee Marvin and Sir Roger Moore, who for a while are at each others' throats. It does go on for an awful long time, and have silly digressions, but that should be no problem for patient viewers who don't mind a film that takes its time telling a story. There is a good portion of the running time with strong comic overtones, until politics and the reality of war rear their ugly head. Then our ne'er-do-well main character must take on a mission for reasons that aren't purely selfish.

Marvin plays rascally American ivory poacher Flynn O'Flynn in the African country of Zanzibar in 1913. He makes the acquaintance of "young" Englishman Sebastian Oldsmith (Moore, who was in his late 40s during filming, but looks good regardless). Oldsmith is stranded in Zanzibar because his property is stolen from a hotel and he is now unable to sail to Australia, which was his plan. He becomes O'Flynns' sidekick, and joins in as the jovial scoundrel makes constant battles with German commissioner Herman Fleischer (Reinhard Kolldehoff). Eventually they will take part in a daring plan to destroy a German vessel docked for repairs in Zanzibar.

The filmmakers, led by director Peter R. Hunt ("Death Hunt"), are quick to remind viewers that they made no move to actually harm animals (there are disclaimers at both the beginning and the end of the film), in case any animal lovers watching get squeamish during some scenes. They deliver a fairly engrossing and rousing action / comedy /drama that really comes to life through the chemistry between Marvin and Sir Roger. Marvin has never been quite this hammy, to the best of this viewers' recollection, and that includes his Oscar winning comedic performance in "Cat Ballou". Still, he's quite watchable, as is the lovely Barbara Parkins ("Valley of the Dolls") as Marvins' daughter and a strong supporting cast also including Karl Michael Vogler, Horst Janson, Maurice Denham, Murray Melvin, and George Coulouris. The real scene stealer for much of the two hour 30 minute run time is Ian Holm, cast as O'Flynns' mute associate Mohammed. The snarling Kolldehoff makes for an effective bad guy.

The music by Maurice Jarre is good, as is the use of eye catching African locations and the expansive widescreen photography. All in all, this is a somewhat predictable but pleasing diversion.

Seven out of 10.