Do Além

Its been a while since I saw this, but I fondly remember it as being one of the wildest and most entertaining horror films of the 80s. I liked it even more than Re-Animator, partly because there is something more intriguing about parallel dimensions and the connection to schizophrenia, than Re-Animators simple (though still entertaining ) "dead come back to life"-scenario. Some of the outlandish effects seem to be influenced by Dali, bodies in a constant state transformation and re-evaluation. It is mind-boggling that it is still so hard to get a hold of on DVD, I only watched a British VHS copy years ago which had some cuts and I still long to see the original unrated version. The score, by Richard Band, is also impressively aggressive and atmospheric. Would somebody please just release it on DVD! They just don't make them like this anymore.

The cast and crew of the horror hit RE-ANIMATOR team up again for this stomach-churning ride through (literally) the human mind. Once again using Lovecraft as source material, Gordon and friends take the original story and add their own gruesome elements to the stew. Much overlooked alongside its more popular and altogether more famous brother RE-ANIMATOR, FROM BEYOND, while lacking some of the frenetic pace and macabre gags which made that film so good, still stands alone as a deliriously gory horror film, full of slime, blood, and body bits.

The film works best when it sticks close to Lovecraft's original tale, and the opening scenes in which Jeffrey Combs sees the mysterious eel-like things floating around in the air invoke thrills and fear at the same time. Unfortunately, as the plot progresses it rapidly unfolds and moves to a hospital, which is where the film is at a low point. However the climax - a predictably slimy and visceral conclusion - is well worth waiting for, if only to watch the special effects.

The acting is definitely tongue-in-cheek and in this respect is effective all round. Jeffrey Combs can do no wrong, even in the worst of bad films, and he's once again on hand to deliver the chuckles and chills with his particular brand of over-acting. Combs' transformation into a monster is rightly disturbing to watch. Barbara Crampton makes for a good heroine and looks very fetching in a black leather outfit, something you probably won't see anywhere else. As well as the two leads, DAWN OF THE DEAD's very own Ken Foree has a comic relief role as a policeman caught up in the horrific events. Watching Foree prance around in underpants made me think just how much I like this great actor, it's a shame he hasn't been in more films since Romero's classic gave him a certain cult status.

The special effects are the real stars of FROM BEYOND, and they range from the typical (brain eating, eyeball gouging) to the superb (big slimy monster things). The effects are used a lot and all are totally brilliant in conception, being wonderfully weird and odd, especially the slime creature and the monster in the basement. With a spine-tingling soundtrack and collaboration from three notable names in horror - Charles Band (a cheapie producer who now owns Full Moon Entertainment), Brian Yuzna (a delightfully sick individual) and finally Stuart Gordon, there is no way this film could miss the mark really. Overall, FROM BEYOND is a delightfully entertaining film which thankfully never takes itself too seriously and can be watched over and over again.

Stuart Gordon's debut 'Re-Animator' is a horror classic, and 'From Beyond' is an attempt to get lightning to strike twice. Once again Gordon and producer/co-writer Brian Yuzna make a gory horror/black comedy loosely inspired by a H.P. Lovecraft story, and get cult hero Jeffrey Combs and scream queen Barbara Crampton to star. And you know what? It's actually as great in its own way as 'Re-Animator'. They really pulled it off! Combs isn't quite as outrageous this time round, but he's still excellent, and Crampton has a more important role, which includes her memorably dressing up in bondage gear. Another 'Re-Animator' actor Carolyn Purdy-Gordon also appears in the supporting cast, as does Ken Foree, one of the stars of Romero's zombie classic 'Dawn Of The Dead', and Ted Sorel plays Dr. Pretorious (a deliberate reference to 'Bride Of Frankenstein'), in a role one could almost imagine was written specifically for the late David Gale ('Re-Animator's Dr. Hill). The story is original and unpredictable, the humour dark and surprisingly subtle, and the special effects are excellent and very effective. For me this movie is extremely underrated and gets better with each subsequent viewing. If you enjoyed 'Re-Animator' you'll love 'From Beyond'. Gordon and Yuzna's subsequent careers, both separately and together, have been extremely uneven, but give credit where credit is due, this one's a winner! Highly recommended.

Wicked adaption of the H.P. Lovecraft story written and directed by horror master Stuart Gordon. The story is about experiments that cause people to be able to use their sixth sense. This however opens the door to another universe full of weird creatures and monsters and causes those who are part of the experiment to go mad. Terrific special effects, a fast pace and a nasty sense of humor make this a memorable outing. Good camp cast too.

Rated R; Nudity, Graphic Violence and Profanity.

This seminal film by Stuart Gordon reeks pure 80's. Following the success of the far superior Re-Animator, Gordon experiments with one of the works of his favourite literary sources: HP Lovecraft. The film tackles the popular sci-fiction theme of the sixth dimension -- and considering the small-budget limitations placed upon the director, it is a reasonable treatment of the multi-dimension theme. The resonator depicted in the film demonstrates strong Lovecraftian imagery . . . not easy to achieve. What strengthens the film are the grotesque F/X and Jeffery Combs/Barbara Crampton: both of these elements are excellent (for the genre and budget). Some of the F/X are really stomach churning -- try eating jello or fried liver and Chianti when watching the film . . . If your are a HPL, Gordon, Combs or Crampton fan, this film is an essential viewing for you.