AVALIAÇÃO DA IMDb
5,7/10
1,6 mil
SUA AVALIAÇÃO
Um fora-da-lei tentando mudar seu modo de vida, está acompanhando em uma árdua viagem seu novo patrão que morre subitamente de ataque cardíaco.Um fora-da-lei tentando mudar seu modo de vida, está acompanhando em uma árdua viagem seu novo patrão que morre subitamente de ataque cardíaco.Um fora-da-lei tentando mudar seu modo de vida, está acompanhando em uma árdua viagem seu novo patrão que morre subitamente de ataque cardíaco.
- Direção
- Roteiristas
- Artistas
Paul Costello
- Card Player
- (não creditado)
Hal Needham
- Garmes
- (não creditado)
Jorge Rigaud
- Horse Dealer
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
A western, shot in Spain, with a twist: Jim Brown and Fred Williamson, folks not normally associated with Euro-made westerns, take it upon themselves to deliver a large payroll to a ranch in Sonora, Mexico, after the ranch owner (Dana Andrews) dies while on the road. Everybody who hears of this -- and I mean everybody -- goes after them. This includes the local sheriff (Barry Sullivan), an army of drifters and gunhands, and bounty hunter Lee Van Cleef, who recognizes Brown as a wanted man from years before. Brown is given minimal dialog, which is a good thing as he is not exactly an actor. Williamson fares better as a breezy card sharp in fancy duds, who carries most of the dialog for the two of them. Not bad. The music, clearly derived from THE MAGNIFICENT SEVEN, is better than the movie.
Rugged western with a comedy side order. Several groups of toughs go after an innocent man who is holding a large amount of cash. Of course each group is intent on out gunning, linking forces, or back stabbing the other guy for a shot at the bucks. This led to loads of spaghetti style gunplay and many bodies biting the dust. Had to wonder how many black half breeds there were in the old west who could do spinning heel kicks and a flying double front kick. Only fair.
4fs3
Coming near the end of the spaghetti western cycle, this one should have worked out better. While some of the action scenes are good, others fail with a thud, and none of the solid stars are given any material to distinguish themselves.
Overall, Jim Brown fared a bit better in westerns than Williamson, who made a few more; this was Kelly's sole venture into the genre. And with Van Cleef around, one wishes that one of the better directors (Leone, Sollima) who guided his top efforts was on hand to spark this one. A disappointment; couldn't be a total loss with that cast, but they deserve better.
Overall, Jim Brown fared a bit better in westerns than Williamson, who made a few more; this was Kelly's sole venture into the genre. And with Van Cleef around, one wishes that one of the better directors (Leone, Sollima) who guided his top efforts was on hand to spark this one. A disappointment; couldn't be a total loss with that cast, but they deserve better.
Take A Hard Ride is both a spaghetti western and a black exploitation film. In this film Jim Brown takes a really large sum to Sonora in Mexico where his dying employer Dana Andrews has started what sounds like a Utopian like settlement. Brown takes on the mission because as a former slave Andrews treated him like a human being. He's feeling a strong obligation there.
But when you're carrying $86,000.00 and that's in 19th century dollars it's not something you keep a secret. Brown has all kinds of people after the money up to and including bounty hunter Lee Van Cleef and even the law itself in the person of Barry Sullivan.
His allies are an uneasy group. Gambler Fred Williamson who is a fast gun and has a way with snakes goes along with Brown with Brown knowing full well Williamson could turn on him. They also pick up a mute Indian played by Jim Kelly who's learned a lot of good karate moves with his tribe.
Take A Hard Ride is a pretty good western for a spaghetti western. I'm not a real big fan of the genre thinking that westerns are to be made in the USA as its our art form. Still with all the Americans in the cast, none of that ridiculous dubbing is here. Brown and Williamson have a good chemistry in their scenes.
Should please devoted western fans.
But when you're carrying $86,000.00 and that's in 19th century dollars it's not something you keep a secret. Brown has all kinds of people after the money up to and including bounty hunter Lee Van Cleef and even the law itself in the person of Barry Sullivan.
His allies are an uneasy group. Gambler Fred Williamson who is a fast gun and has a way with snakes goes along with Brown with Brown knowing full well Williamson could turn on him. They also pick up a mute Indian played by Jim Kelly who's learned a lot of good karate moves with his tribe.
Take A Hard Ride is a pretty good western for a spaghetti western. I'm not a real big fan of the genre thinking that westerns are to be made in the USA as its our art form. Still with all the Americans in the cast, none of that ridiculous dubbing is here. Brown and Williamson have a good chemistry in their scenes.
Should please devoted western fans.
I remember seeing this one as a kid, and really liking it! (Aaah youth!) Well, after watching it as an adult, (Feelings change!) Script was definitely hurting. It could have had great potential! Lee Van Cleef, Jim Brown, Jim Kelly, Fred Williamson! (Actually Jim Kelly as a indian? Well, no, a black man raised as a indian, who everybody calls indian? Running around doing the Billy Jack thing! Go figure.) Aside from that humor, I rate it, 5 out of 10.
(See Buck & the preacher, '1000 rifles' 'Posse' are even better if you want a primary A.A western.)
(See Buck & the preacher, '1000 rifles' 'Posse' are even better if you want a primary A.A western.)
Você sabia?
- CuriosidadesHal Needham was brought in to coordinate stunts. He planned to make the wagon fly across the canyon by attaching rockets to the bottom. When Jim Brown and Fred Williamson found out, they had Needham fired from the production. But not before finishing his short acting role in the film, losing the beginning duel against Lee Van Cleef.
- Erros de gravaçãoWhen Pike and Tyree pull their guns on each other at the start of their fight, they're no bullets in Pike's gun.
- Cenas durante ou pós-créditosAlthough the film was shot in 1.85:1, the zero in the 20th Century-Fox logo has the tilt that was used for CinemaScope pictures.
- ConexõesFeatured in 42nd Street Forever, Volume 2: The Deuce (2006)
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- How long is Take a Hard Ride?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Cavalgada Arriscada
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.300.000 (estimativa)
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