Após a passagem de um cometa pela Terra, muitas pessoas morrem em decorrência da radiação, ressuscitando depois, como zumbis comedores de carne. Duas adolescentes que sobreviveram à radiação... Ler tudoApós a passagem de um cometa pela Terra, muitas pessoas morrem em decorrência da radiação, ressuscitando depois, como zumbis comedores de carne. Duas adolescentes que sobreviveram à radiação, terão que lutar contra os mortos-vivos.Após a passagem de um cometa pela Terra, muitas pessoas morrem em decorrência da radiação, ressuscitando depois, como zumbis comedores de carne. Duas adolescentes que sobreviveram à radiação, terão que lutar contra os mortos-vivos.
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Well, I'm 16 years older now, and not quite as misanthropic, but I still got a kick out of watching this again the other night. Sure, the soundtrack was atrocious, and some of the acting was sub-par, but the sheer aplomb that "Samantha" has carries the film, I thought.
Plus, it was fun to see Robert Beltran (ST: Voyager's second in command), so much younger!
Quite a few laughs, and a pretty good plot twist or two to keep you guessing makes this an easy movie to enjoy.
My rating: 7
Robert Beltran is our Ponchlike hero, we who are Trekkers have come to know him as Chakotay from ST: Voyager, but some of you 80s buffs might remember him as "RAOUL" from a little picture from around the same year called "Eating Raoul" with the great Mary Waronov, who is also briefly in this movie as a mad scientist/zombie gone good with a conscience. Her part I wish had been larger, and that her interaction with Beltran had been more detailed... they are great on screen together, and she fits right in with this 80s camp.
Catherine Mary Stewart who used to be Kayla Brady on Days of our Lives shines as the tough chick, while cute Kelly Maroney of Ryan's Hope is her naive cheerleader sister. Sorry if some of you think it is awful, but if you grew up during the time this film was made, I believe you will really enjoy it. The music is really nostalgic... there's one slow song that is really reminiscent of the Frank Stallone days when he was on top with "Staying Alive"... Anyone remember "Moody Girl"? This song will remind you of that, and this movie will make you long for days before the world lost all it's creativity and started copying everything great from that time.
Enjoy, Children of the 80s, this one's for you.
PS... Had to edit this upon just watching it again... How funny and predictive is it that Kelly says "Beam me up Scotty"... As The future Chakotay is listening!" :)
This came from producer Wayne Crawford, who also co-wrote and co-produced the film "Valley Girl" (as well as being the primary creative force behind "Barracuda"). I like to think Crawford had some important contributions to "Comet", but who knows? This was directed by Thom Eberhardt, who went on to make "Captain Ron" (1992).
Many people love this film, and Stewart and Maroney are always big hits on the convention circuit. I liked it, too, though perhaps not as much as some people. The film was funny, quirky and entertaining, though it never quite escalates from "good" to "cult classic", and I am curious to see if this will get some new eyes looking on it with the amazing Scream Factory release.
I will say the script is more clever than it first appears, though, once you begin to connect the dots on subtle jokes (such as when the comet struck and who has been playing the arcade game).
Você sabia?
- CuriosidadesKelli Maroney improvised the Uzi line when the weapon jammed for real. Director Thom Eberhardt told the cast to react to any unexpected occurrences in character, since time and budget were tight and they needed to avoid retakes.
- Erros de gravaçãoIn the radio station, Hector takes his gloves off twice.
- Citações
[When her MAC-10 jams during target practice]
Samantha Belmont: See, this is the problem with these things. Daddy would have gotten us Uzis.
- ConexõesFeatured in At the Movies: Science Fiction Films (1985)
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- Orçamento
- US$ 700.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 14.418.922
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.580.578
- 18 de nov. de 1984
- Faturamento bruto mundial
- US$ 14.418.922