Inspetor Clouseau

When I first saw this film, I hated it. But the reason I hated it, was because I kept comparing Alan Arkin's Closeau to Peter Sellers' portrayal. Alan Arkin's portrayal of the bumbling French detective is way out of Sellar's league. I had seen several Pink Panther films before this and thought they were highly funny.

But when I watched this film again the other day, when it was shown on Sunday lunchtime, I tried to forget about the other Panther films, and Peter Sellars.

I found myself enjoying it. And I think Alan Arkin did a great job as the Inspector. Although, still nowhere near Sellars, he brings his own unique charm to the role, and when he originally took the part, it must have been a brave decision to make, knowing how much Sellars was admired for the role.

The film itself is enjoyable and worth watching. And Arkin is funny as Closeau. If you can forget about Peter Sellers playing the role, and give Arkin a chance, you might enjoy it yourself.

6/10 .

The Mirisch company should have tried harder. It is bad enough having an Inspector Clouseau movie without Peter Sellers, but why no Blake Edwards to direct or William Peter Blatty[A shot in the Dark] to script? Instead we have a rather clever and better looking than Clouseau should be, in the shape of Alan Arkin and a rather boring director in Bud Yorkin. The problem itself is with the script which is unoriginal, tedious and not in the least bit funny. Served with a good script Arkin would have become an adequate Clouseau, but still not as funny or entertaining as Peter Sellers. This is like someone else trying to play Frank Spencer or Rigsby, from british television. Despite this Arkin is at times quite good for the film, wich does have its moments. But i suppose the lesson to be learned is if it aint broke dont fix it. If you haven't seen any other Clouseau movies then you will like this i am sure. Otherwise hunt down A shot in the Dark or The Pink Panther Strikes Again. A total waste!

Many reviewers claim this production stinks because Sellers isn't in it. Okay, those are the Sellers fans. But fans of the Pink Panther series (rather than die-hard Sellers fans) may not have minded so much that it wasn't Sellers in the driver's seat so much, had the movie not been a completely disgusting spectacle. This work holds NOTHING of the wit, the humor, or the heart of the others.

I'm sorry to say that this attempt was a failure, and this chapter may comfortably be left out of your Pink Panther collection, as the finished product holds nothing in the way of charm or character.

Sadly, it rates a 2.8/10 from...

the Fiend :.

One has to keep in mind that, when this was made, only 2 other Clouseau movies existed, THE PINK PANTHER and A SHOT IN THE DARK. At that time it may not have been clear to the whole world that only Sellers could really play Clouseau. Maybe this movie helped prove that.

Anyway, it seems that Arkin's Clouseau starts with the character as he was in SHOT and takes him in a different direction than the '70s movies with Sellers would. Sellers' Clouseau at that point didn't yet have his totally ridiculous accent but sounded more like a real Frenchman, so it's only natural that Arkin would sound like one as well. Like Sellers' Clouseau, Arkin's is well-intentioned but with incredibly bad judgment, clumsy, prone to focus on what's not important, and easily thrown off course by a pretty face. Unlike Sellers' Clouseau, Arkin's is not only emotional but prone to panic, and is not only aware of but comes to mourn his ineptitude. It takes some time to get used to his voice, lower and thicker than Sellers. So, this is not the Clouseau we know, though the character here is well-defined and interesting in its own right.

The animated opening credits barely even try for the humor and charm of those in the Sellers films. The score by Ken Thorne (who scored the Beatles' "Help" and the Monkees' "Head") is the next best thing to Mancini, though.

Whatever complaints one might have about the plot and the directing (I won't repeat the ones already made, other than to note that the flow early in the movie is rather bumpy), I'll say this: the Pink Panther films made after this one came so much to rely on familiar formulas that it's actually refreshing how this film does NOT use them. There is no superior of Clouseau's being driven mad by Clouseau's ineptitude -- just one reacting to it like a real person would. The crime plot here is actually pretty interesting -- much more so than the theft of the Pink McGuffin that got so overused later. Sellers' Clouseau always sounded like a Frenchman among Englishmen, even when he was in France, which didn't make sense. So it was a good idea in this case to actually *put* him among Englishmen. (His malapropisms come off, quite logically, as due to his unfamiliarity with English.) And the rather obnoxious fantasy elements present in STRIKES AGAIN are nowhere to be seen here.

So, to sum up: Different from, and not as good as, most of the Sellers entries. But give me Arkin's Clouseau over Ted Wass' Clifton Sleigh.

A few highlights:

• The nicely choreographed scene in Braithwaite's office near the beginning ("And what makes you think I trust YOU?")

• The scene with the tape recorder in the graveyard.

• Clouseau "eavesdropping" on the gang's bank robbery plans.

Item of special interest: the use of an Amphicar as a getaway vehicle. Cool!

I guess it would be redundant at this point to say Alan Arkin's Clouseau can't touch Peter Sellers, which is certainly true. Nevertheless, I admit I liked this movie (though a lot less than the Pink Panthers, of course), the plot is actually credible and there are some truly funny moments. I give Arkin credit for attempting a role heavily identified with another- and better- actor, and he's OK in it. It's not a total disaster, as some people have claimed and worth watching, if only for the comparisons. ** 1/2 out of 4