I sopravvissuti della città morta

I wholeheartedly agree with the other commenter who referred to "Ark of the Sun God" as a reunion of the dream team that previously made the similarly themed "Hunters of the Golden Cobra". Director Margheriti and cult cinema actors David Warbeck and John Steiner (and, optionally, Luciano Pigozzi as well) really do form a dream team and their exciting and adrenalin-rushing Indiana Jones imitations are truly a must for all fans of the Italian exploitation industry. Personally, I think "Ark of the Sun God" isn't half as action-packed and memorable as the aforementioned "Hunters of the Golden Cobra", but it still is a far above average and amusing adventure-movie with likable characters and some impressively spectacular stunts. David Warbeck portrays the acclaimed safe-cracker Rick Spears, traveling with his sexy girlfriend to Istanbul supposedly for a routing burglary job. It quickly turns out his hirers wanted to test his skills and entice him into accepting a much more adventurous job, namely the search for the lost Temple of the Sun God with its entrance gate of pure gold and the incredibly valuable scepter hidden somewhere in the tomb of the king. The journey to trace down the Temple is full of dangerous traps and the ill-tempered descendant of the Sun God also sends his troops after Rick to recover the treasures. "The Ark of the Sun God" (the "Ark"-part is presumably just to cash-in on "Raiders of the Lost Ark", as there's not an ark in sight) is a simple and straightforward adventure movie without much pretension, but with a lot of heart and spirit. It's simultaneously a buddy-movie with fun dialogs and comical situations and an action flick with delightfully fake car chases and virulent shootouts. Antonio Margheriti's direction is taut & fast as always, since he had an average of 3 films per year to deliver, and the majority of the cast clearly had an awesome time starring in this light-headed cult production. Although the ratings and reviews for this film are better, I would like to encourage fans to track down "The Hunters of the Golden Cobra". It simply has more ingenious action bits, including plane crashes, truck explosions, spiders, snake pits, cockfighting, black magic, spells, poisonous darts and volcano eruptions.

My review was written in July 1986 after watching the film on Trans World Entertainment video cassette.

After filming the fantasy "Yor, the Hunter from the Future" there, Italian filmmaker Antonio Margheritti returned to Turkey in 1983 to shoot "The Ark of the Sun God", a subpar entry in his series of imitative adventure films. Pic debuted domestically on video cassette.

British thesp David Warbec (veteran of 10 Italian films to date) gets to play a British character for a change, sa Rick Spear, a London cracksman sent to Istanbul on a cockeyed mission: he's to find the temple of the Sun God which is the resting place of Gilgamesh. A legendary jeweled scepter of the king is inside and can be used as a limitless source of power to the bearer. Because the golden door is booby-trapped (with the entire temple set to self-destruct), a master burglar like Spear is needed for the job.

If this sounds a bit like "Raiders of the Lost Ark", it's because Margheritii earlier raided that hit with an interesting variation, "The Hunters of the Golden Cobra". This time there's too much padding, as Sperar is tested and then goes hunting for the site, aided by a survivor of a mission over 40 years earlier, Beetle (Alan Collins).

The Turkish locations are again impressive, but this "Ark" doesn't pic up steam until the final reels containing cliffhanger derring-do in the em=emple and caverns surrounding it.

Soundtrack features a lovely romantic theme but elsewhere pointlessly includes the main theme from "Battlestar Galactica".

This has lots of action and there is a modern setting, just too many overcast cloudy weather scenes, where is sunlight, for the Istanbul setting which is the city of many movies of intrigue and a welcome cinematic return. Highlight is a cat burglar sequence.

The story of a safe cracker hired to help find a lost scepter thats hidden in a lost tomb is nothing more than an entertaining diversion. No, its no where near the level of say an Indiana Jones film or some of the great Hollywood action films, however it is an entertaining little film, perfect for a rainy weekend afternoon. An Italian/Turkish co-production this film sports sights that are not the sort you've seen a thousand times before, indeed it appears to have been filmed in the much under used cities and county side of Turkey. The story is good and moves along nicely. The actors, many of which are Euro-trash and exploitation regulars handle themselves nicely. You'll forgive the lack of detail, but this is a simply a good mindless movie thats worth seeing, even though it will disappear from your brain not long after.

The dream team of Antonio Margheriti, David Warbeck and John Steiner reunite for a thematic sequel to Hunters Of The Golden Cobra, and its a beauty, as good if not better than the earlier film. Warbeck is on top form and John Steiner is as magical as ever in a rip roaring adventure that will keep you hooked until the credits fade. Good guys, bad guys, fisticuffs, car chases and a lovely in joke about Roger Moore. This is a wonderful film.