A Vingança

I may be the only person in the universe that actually likes this movie. Of course the last time I saw this, I was 16, and not yet force-fed twaddle like Resnais, and being conditioned as to what to appreciate in cinema. Even so, this film was enough to make the great Lee Van Cleef hang up his six-guns forever, with the exception of riffing his cowboy image for Cheetos and Midas Muffler commercials. He is superbly slimy in this one, nonetheless-- with a big earring, bandana and goatee, his character McLain is outlandish, but in a good way. Despite the exploitative nature of the material, much of the film is otherworldly- the violence and the characters. Shot in orange hues and dreamy soft focus, Leif Garrett (yes... Leif Garrett) rides the trail of vengeance after Van Cleef's gang of slimeballs after they murder his family. He gets an ally in Jim Brown, who shares his thirst for revenge after Lee rips off his mine. The fact that some of the violence is ludicrous actually works- take for instance the scene with the scorpion, or when an outlaw has rocks dropped on his head in slow motion. The last half of this revenge western has a dream-like quality; perhaps it was meant to accentuate the state of mind of Garrett's character, and of a child at that. Dealing with such a loss and seeking retribution for it puts one in a strange state of consciousness-- how often have we felt after the death of a loved one that we are dreaming. or hoping that we will wake up soon? But at least, because this film is so bizarre, it is not your average revenge oater. It at least makes you think about you are watching. Isn't that what cinema art is supposed to do?

The story of vengeance here is pretty standard stuff, as a stubborn protagonist determines to get back at the scummy outlaws who raped / murdered his mom, murdered his dad, and made off with his sister. The twist here is that the protagonist is a young teen, Tom Thurston (Leif Garrett). Tom actually does a pretty good, and needless to say, very amusing job on his own, but ultimately he will team up with a gunslinger named Isaac (Jim Brown), a man with a highly coveted stash of gold, in order to save his sibling. Not only do they have to contend with the main outlaws, led by a truly devilish Lee Van Cleef, playing McClain (and sporting a bandanna instead of a hat), but a bumbling secondary group, including characters like Grover (Matt Clark) and Ned (Timothy Scott). Reasonably enjoyable but also forgettable, "Kid Vengeance" is just offbeat and surreal - and humorous - enough to give it entertainment value, in addition to the solid cast. Confusing at times, as if there might be a scene or two missing, and it also plods a little too much. An early production for Menahem Golan and Yoram Globus, before they formed the Cannon Group that cranked out many great genre movies of the 1980's, it's not as exploitative as one might think, and in fact it has some good moments where the feisty sister, Lisa (Glynnis O'Connor) tries to stand up to McClain. Van Cleef clearly has fun with his part, and John Marley is likewise a total hoot as his accomplice Jesus. Brown plays a role of quiet strength and does it well, and Garrett isn't bad as the kid. Clark and Scott are funny in the comedy roles. However, the tone of this movie is mostly serious (the opening scene actually looks believable), with a rather dark ending, and Garrett's Tom, who's been taught the difference between hunting and killing by his dad, figures out which of the two he's doing by following and eliminating the villains. The movie is mainly worth watching to see the commanding performances by Van Cleef and Brown, who'd also done "Take a Hard Ride" and "The Condor" together. They give it an extra point, along with the typically fine music by Francesco De Masi. While not without interest, it's not likely to stick in the mind for long after it's over. Six out of 10.

After witnessing the savage massacre of his family , a boy (Leif Garret) sets out a personal vendetta and rescue his sister (Glynnis O'Connor) against an outlaw band ( Lee Van Cleef, John Marley , among others ) . He carries the revenge in his heart after seeing his family butchered . Former rules of the code of west are dated and nowadays is guided for revenge . He embarks on his vengeance and during his quest teams up with a prospector (Jim Brown ) who has been robbed by the nasties . Together form an alliance going after those who murdered his parents and trying to retrieve the money the bandits robbed him . They are a dynamic duo combining untamed youth and toughness . They travel the southwestern territories and cross paths concerning similar foes they hunt .

This average Western/revenge flick is plenty of violence , shootouts and packs loads of action though the director is uninspired and the final is pretty predictable . This mediocre Western vengeance tale is set with Francesco De Massi's good musical score . Features an appearance by stalwart Spaghetti Western Lee Van Cleef as an ugly , brutal, dirty and downright villain with big earring.

James Brown as two fisted hero is fine , he starred four Westerns in similar style , three of them along with Van Cleef ( exception is ¨100 rifles¨ ) , they are : ¨Take a hard ride¨ ( directed by Antonio Margheritti ), ¨The Condor¨ ( by John Guillermin ) and ¨Kid Vengeance¨ . Leif Garret as obstinate and impetuous young is nice , he starred two Westerns both of them with Van Cleef , thus was with ¨ A bullet from God ¨ ( by Frank Kramer or Gianfranco Parolini ) and this one .The motion picture is regularly directed by Joseph Manduke .

Released in 1977 and directed by Joseph Manduke, "Kid Vengeance" (retitled simply "Vengeance") is a Matzo Ball oater starring Leif Garrett as an adolescent who witnesses his mother's raping followed by his parent's murder at the hands of a bandit gang in the Southwest desert. He teams up with a miner (Jim Brown) to enact vengeance and get his sister back (Glynnis O'Connor). Lee Van Cleef plays the outlaw leader.

This was shot before another Hebraic Western with Van Cleef and Garrett, 1976's "God's Gun," but released afterward. These turned out to be the last two Westerns for Van Cleef. "Kid Vengeance" is better than "God's Gun" simply because it's gritty realistic whereas the latter has an uneven semi-camp/parody tone. In any case, Garrett was about 14 during filming and O'Connor was 20-21 whereas Van Cleef looks like he wandered off the set of "Woodstock" with his headband, although they were no doubt used in the Old West. The plot may be hackneyed, but the cast is great. Unfortunately, the movie's strictly one-dimensional in tone and utterly desolate in location; and therefore a mite tedious. Still, it's worth checking out if you like the cast and 60s-70's Westerns.

The film runs 90 minutes and was shot in Israel.

GRADE: C+

Leif Garrett did this film a year after God's Gun (aka Diamante Lobo). In the previous film, Garrett was quite good in a challenging (for several reasons) role, but his performance felt a bit tentative (also for several reasons). In this film, just one year later and for the same infamous producers, he was confident, sure-footed and turned in a very fine performance. The film was his to carry, and he did so quite well. Garrett was one of Hollywood's most promising young actors at the time, when too many child actors were, at best, barely adequate. True, it was a low budget, cranked out film, but Leif was a class act. Lee Van Cleef had played similar roles before - many times. He could have phoned this one in, and sometimes it looked as though he did. Jim Brown, following up a legendary professional football career with a number of turns as a film actor, handled his assignment competently. The only other actors with anything significant to do were Glynnis O'Connor, who sometimes overacted and wasn't as good as in some of her later roles; John Marley, good as always in the sort of role he has played many times; and David Menachem, an Israeli child actor who did several other American films but somehow didn't catch on. He should have; he was quite good. The production values were much better than God's Gun. The script was much more coherent, the dialogue more speakable, the direction more fluid. At least part of it was shot in New Mexico (the rest in Israel). Being in the US meant that the production was controlled by a SAG contract, always an advantage. Kid Vengeance (also available at one time or another under several other titles: Vengeance, Vendetta, Take Another Hard Ride) gave Garrett the chance to launch a serious career as an actor. He demonstrated that he was up to the challenge. But then the music producers came along. Too bad.