The Hound of the Baskervilles

Having seen the Rathbone, Cushing and Brett versions, I settled down to watch this expecting a run-of-the-mill, made for TV "quickie" which would be instantly forgettable and just "yet another" rendition of a tale all too frequently told. I was very pleasantly surprised to find a very good production with excellent direction, ensuring that it whisks along at an excellent pace and that the viewer's attention never flags. Some parts of Richardson's portrayal of Holmes do not gel, (especially the ludicrous 'gypsey' scenes), but, overall, I think he does a first rate job and, in my view, exceeds the value of the performances by Rathbone and Cushing, which, while very good in their own day, are now hopelessly dated, (to the point of caricature in the case of Rathbone and virtually ALL of the supporting players in the 1939 version!)Good supporting roles also from Martin Shaw as Baskerville and David Churchill as an entirely credible Watson, avoiding the buffoonery of the Rathbone version but also not the "over-compensation" of the Hardwick portrayal in the Brett version. This latter version, (as with the complete ITV series starring Brett, (which must rate as THE "definitive" version of the Holmes stories on screen, (whether large or small)), must probably maintain its status as the "best" version I have seen to date, BUT the Richardson one is only just behind and, as already said, in terms of overall pace and energy probably exceeds it! A pity we did not see Richardson don the deer stalker more often!

This film obviously takes its casting from the portrayals of Holmes and Watson by Rathbone and Bruce, rather than from the book. Richardson is smarmy, jovial and cheery, with none of Rathbone's cold precision and sharpness. Churchill is more idiotic as Watson than even Nigel Bruce could manage. An insipid and clueless Inspector LeStrade is added for no other reason, apparently, than the writer's feeling that a Holmes story needed him.

The sets looked good. Some of the additional characters are quite well done (with the exception of the butler and his wife, who sleepwalk through their lines.)

This film pales next to almost any of the other film adaptations of Hound. The best is the Rathbone/Bruce version. The Hammer films version gives us Peter Cushing as an excellent Holmes surrounded by those lovely Hammer sets.

The 1988 Jeremy Brett TV film suffers from being filmed on a TV budget, but gives us what is probably the most faithful rendition of Holmes and Watson, with Watson coming off as Holmes' strong right hand, rather than as a buffoon. Watch any and/or all of these, but only watch this version if you have run out of other versions to watch.

The Hound of the Baskervilles is, of course, the Sherlock Holmes mystery where Holmes goes undercover for the whole middle part. He is always lurking just offstage, but in this 1983 production we especially miss, for an awful lot of the film, the marvelous voice and presence of Ian Richardson. If like me, you tracked down this mystery solely to get more of the virtuoso Richardson, whose acting highlighted the BBC House of Cards trilogy, this gap will disappoint you, although we are compensated by the great Denholm Elliott as the country doctor who comes to Baker Street to fetch Holmes. These are the acting highlights: Martin Shaw as the young American Baskerville heir seems to be thrusting his way through on sheer goodwill--he is likable enough that you wish that for his own sake, Sir Henry would heed the many warning signs, head back to London and take acting lessons. Meanwhile, stuck in small parts as the mansion's head servants are Eleanor Bron and Edward Judd --now there's a pair who could have made a great Holmes and Watson on their own. There is just enough good stuff here to carry you through—cinematographer Ronnie Taylor makes the scenes on the open moors in daytime epic in scope, and the night scenes amid the boggy, fog-shrouded moraine around the remote mansion are often scary. In the grand climax, a chase by black silhouettes against bottomless fog is staged and filmed with great skill. On the other hand, too often this "Hound" offers the standard Masterpiece Theatre stuff of lamplit Victorian parlours, tame-looking city streets and city folk hobnobbing with the rustic locals, and seems pretty generic considering the acting and storytelling talents elsewhere on display.

I've seen a few versions of probably Holmes' most famous case, and this one holds up pretty well. Firstly, Ian Richardson as Holmes: he is a different Holmes to Conan Doyle's cold, aloof deduction machine.

This Holmes is a lively, happy Holmes and I can't really get on with this portrayal. Richardson is a fine actor but I much prefer Jeremy Brett, Peter Cushing and Basil Rathbone.

Next up we have Donald Churchill as Doctor Watson giving possibly the worst performance of all the Watson's. It's certainly the worst performance in the film. Churchill gives a stumbling, mumbling, bumbling performance, in the Nigel Bruce vein but with none of the charm. Bruce and David Burke were far better Watson's.

Martin Shaw, TV's Ray Doyle from The Professionals turns up as American Sir Henry Baskerville and he turns in an average performance, mainly due to the fact his whole voice was dubbed (by Eric Roberts, Julia's brother). No idea why this was done. Maybe Shaw's accent wasn't up to scratch but it certainly detracts from his performance.

Trusty Brit stalwarts Denholm Eliot (miscast as Dr Mortimer- Mortimer was in his 30's in the novel), Brian Blessed shouting and hollering as Geoffrey Lyons (a character only mentioned by name in the book) and Ronald Lacey as Lestrade all provide good support. Nicholas Clay does a nice turn as the devious Stapleton but Glynis Barber as Beryl Stapleton is appalling. She seems to come from the quivering lip school of acting.

The production in this version is particularly good. Impressive photography of the brooding moor and Baskerville Hall plus Douglas Hickox's confident direction are big plus points. Forget the dodgy sets of Baker Street at the beginning and some obvious studio sets of the moor towards the end. Bit of a cop out ending with Sir Henry and Beryl which is different to the book.

All in all a pretty good attempt at a classic, not the best but certainly not the worst.

SHERLOCK HOLMES: THE HOUND OF THE BASKERVILLES has Ian Richardson in the role of the masterful mystery maven. Having loved both the Peter Cushing and Jeremy Brett renditions, I looked forward to this one. I was not disappointed, as Richardson is a fantastic Holmes! Donald Churchill is also quite good as Dr. Watson.

The story itself is well-realized, making the "curse" believable, along with all of the characters affected by it. The finale is especially enjoyable. Many familiar British faces added some fun to the murky moors. How could anyone not smile when Connie Booth (MONTY PYTHON'S FLYING CIRCUS, FAWLTY TOWERS) and Brian Blessed (THE BLACK ADDER) appear as Laura and Geoffrey Lyons? Then, there's Denholm Elliot and Ronald Lacey (both from RAIDERS OF THE LOST ARK) as Dr. Mortimer and Inspector Lestrade! Great stuff, this!...