Pague para Entrar, Reze para Sair

A deformed killer is stalking a group of teens at a carnival because they saw him murder a prostitute. Heavens to Murgatroyd! Director Tobe Hooper, responsible for one of the greatest horror movies of all time (TCM) and at least partially responsible for another (Poltergeist), takes a stab (ha!) at the '80s slasher craze. On the surface it seems like just another "mental defective/weirdo/lunatic" goes on a killing spree movie. Those were hardly rare in the '80s. But it's put together well with stylish direction and ample amounts of suspense. The cast is decent with Elizabeth Berridge doing a fine job as the Final Girl. She also has a nice nude scene at the start of the movie, for all the breast enthusiasts out there. The main flaws with the movie are the pacing in the first hour and the overall familiarity of the material. Still, it's worth a look if you like '80s horror.

Fast-paced and atmospheric thriller set in and around the carnival midway. Two couples visiting the local traveling carnival decide to spend the night in The Funhouse and fool around as a lark. After witnessing a murder, they become the targets of a deformed maniac and his barker dad who are determined they will not leave to report it to the police. I read the Owen West (aka Dean Koontz) novelization back in the day, which was infinitely more padded with back story, abortion issues, religious fanaticism, and a rather Byzantine attempt to link the heroine and her younger brother to the killers before they ever set foot on the midway. Mercifully, the film abandons all of the excess baggage and strips the story done to the bare essentials. I enjoy Tobe Hooper's direction here much more so than that shown in the original Texas Chainsaw Massacre as it seems we are seeing a much more polished effort. He nicely establishes the atmosphere of the midway, which by turns is colorful and sordid. The central characters are nicely delineated (although due to the abandoning of the subplots from the novelization, Shawn Carson's younger brother seems like a fifth wheel rather than integral to the story) and well played by an appealing cast. They seem like credible and overwhelmed young people rather than fodder for the axing. Lead Elizabeth Berridge, in particular, has a nice girl next door quality and radiates a resourcefulness through her terror without ever seeming like either Superwoman or a victim. The make-up for the primary killer is particularly effective and novel. The film builds up a substantial head of steam before going for broke in a wild Grand Guignol climax. The score is also worth mentioning as it provides a very effective counterpoint to the action. Ironically, this film is rarely mentioned by horror fans, having been buried amid the morass of Friday the 13th clones that proliferated in this period, but it is definitely one that should be rediscovered.

Four teenagers visit a local carnival for a night of innocent amusement, but soon discover that nothing there is innocent or amusing. Something is alive in the funhouse...something that has the form of a human, but not the face...something that feeds off the flesh and blood of young innocents...Something is alive in the funhouse...something that, tonight, will turn the funhouse into a carnival of terror! Pay to get in. Pray to get out. Something is alive in the funhouse!

From the director who brought you the cult favorite "Texas Chain Saw Massacre" going on this ¨The Funhouse¨ about four teenagers spending a night at a carnival funhose , they then witness a murder , and become next on the list of victims . This is a nice and entertaining film but nothing that hasn't been seen before . If you are looking for a watchable 80's horror film this is a cool choice providing buckets of blood and several limbs essential elements to movie terror. Tobe Hooper's Terror film in medium budget and lots of violence and gore with excellent make-up from notorious Rick Baker ; made just after the classic ¨Texas Chainsaw Massacre¨ . Hooper's success with "Chainsaw" landed him in Hollywood , then Tobe rejoined the cast of "Texas" and with Kim Henkle again for "Eaten alive" (1976), and subsequently this Funhouse (1980). Filmmaker Tobe proceeds a bestial and savage picture with plenty of grisly killings , disembowelled and butchered corpses , terrible events , sleaziness , and anything else . This is a suspenseful and frightening yarn , and adequately paced with plenty of chills , thrills, surprises , twists and turns. This noisy as well as visceral film contains images of graphic violence , and ominous scenes and it may not be suitable for all audiences , viewer discretion is advised. It boasts a nice main and support cast , such as : Elizabeth Berridge, Kevin Conway, Miles Chapin, Wiliam Finley and Sylvia Miles.

Dark and sinister cinematography by cameraman Andrew Laszlo and the camera often assumes a pointedly aggressive stance . Screeching and eerie musical score by means of strange and offbeat sounds composed by John Beal . The motion picture was competently directed by Tobe Hooper . Hooper had greater success with Stephen King's 1979 mini series ¨Salem's Lot¨ (1979). In 1981, Hooper directed the teen slasher film ¨The Funhouse¨ (1981) for Universal Pictures. Despite its success, "The Funhouse" was a minor disappointment. In 1982, Hooper found greater success when Steven Spielberg hired him to direct his production, haunted house shocker ¨Poltergeist¨ and the inferior remake ¨Invaders from Mars (1986)¨ and the disappointing , minor sequel Texas Chainsaw massacre 2 (1986) . But his essential big success was forever ¨Texas chainsaw massacre¨ that in 2003, Hooper co-produced the hit remake for New Line . In the 1990s, Hooper continued working in both film and television with ¨Spontaneous Combustion¨, ¨The Mangler¨, ¨Crocodile¨ , ¨Mortuory¨, ¨The Apartment Complex¨ , ¨Dark Skies¨, ¨Perversions of Science¨, ¨Shadow Realm¨, ¨Night Vision¨,¨I'm Dangerous Tonight¨ and ¨Djinn¨ got notorious failures . Rating : 6.5/10 . Passable and acceptable.

Up until THE FUNHOUSE, Tobe Hooper had only come pretty close to recapturing the relentless and ruthlessly nightmarish feel of the classic that catapulted him to fame, THE Texas CHAINSAW MASSACRE. TCM 2 came closer than most of his films, but it traded in psychological terror for buckets of blood 'n' guts, where the first TCM had very little.

THE FUNHOUSE goes back to Hooper's roots, trading in the gore for playing with your nerves like Jimmy Page playing guitar. Traveling carnivals have always had a sinister, menacing undertone to them - that's part of what makes them so attractive - and Hooper, with a smart assist from Larry Block's script, takes that queasy unease and turns it up to '11', so that when the true horror is revealed, it's intensified that much more.

Four friends on a double date (Elizabeth Berridge, Miles Chapin, Cooper Huckabee and Largo Woodruff) decide to hole up in the Funhouse of a traveling carnival just outside of town way past closing time, just for kicks. It's a weird place that gives off a freaky vibe, but they don't come to realize just how freaky, until they see something that puts all of their lives in danger, and realize to their horror that not all the freaks in the show are fake...or at all "fun".

I don't want to spoil the surprises, but as is his habit, Hooper front-loads the movie with some acting vets, including genre favorites William Finley and Sylvia Miles. Plus the great Kevin Conway plays a pivotal role in bringing about the terror and death that the seemingly endless night holds for the trapped teens.

Anyone expecting Hooper and company to just pour on the gore is bound to be disappointed. THE FUNHOUSE is more about empathy and atmosphere...I mean, who HASN'T been through a funhouse like this at some time in their lives? The more you can put yourself in the place of the main characters, the spookier the film will be for you - especially in the third act.

Kudos to everybody for putting in some damn good performances, but especially to Berridge and to Wayne Doba who gives us a monster that is by turns pathetic, disgusting, pitiful and horrifying. And for John Beal, who created a score that plays with your nerves just as powerfully as the visuals do.

This is one of those best viewed alone, with the sound up and all the lights out...And don't worry - if you screech like a little schoolgirl at some parts, it'll be our secret, I promise...(hehheh)

Fun-loving teenagers break into a carnival funhouse for an overnight spree and discover that there's a bloodthirsty and deformed murderer inside waiting to pick them off one by one.

The Funhouse can't help but be unfavorably compared to director Tobe Hooper's triumph, The Texas Chainsaw Massacre. It doesn't quite hold a candle to that film and it's intensity, but all the candy colors of the funhouse corridors aren't a terrible place to lounge around for 90 minutes and the makeup effects for the main bad guy are impressive.