O Cão dos Baskervilles

I am a huge fan of all the Rathbone/Bruce movies, but this is the best of them all. The atmosphere and lighting casts the perfect mood for the dark, creepy moor where strange goings on interest Holmes and Watson to help the young heir of Baskerville Hall. All the actors do an excellent job, and the movie, filmed some 60 years go does not seem dated. The writing, directing, acting, etc all stand up, even now, some years later. I also liked the 1959 Hammer Version of this story, but Peter Cushing is not the perfect Sherlock Holmes. Basil Rathbone is the definitive Holmes as Nigel Bruce is the perfect Dr. Watson. Watch this sometime soon and enjoy!!!

The book is truly great, compelling and terrifying all at once. This 1939 film adaptation stayed true to the spirit of the book, if not word from word, and on its own it is classy, chilling and atmospheric. The cinematography is superb, and the moor scenery makes up the suitably macabre atmosphere. Throw in some great acting, haunting music score and a truly terrifying hound you have a near perfect adaptation. What let it down for me though was the last five or so minutes, of course I loved the clever reference to Holmes's drug addiction (though people may think Holmes had taken up sewing), but the revelation of the culprit was too rushed for me.

However, apart from that, this is extremely good stuff. The script had a strong sense of intelligence, and the climatic scenes with the hound itself were suspenseful and chilling to say the least. The acting is of high calibre, while I personally think Jeremy Brett is the definitive Holmes, Basil Rathbone is absolutely superb here. He looks as though he is having a great time, making Holmes witty, dynamic and sophisticated, and that was a sheer delight to see. Nigel Bruce while not as good as Rathbone, makes a fine Dr Watson. Out of the stellar supporting cast, John Carradine and Morton Lowry stood out as Barryman and Stapleton, while Lionel Attwill's Dr Mortimer is also effective. Also as Sir Henry Baskerville, Richard Greene has the screen presence and charm to make himself memorable. All in all, almost perfect, nevertheless a classy and atmospheric adaptation of a great book. 9/10 Bethany Cox

This classic take on Arthur Conan Doyle's classic novel is a fantastic thriller. Although I prefer the Hammer Horror version, this one is a more than worthy second. The story will be familiar to most people that know anything about classic literature, and it features a family that have been cursed by a mythical hound, due to an ancestor's actions years earlier. After the death of his uncle, Sir Henry Baskerville moves into Baskerville Hall, which is located on the Moors in Dartford, and claims his family fortune. However, the hound may still be a large and Sir Henry's life may be at stake. Enter ace detective Sherlock Holmes. Hired by the doctor and friend of the family, Sherlock sends his assistant, Dr Watson, down to Dartmoor to investigate the goings on down there while he attends to some other business back in London. What follows is an exceptional exhibition of atmosphere, mystery and tension as the enigma of the hound of the Baskervilles unfolds in front of the audience's eyes!

The Moors serve as an excellent setting for a story like this. As the film is keen to profess, it's location is as rich in life as the story itself and that's what makes the Moors all important for the film's story. The Moors are also extremely atmospheric, with it's many pitfalls creating a foreboding atmosphere and the smoke that protrudes from it's many pores helping to make the horror elements more potent within the story. Sherlock Holmes is, of course, one of the best and most important characters ever written and Basil Rathbone portrays him excellently in this film. It's a great honour for an actor to be given the role of this magnitude, and Rathbone makes Doyle proud. The story is constantly intriguing thanks to the interesting characters, and also due to the fact that the story is very well paced. This makes the film a pleasure to view, as the audience is constantly kept on the edge of their seats for the duration, and that's the sort of reaction that you want when watching a mystery thriller.

As a Sherlock Holmes enthusiast, I'd LOVE a 100% faithful adaptation of THE HOUND OF THE BASKERVILLES; but as a realist, I know that the only way that would happen is if a group of actors read the book word for word on radio or audiotape. After all, what works in a book doesn't always work on screen; and Ernest Pascal's adaptation is faithful to the spirit, if not always the letter, of Conan Doyle's novel (just watch the scene in the hut on the moor when Watson meets up with Holmes, who explains what's going on: 'Murder, my dear Watson. Refined, cold-blooded murder.' The scene as written by Conan Doyle is a bit dry; Pascal expands on it in a way that makes the scene work on film, and in doing so shows that he was clearly in tune with the source material. Yes, some key characters were dropped or had their parts reduced; others were built up so there would be a few more suspects. In the end, however, we're left with what is still the best version of HOUND ever committed to celluloid. Basil Rathbone IS Holmes: even if he had never played the character again, he would still be guaranteed a place among the great portrayers of the detective. Nigel Bruce's Watson is brave and loyal, and not the somewhat bumbling sidekick he became in the later films; and there is a real friendship between his Watson and Rathbone's Holmes which is a crucial element of any portrayal of the characters, yet which is so often missing. As is only natural with a film made more than sixty years ago, it does creak a bit in places; but it's still a wonderful way to spend ninety or so minutes.

"The Hound of the Baskervilles", arguably the most famous of all of Sherlock Holmes' cases, was filmed in 1939 - not for the first time, of course (there had already been at least five tries, most notably in 1932 with Robert Rendel), but probably in the most impressive way possible. And it was the first time that Basil Rathbone portrayed the world-famous sleuth from Baker Street - the beginning of a very successful, and very high-class film serial produced by 20th Century-Fox that would comprise all in all 15 movies over the next eight years.

And Rathbone certainly was an ideal choice for the role, both physically and regarding his (on-screen) image: very British, and slightly haughty, but still with a sense of humor - only most of the time at the expense of his friend and assistant, amiable Dr. Watson, who was wonderfully played by Nigel Bruce. In fact, many Sherlock Holmes fans regard Rathbone as THE personification of Holmes (only we mustn't forget Arthur Wontner, who had also played Holmes in five movies, and was at LEAST as close to Conan Doyle's original character, if not even a little bit more...).

Actually, the whole cast is superb: idyllically handsome young Richard Greene as Sir Henry Baskerville, the heir of the huge estate of the Baskervilles, whose father has died under mysterious circumstances in the moor recently, Lionel Atwill as the strange Dr. Mortimer, Wendy Barrie as beautiful Beryl, Morton Lowry as her young step-brother... And no less superb is the direction: foggy Dartmoor probably had never been photographed in such a uniquely creepy way before, providing a perfect background for the murderous ongoings that revolve around the old legend of a horrible hound that scares or bites people to death... But Sherlock Holmes, of course, has got another, much more reasonable theory!

The whole film is immensely suspenseful (with England around 1900 being marvelously recreated in every detail), but especially the dramatic climax in the end is REALLY made for strong nerves - a real, thrilling, classic MUST for every fan of the crime genre!