A Volta da Pantera Cor-de-Rosa

Return of the Pink Panther is an outstanding comedy starring Peter Sellers as the lovable and totally incompetent Inspect Clouseau. I remember seeing this film for the first time just after its release and laughed so hard that my wife refused to sit next to me in the theatre. There are a few slow spots, mainly those without Sellers' charm on screen but there are more than enough belly laughs in this movie to make up for that. Don't miss it.

Return Of The Pink Panther marked Peter Sellers first appearence as Inspector Closeau since A Shot In The Dark (1964) and kicked off a celebrated Pink Panther sequel trilogy. To follow was The Pink Panther Strikes Again and Revenge Of The Pink Panther. I say trilogy because of course 'Revenge' saw Sellers' last outing before his premature death.

This film is a refreshing return to the roots of the original with Closeau on the trail of the PP diamond after it is once again stolen by the infamous Phantom. The Phantom's alter-ego, Sir Charles Webb (Christopher Plummer taking over from David Niven), is naturally assusmed to be the culprit but he is in fact innocent and so joins in the search.

Steve, from the first page, is spot on with his review of the film. It is slow and quite dismal when Sellers is not on screen and the sub-plot involving Sir Charles is weak and uninteresting, which was not the case with Niven in the original but nevertheless Plummer is an inspired choice for the role. Actually, the whole story isn't really clear or upfront, just Sellers at his best. And when he is on the screen, its gleaming with hilarity with a genius at play.

The result is a comedy which has its obvious flaws but also one which has many, many memorable and rip-roaring laughs. Return Of The Pink Panther is an irrestible treat and a must-see. I'm just having trouble figuring out which is better - this or Strikes Again. They're both great!

After the famous Pink Panther diamond is stolen from a museum in the fictional Middle Eastern country of Lugash, the Shah requests the services of "Inspector Clouseau" (Peter Sellers) to find the culprits and recover the lost gem. Needless to say, this distresses "Chief Inspector Charles Dreyfus" (Herbert Lom) to no end as he is fully aware of how incompetent Inspector Clouseau actually is and only moments before had placed him on an extended suspension for yet another bungled assignment. Regardless, Chief Inspector Dreyfus is forced to put Inspector Clouseau on the case and the first person he suspects is none other than the notorious jewel thief "Sir Charles Litton" (Christopher Plummer) who has long since retired. So while Inspector Clouseau dons a disguise to secretly search through his house, Sir Charles Litton travels to Lugash to find the actual culprit in order to clear his name. In the meantime, Chief Inspector Dreyfus becomes even more incensed each time he receives a report regarding yet another problem resulting from Inspector Clouseau's incompetence. Now rather than reveal any more I will just say that I enjoyed this particular film and found it to be one of the better additions to the Pink Panther series. I especially liked the scene at a nightclub where Catherine Schell (as "Lady Claudine Litton") appeared to genuinely enjoy Peter Seller's comedic performance. Be that as it may, I recommend this picture to all viewers who might be interested in a comedy of this sort and I have rated it accordingly. Above average.

"The Return of the Pink Panther" is the fourth movie in the "Pink Panther" franchise, marking Peter Sellers' return to what must be his signature role, Inspector Jacques Clouseau. Previously, Alan Arkin had stepped into his shoes for one movie, apparently with bad results. In "Return," the fabled Pink Panther diamond is again stolen, with the Phantom's calling card monogrammed glove left as a clue. Clouseau goes back on the case, as does Sir Charles Lytton (Christopher Plummer, taking over for David Niven), the former Phantom himself. Anyway, this movie shows the progress of the "Panther" franchise, when the crazy characters and Clouseau's wacky mannerisms start to really show. Sellers brings slapstick to a fever pitch, making a shambles of everything in his path, not to mention the sanity of his superior, Chief Inspector Dreyfus, played by Herbert Lom. There are lots of funny scenes, including the one in which Clouseau is distracted from a bank robbery by a "blind" accordionist and his chimpanzee "minkey." It's definitely one of the better chapters in the "Pink Panther" saga.

Peter Sellers is such a unique and choreographed actor that always seems to have moments of brilliance, and this film is no exception. Often times when I watch Sellers films there are moments that bring the legendary Charlie Chaplin to the forefront of my mind because while I am watching a genius in Chaplin perform, I often catch myself with my jaw dropped because I feel I am watching a masterful ballet. Sellers is one of the few artists that can bring Chaplin's genius to the forefront of my mind from time to time, which is saying a ton.

But as good as Sellers is, the film wouldn't be extremely good with him alone, and Blake Edwards, Christopher Plummer and Herbert Lom are there to make the film extremely good overall while keeping pace with Sellers.

Sellers stars opposite Christopher Plummer and Plummer performs good in this role. An actor with less skill could have easily overreached or left far too much on the table in the role that Plummer performs, but Plummer does neither and turns in a good needle threading performance. Herbert Lom is extremely good in his part for sure, and he plays the part just over the top enough so it braises my forehead, which is just what the character calls for, and he delivers.

And somehow Blake Edwards is able to balance these 3 good performances that all come from quite different angles into an extremely good film, and Edwards has his vision shine through while allowing performers to perform.

We have all seen comedies like this that simply do not work because the Directing & Acting is not of a high enough caliber, but it is refreshing to see in a film such as this when the Directing & Acting do indeed work, and we end up with an extremely good film.