Um avião exposto à radiação pousa, e zumbis bebedores de sangue emergem armados com facas, armas e dentes! Eles partem em frangalhos cortando, cortando em cubos e mordendo seu caminho atravé... Ler tudoUm avião exposto à radiação pousa, e zumbis bebedores de sangue emergem armados com facas, armas e dentes! Eles partem em frangalhos cortando, cortando em cubos e mordendo seu caminho através do interior italiano.Um avião exposto à radiação pousa, e zumbis bebedores de sangue emergem armados com facas, armas e dentes! Eles partem em frangalhos cortando, cortando em cubos e mordendo seu caminho através do interior italiano.
- Direção
- Roteiristas
- Artistas
- Col. Frank Donahue
- (as Manolo Zarzo)
- Lieutenant Reedman
- (as Tom Felleghi)
- Soldier
- (não creditado)
- Zombie at the TV station
- (não creditado)
- Man in Elevator
- (não creditado)
- Military Officer
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The plot itself is pretty humdrum. Hordes of the dead terrorize a big city while spreading their walking-dead disease to others.
The only interesting part of this movie is how it tries to follow several groups of people and their encounters with the zombies. Among the people whose stories are followed are a military major and his wife, General and his daughter and son-in-law and last but not least, a reporter and his wife. The best sub-story is that of the reporter who witnesses the start of the mayhem firsthand and attempts to break the story of the walking dead, while people turn a deaf ear to his reports. The reporter tries to stay alive and rescue his wife from the chaos. Hugo Stiglitz is great as the reporter kicks some major butt, especially near the movie's end. The rest of the substories that the movie oscillates between are boring and pedestrian though.
The "zombies" in this movie are decidedly some of the more active ones in movie history. They run, jump and even use weapons. Some of them actually look like living humans, except they have some ghastly scare. "City of the Walking Dead" was a badly chosen title; "City of the Running, Jumping and Scampering Dead" sounds more apt. You could argue that they are far more lifelike that the people in this movie, especially the military guys, who apparently are too damn stupid to follow the advice of their superiors and shoot the zombies in the head.
The movie isn't too scary at all. There are some genuinely creepy moments, such as when the reporter's wife fumbles around in the dark in a hospital and encounters one of the walking dead. That was one of the only chilling parts of the movie. The scene where the major finds his wife is also pretty creepy, although it was predictable. For the most part, the gore was nothing that hasn't been done better in other movies, although the lively zombies did make them considerably more vicious.
The makeup was really terrible. Most of the zombies look like normal humans, except for a little blood here and there and a crazed look in their eyes. It would have been best if the filmmakers went with that look for the whole movie, as the makeup jobs usually consisted of a few cheesy cast-like extensions and mud-like molds being added to creature faces.
City of the Walking Dead is a decent movie to watch if you aren't took picky with your horror movies. It has some decent action and some novel concepts that were extremely flawed in implementation. Otherwise, stay far away from this one. Furthermore, a word of warning: you will groan at the movie?s ending.
Nightmare City (Incubo Sulla Cittá Contaminata)is a crude mix of the Crazies, Let Sleeping Corpse Lie to name a few. It also has a slight ambiance of Shivers and Rabid.
As you'd expect it's suffers from the failings of most Italian gore pictures of the time, bad dialogue etc. Nightmare City is certainly a product of its time. Nevertheless, while the makeup is terrible, the leads are more than effective. Umberto Lenzi's camera work, direction and starkness of the city setting are appealing. It's fast paced - packed with comic –like violence of stabbings, biting, hacking and shootings as the zombie maniacs cause blood soaked havoc in the city and surrounding areas.
The ending twist is quiet refreshing and although a cliché you don't see the device used these days. While not a zombie film in the truest sense, they move fast, can weld machetes and fire guns it's a competent splatter film that is far better constructed and executed than Bruno Mattei's Zombie Creeping Flesh (1980) made the same year.
Overall, it's one of the better trash horrors out there.
Instead of going with "living dead"-style zombies (i.e. lumbering oafs) Lenzi - against producers wishes who wanted basically a Romero-style-clone - instead argued for and got his wish of the 'zombies' simply being victims of a nuclear radiation accident. All the 'creatures' become supermen of sorts - with heightened strength etc. - not to mention retaining their human faculties of running, driving, being able to fight with weapons etc.
As a result though - pretty much all suspense is thrown out the window, as the movie quickly bogs down into a violent and graphic game of hide and seek. The action is intense (and the blood and gore plentiful) but the 'creatures' or victims simply look like poorly-designed Halloween costume party attendees, who - after realizing they are late for their scheduled gathering - grabbed whatever they could out of their fridge and slapped it on their faces. The result is an unconvincing and inconsistent mess of effects that underwhelms the viewer. Some victims have little makeup, others are nearly indistinguishable under piles of green and red facial clay, (yet ALL sneer menacingly at the camera) and ALL are out for the blood of their next human victim (the creatures need blood to regenerate their cells to keep living. As a result, their victims in turn become creatures as well).
While I applaud Lenzi for at least attempting something different (in an interview on the disk, he explains how he wanted the film to be viewed as an environmental warning etc.) it comes down to the simple fact that the movie ends up failing - the zombies move too fast to be truly creepy and come off as poorly-dressed terrorists from a bad Chuck Norris movie - and basically plays out as a b-level gore bore, weaker on the gore, heavier on the B-bore.
While NIGHTMARE CITY may not be totally rank, let's say ya might wanna drink that milk today - know what I mean?? As in, it smells a little funny - not totally spoiled, but nowhere near fresh-enough to serve to guests. Feelin' lucky??
Recommended for genre completists only.
The make-up effects are so cheap and nasty it almost becomes hilarious. It seems like the zombies' heads are covered in mud and you can almost smell their rotting flesh. Lots of heads are being shot off and multiple throats are being slit perfect entertainment if you're a horror lover in other words. Don't bother if you're an opinionated horror-hater or an amateur-critic, though. I'll spare you the effort: the script of `Nightmare City' is as weak as they come (with a very disappointing ending) and the acting is atrocious. If you're a diehard horror-freak with a soft spot for Italian cult, however, this will be one of the most pleasing films you'll ever see.
Você sabia?
- CuriosidadesAccording to director Umberto Lenzi, both Franco Nero and Fabio Testi were considered for the lead in the film, but the producer insisted on a Mexican leading man to appeal to Mexican audiences. Hence, the role went to Hugo Stiglitz.
- Erros de gravaçãoWhen Dean and Laura take refuge in the church and encounter the infected priest, he makes a dramatic turn toward the camera to display his facial wounds to the audience, and then finishes the turn, whereupon Dean and Laura react. But given where the priest's injury is, and given that the priest makes a full 360 degree turn, Dean and Laura would've seen the infection immediately.
- Citações
Dr. Anna Miller: I'm tired. Really tired. And I'm frightened. We'll never get away from these... these monsters. What are we going to do?
Dean Miller: Alright. Nothing is going to happen as long as we stay together I promise you. What we've got to do now is get away from here as fast as we can.
Dr. Anna Miller: Let go of me. Why don't you face it. There's no place for us to go. They're we too will be killed. I don't want us to die I don't want us to but there's nothing we can do. They're everywhere...
Dean Miller: [Dean slaps his wife and then kisses her] Stop it...
- Cenas durante ou pós-créditosThe message "THE NIGHTMARE BECOMES REALITY..." just before the end credits
- Versões alternativasThe 1986 UK Stablecane video version was cut by 3 minutes 5 secs by the BBFC to heavily edit shots of exploding heads, neck bitings, a woman's eye and breast being stabbed with a spike, an arm removal, the elevator attack, shots of bloody wounds, and a woman's breast being sliced off with a knife. All the cuts were fully waived for the 2003 Anchor Bay DVD release.
- ConexõesEdited into Cent une tueries de zombies (2012)
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Detalhes
- Data de lançamento
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- Também conhecido como
- Nightmare City
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 32 minutos
- Mixagem de som
- Proporção
- 2.35 : 1