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5,8/10
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Os terroristas no processo de rapto de uma criança ficam presos numa casa com uma cobra extremamente mortífera.Os terroristas no processo de rapto de uma criança ficam presos numa casa com uma cobra extremamente mortífera.Os terroristas no processo de rapto de uma criança ficam presos numa casa com uma cobra extremamente mortífera.
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I've just had the pleasure of re-acquainting myself with this forgotten gem of early '80s British horror which scared me half to death as a little kid.
"High concept" years before the term was invented, the plot ostensibly hangs on a series of belief-stretching co-incidences which result in a hostage siege taking place in a posh London home, with the police camped outside and a deadly (as we are repeatedly reminded) black mamba snake loose in the heating ducts.
Made many years before CGI came along and gave us bloated nonsense like Anaconda and Snakes on a Plane the film-makers had to be fairly economical with their beastie's screen time. Going down the Jaws route , Venom makes highly effective use of POV camera shots, shadowy lighting and an unsettling score (an early work from the much missed composer Michael Kamen; and no, I have not forgotten that he was also responsible for that Bryan Adams monstrosity) to suggest the snakes' presence. When the creature is fully revealed it is more often than not the exceedingly dangerous real thing; borrowed from London Zoo, and provoked into getting the hump in the direction of the nearest camera by their, at the time, resident reptile expert Michael Ball (who gets both an un-credited cameo in the film, and himself played by a cranky Michael Gough in to the bargain).
However, all of these slithery shenanigans are a mere aside to the real terror on show here. The casting of the infamously intense and insane Klaus Kinski opposite the famously drunk and antagonistic Oliver Reed. By all reports these two hated each other on sight and spent the whole shoot at war with each other, with Reed referring to Kinski as a Nazi at every possible opportunity. However, what must have a nightmare situation for director Piers Haggard (parachuted in after Tobe Hooper walked with shooting already under way) as they share virtually every scene together, paid off in dividends as the warring actors enthusiastically pour every ounce of their scenery-chewing one-oneupmanship onto the screen. Stir into this mix a few more well-renowned "difficult" actors: Nicol Williamson (The famously OTT Merlin from Excalibur) getting his Sweeney on, Sarah Miles, and Sterling Hayden among them; and what results is a glorious bombast of angry intense thesping, that grabs this would-b-movie by the balls and drags it into "forgotten classic" territory. A daft, wonderful, guilty pleasure. Seek it out.
"High concept" years before the term was invented, the plot ostensibly hangs on a series of belief-stretching co-incidences which result in a hostage siege taking place in a posh London home, with the police camped outside and a deadly (as we are repeatedly reminded) black mamba snake loose in the heating ducts.
Made many years before CGI came along and gave us bloated nonsense like Anaconda and Snakes on a Plane the film-makers had to be fairly economical with their beastie's screen time. Going down the Jaws route , Venom makes highly effective use of POV camera shots, shadowy lighting and an unsettling score (an early work from the much missed composer Michael Kamen; and no, I have not forgotten that he was also responsible for that Bryan Adams monstrosity) to suggest the snakes' presence. When the creature is fully revealed it is more often than not the exceedingly dangerous real thing; borrowed from London Zoo, and provoked into getting the hump in the direction of the nearest camera by their, at the time, resident reptile expert Michael Ball (who gets both an un-credited cameo in the film, and himself played by a cranky Michael Gough in to the bargain).
However, all of these slithery shenanigans are a mere aside to the real terror on show here. The casting of the infamously intense and insane Klaus Kinski opposite the famously drunk and antagonistic Oliver Reed. By all reports these two hated each other on sight and spent the whole shoot at war with each other, with Reed referring to Kinski as a Nazi at every possible opportunity. However, what must have a nightmare situation for director Piers Haggard (parachuted in after Tobe Hooper walked with shooting already under way) as they share virtually every scene together, paid off in dividends as the warring actors enthusiastically pour every ounce of their scenery-chewing one-oneupmanship onto the screen. Stir into this mix a few more well-renowned "difficult" actors: Nicol Williamson (The famously OTT Merlin from Excalibur) getting his Sweeney on, Sarah Miles, and Sterling Hayden among them; and what results is a glorious bombast of angry intense thesping, that grabs this would-b-movie by the balls and drags it into "forgotten classic" territory. A daft, wonderful, guilty pleasure. Seek it out.
"Venom" is an enjoyable thriller directed by Piers Haggard("Satan's Skin").A deadly black mamba snake threatens the denizens of an elegant townhouse.As long as the slithering creature is on the loose,no one is safe...The film has its share of surprises-some scenes are actually pretty nerve-wracking.The acting is exceptionally good with pretty familiar cast(Klaus Kinski,Susan George,Nicol Williamson,Oliver Reed)to boost.Highly recommended.
Not to be confused with Spasms, another early-'80s Oliver Reed snake-themed horror movie, Venom sees a kidnapping go awry when a deadly black mamba escapes into the house where the villains are holding ten-year-old Philip (Lance Holcomb) and his grandfather Howard (Sterling Hayden) hostage.
Reed is chauffeur Dave, who, along with sexy maid Louise (Susan George) and German terrorist Jacmel (Klaus Kinski), find themselves cornered by police Commander William Bulloch (Nicol Williamson) and his men (after a shotgun toting Dave gets trigger happy with a cop) and menaced by the highly venomous and very aggressive reptile, the result of a mix-up of orders at a pet shop.
Despite a top-notch cast (which includes Sarah Miles as toxicologist Dr. Marion Stowe, and Michael Gough as a snake expert), director Piers Haggard (The Blood on Satan's Claw) is unable to elevate his film from mediocrity thanks to a pedestrian script that is a little light on the snake action and a touch too heavy on police procedure, delivering not nearly enough suspense or horror. Kinski is as slimy and menacing as always, Ollie turns to the booze when the pressure is on (no surprises there), and George strips to her underwear (no surprises there either!).
5.5 out of 6, rounded up to 6 for IMDb.
Reed is chauffeur Dave, who, along with sexy maid Louise (Susan George) and German terrorist Jacmel (Klaus Kinski), find themselves cornered by police Commander William Bulloch (Nicol Williamson) and his men (after a shotgun toting Dave gets trigger happy with a cop) and menaced by the highly venomous and very aggressive reptile, the result of a mix-up of orders at a pet shop.
Despite a top-notch cast (which includes Sarah Miles as toxicologist Dr. Marion Stowe, and Michael Gough as a snake expert), director Piers Haggard (The Blood on Satan's Claw) is unable to elevate his film from mediocrity thanks to a pedestrian script that is a little light on the snake action and a touch too heavy on police procedure, delivering not nearly enough suspense or horror. Kinski is as slimy and menacing as always, Ollie turns to the booze when the pressure is on (no surprises there), and George strips to her underwear (no surprises there either!).
5.5 out of 6, rounded up to 6 for IMDb.
A trio of kidnappers headed by Klaus Kinski plan to snatch a young boy, but things go awry & through a series of unforeseen events they're hold up in the house with a deadly venomous snake. Pretty taunt & lean thriller. Most of the actors do a fine job. One of the better killer snake movies out there.
My Grade: B-
DVD Extras: Director's commentary; Theatrical trailer; 4 TV spots; poster & stills gallery; Bios for Klaus Kinski & Oliver Reed
My Grade: B-
DVD Extras: Director's commentary; Theatrical trailer; 4 TV spots; poster & stills gallery; Bios for Klaus Kinski & Oliver Reed
VENOM (1982) ***½ Klaus Kinski, Oliver Reed, Nicol Williamson, Sarah Miles, Susan George. Even though this film is called "Venom" and features a snake, this is no "creature feature." Two English domestics (Reed and George), along with an international criminal (Kinski), conspire to kidnap their wealthy employers' ten-year-old son. The plan goes awry after the boy mistakenly receives a highly aggressive, super-poisonous black mamba (originally intended for a research facility), which kills one of the conspirators and transforms the attempted kidnapping into a tense armed standoff. A box-office flop in its day, American audiences were probably turned off by the film's stodgy English production values and thanks to a misleading advertising campaign probably felt duped once they realized it wasn't a killer snake movie. Still, a strong script and Kinski and Reed's explosive performances make this a powerful thriller. Highly recommended.
Você sabia?
- CuriosidadesDirector Piers Haggard said in a 2003 interview for 'Fangoria' magazine, "I took over that at very short notice. Tobe Hooper had been directing it and they had stopped for whatever reason. It hadn't been working. I did see some of his stuff and it didn't look particularly good plus he also had some sort of nervous breakdown or something. So anyway they stopped shooting and offered it to me. Unfortunately I had commitments, I had some commercials to shoot. But anyway I took it over with barely ten days of preparation - which shows. It doesn't become my picture, it's a bit inbetween . . . [actor Oliver Reed was] scary at first because he was always testing you all the time. Difficult but not as difficult as Klaus Kinski. Because Oliver [Reed] actually had a sense of humour. I was rather fond of him; he could be tricky but he was quite warm really. He just played games and was rather macho and so on. Klaus Kinski was very cold. The main problem with the film was that the two didn't get on and they fought like cats. Kinski of course is a fabulous film actor and he's good in the part, the part suits him very well. They were both well cast but it was a very unhappy film. I think Klaus was the problem but then Oliver spent half the movie just trying to rub him up, pulling his leg all the way. There were shouting matches because Oliver just wouldn't let up. None of this is about art. All the things that you're trying to concentrate on tend to slip. So it was not a happy period."
- Erros de gravaçãoWhen Dr. Stowe is told to get up by Klaus Kinski, she anticipates the terrorist's action by grabbing the scarf before Kinski wraps her hand in it.
- Citações
Commander William Bulloch: Look, could you tell me just how dangerous very dangerous is?
Dr. Marion Stowe: The most dangerous snake in the whole world, that dangerous.
- Cenas durante ou pós-créditosThe Producers wish to extend their thanks to David Ball, overseer of reptiles at London Zoo, without whose skill and courage in the handling of the deadly Black Mamba, this film could not have been made.
- ConexõesFeatured in Sneak Previews: Personal Best/The Border/Venom/Zoot Suit (1982)
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- How long is Venom?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 5.229.643
- Faturamento bruto mundial
- US$ 5.229.643
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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