Colheita Maldita

Maybe if those kids in Gatlin, Nebraska had gotten a visit from Professor Harold Hill and a boys band out of it, maybe they might not have killed all their parents. This Stephen King view of the mid-west sure makes one nostalgic for The Music Man.

It's one strange place that married couple Peter Horton and Linda Hamilton have come on their cross country journey. It reminded me of driving through Pennsylvania and the Amish country where you cannot get off the Pennsylvania Turnpike for ages, but on either side of the roads, nothing but woods and on the overpasses, Amish carts.

Here it's nothing but corn and when Peter Horton thinks he's hit a child on the road he goes for help and there's none. The town has been taken over by the devil himself working his evil through a young child preacher played by John Franklin. All the adults have been killed and the children are his disciples.

Of course some of the older ones are reaching puberty and the guy who was the high school bully Courtney Gains chafes under Franklin's leadership. He tries a palace coup d'etat, something along the lines of what old Lucifer himself did in heaven and everybody pays.

Children of the Corn is a good adaption of the Stephen King novel, it will please his legion of fans and maybe convert a few others.

1984 was an amazing year for movies, being the nerd that I am I pay attention to my analytics and 1984 is the 3rd greatest movie year at time of writing.

Being a huge horror fan the fact I haven't watched the Children Of The Corn movies is remarkable especially when you take into consideration how much I love Kings work and how I've seen every other adaptation of his books.

Off the top of my head I've seen the remake (2009) and one of the later sequels and have to say (And I never say this) the remake is better.

Being that this is the original cult classic I expected so much more but instead found a disjointed lifeless effort that failed to impress.

I'm not saying it's bad, but its mediocre at best. If the cult classic original is of this quality I'm concerned what the long list of straight to vhs/dvd sequels are going to be like. Time will tell!

One of the weaker Stephen King adaptations.

The Good:

Still has the Stephen King vibe

Concept is strong enough

The Bad:

Far too short

Wastes a good story

Things I Learnt From This Movie:

Linda Hamilton cannot sing

For a religious man Stephen King really craps on religion

The only thing more obnoxious than a religious person is a religious child

Kids are evil, been saying it for years

I first saw this in the late 80s on a vhs. Revisited it recently.

I found the film very atmospheric n surrealistic during the 80s.

The movie hasn't aged well, specially the lousy effects n lousy climax. Rather than showing the lousy entity, they shud have left it ambiguous.

One of the best part is that almost the entire film is shot in broad daylight, a thing getting rarer in today's horror films. Today's horror films r laden with shaky cam, flickering lights stuff.

One thing the series is noteworthy is for the new faces which later got much recognized.

This one is Linda Hamilton's second film.

The plot ain't original n never utilized properly. For more creepy n sinister kids, one shud check out Who Can Kill a Child?

Now lets start the marathon of the entire franchise.

This is the tale of a young couple (Peter Horton and Linda Hamilton) stranded in the deserted little town of Gatlin, Nebraska and stalked by a pack of adult killing children worshipping a demon living in the surrounding cornfields.

This very atmospheric piece is a rather humble b-movie that boasts an unusual and interesting premise (thanks to a pretty good short story by Stephen King) and delivers some decent performances from its cast (which is rare with children in general).

Although soft in its depiction of violence, the movie offers some creepy moments (especially in the still effective opening sequence). John Franklin, excellent as the child-preacher Isaac, makes for one odd and creepy looking kid and Courtney Gains inhabits his psychopathic Malachai character with obvious delight.

The cornfields are beautifully shot and the overall is boosted by a pretty efficient score by Jonathan Ellias. And to top this all up, R.G. Armstrong makes here an appearance (albeit a too short one) as a recluse gas station owner.

Don't be fooled though. The movie is far to be a masterpiece. At leading endlessly its main characters around cornfields and then through the deserted town (direct effect of superficially expanding a short story to feature film length), the movie ends up suffering from its slow pace ("Things just aren't happening fast enough" even says Horton at some point) with the characters taking what seems like an improbable amount of time to realise what is afoot.

The danger of young and impressionable minds blindly following extremist religious leaders is certainly an interesting theme but is here barely tapped into.

Finally the climatic sequence, with the manifestation of the collieflower looking "He Who Walks Behind The Rows", is a bit of a let down to say the least.

Those (not so minor) details however are not enough to warrant the bad press the movie gathered upon release (and Stephen King's severe criticisms). "Children of the Corn" is a well performed little soft core horror b-movie that surprisingly enough spawned a franchise and still provides eerie ambiance and creepiness that even, at times, make the few cheap scares work.

Stephen King is often cited to be the father of modern horror, and this view isn't wholly unfounded. King's stories have had a large impact upon the horror genre, and many of them are very good stories in their own right also. However, when it comes to translating King's words onto the screen; many filmmakers have proved that they are not up to the task. I haven't read the book, 'Children of the Corn', but I'm sure it's better than this movie. While the film isn't especially bad; it's hardly a tour de-force of horror cinema either, and like many Stephen King films; this one could have been a hell of a lot better. Actually, this story isn't one of King's better efforts; it follows a small town whose children murder their parents on the instructions of a mysterious preacher; a little kid calling himself Isaac. The story picks up three years after this terrible event when a young couple drive into town for some reason. They find the village completely devoid of adults and it isn't long until they discover what's happened and seek to put an end to it!

This film has missed several opportunities, the most glaring of which is the subterranean manifestation that dwells beneath the soil in the cornfields. We get several glimpses of this creature, but we never get to see it properly; and because of this, the monster is about as threatening as a bunch of little kids. Oh wait. Anyway, the film draws parallels with other evil kids films such as Village of the Damned in the way it plays out, but it never really gets out of first gear. While the atmosphere of the town is foreboding and well done on the whole, the plotting isn't very exciting and there's very few moments of real tension or suspense, which ensures the film isn't as engaging as it could have been. The cornfields and the corn that inhabits said field's makes for an unlikely horror prop, and some scenes within the fields are genuinely creepy. The kids themselves are rather well done also, with both of the main ones having good screen presence. If you were to pigeonhole King's films into 'good' and 'bad', this one would firmly be in the latter side. On it's own, however, it's not all that bad, and if you're a fan of King's work, you'll no doubt find something to like here. Or you might hate it for not living up to the book, one of the two.