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4,5/10
1,4 mil
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Adicionar um enredo no seu idiomaA Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.A Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.A Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.
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- 1 vitória e 3 indicações no total
Avaliações em destaque
British humour has such a rich hierarchy of anarchists, loonies, clowns and mad geniuses that it would be very hard to establish any kind of 'A Division.' But undoubtedly Peter Cook and Dudley would be in there. Their work with Beyond and Fringe and later 'Not Only but Also' and 'Derek and Clive' is unimpeachable and they had impressive solo CVs. But in 1978 some kind of evil curse seemed to be floating about given that this year also saw the release of 'Sergeant Pepper The Movie' Renaldo and Clara AND the 'Star Wars' Thanksgiving Special. Paul Morrisey decided to direct this Holmes and Watson spoof without making up his mind whether it would be sea-side English bawdiness in the Carry On style or Pythonesque anarchism. In the event the movie was neither, simply a burst whoopie cushion where every gag falls flat and a strong cast is completely wasted. Tragically Terry Thomas made his last movie appearance in this stink bomb, while Spike Milligan was only given three minutes. Max Wall, Roy Kinnear and Prunella Scales were hardly allowed rescue the movie while Kenneth Williams was inadvisedly slotted in as Henry Baskerville. Prancing around with his 'startled moose' expression and flared nostrils, this movie buries the myth that he was a great comic actor who was trapped by the mundane Carry On scripts. But it is Dud and Pete who really disappoint, affecting (for no apparent reason) Welsh and Stage Jewish accents with Moore playing Cook's insane mother, a potential comedy winner that instead simply irritates. Elsewhere, Denholm Elliot's urinating dog spraying Moore in the face simply causes the viewer to avert his or her eyes while reheated sketches from their 1960s show (i.e the one legged runner) only underscore the movie's lack of invention. Although Cook had problems with drink and depression by the late 1970s, the duo was also producing the much-praised punk humour of Derek and Clive at the same time. That said, it probably was a factor in their 'divorce' and Moore's flight to New York, Lisa Minelli and 'Arthur.' The look of the movie is cheap and shabby and at least a decade out of date. Moore was a fine pianist but his score is out of place in a comedy. It is wholly appropriate that the final credits end with the unseen audience pelting him with rotten fruit
Hound of the Baskervilles, The (1978)
BOMB (out of 4)
As a fan of bad movies I quite often find myself trying to track down and locate some of the worst films ever made. Sometimes these bad movies turn out to be entertaining but sometimes they turn out to be so bad that I often wonder why no one was seeing how bad the dailies were and didn't try to pull the plug. That's what I felt here. This story has been told countless times and since it's the most popular perhaps that's why everyone involved decided to shoot it. We have Peter Cook playing Holmes and Dudley Moore playing Watson but it really doesn't matter because I think anyone could have been in the roles and things would have been bad no matter what. Cook, Moore and director Morrissey wrote the screenplay her and I can't help but picture the three of them sitting around, passing a joint and laughing their heads off at what they were writing. That's the only thing I can think of that would make any of them feel as if they had anything working in this screenplay. The movie gets off to a horrendous start and it doesn't improve any and in the end I couldn't help but scratch my head and wonder why no one put a bullet in this sucker before it could hit theaters. The deadliest sin a comedy can make is that it's not funny and this movie makes the unforgivable sin of not having a single laugh. For the most part we have various characters acting gay and this appears to be the only joke going. Everyone acts extremely strange and that includes Holmes who we first see as some sort of sissy and I guess the screenwriters through this would be hilarious. The rest of the jokes are just downright flat and it almost seems like no effort was made to make any of them funny. For the life of me I couldn't understand how anyone could find this mess entertaining and most of the blame is right on the screenplay. As far as the performances go they're just as bad as the writing. The film ends with many bizarre jokes including an extremely bad spoof of THE EXORCIST that comes out of no where and seems out of place. I tried to think of at least one nice thing to say about this film but couldn't think of one as even the titles are boring and the music (by Moore) is pathetic. A complete disaster this one is and I'm sure you can safely call this the worst Holmes movie in history.
BOMB (out of 4)
As a fan of bad movies I quite often find myself trying to track down and locate some of the worst films ever made. Sometimes these bad movies turn out to be entertaining but sometimes they turn out to be so bad that I often wonder why no one was seeing how bad the dailies were and didn't try to pull the plug. That's what I felt here. This story has been told countless times and since it's the most popular perhaps that's why everyone involved decided to shoot it. We have Peter Cook playing Holmes and Dudley Moore playing Watson but it really doesn't matter because I think anyone could have been in the roles and things would have been bad no matter what. Cook, Moore and director Morrissey wrote the screenplay her and I can't help but picture the three of them sitting around, passing a joint and laughing their heads off at what they were writing. That's the only thing I can think of that would make any of them feel as if they had anything working in this screenplay. The movie gets off to a horrendous start and it doesn't improve any and in the end I couldn't help but scratch my head and wonder why no one put a bullet in this sucker before it could hit theaters. The deadliest sin a comedy can make is that it's not funny and this movie makes the unforgivable sin of not having a single laugh. For the most part we have various characters acting gay and this appears to be the only joke going. Everyone acts extremely strange and that includes Holmes who we first see as some sort of sissy and I guess the screenwriters through this would be hilarious. The rest of the jokes are just downright flat and it almost seems like no effort was made to make any of them funny. For the life of me I couldn't understand how anyone could find this mess entertaining and most of the blame is right on the screenplay. As far as the performances go they're just as bad as the writing. The film ends with many bizarre jokes including an extremely bad spoof of THE EXORCIST that comes out of no where and seems out of place. I tried to think of at least one nice thing to say about this film but couldn't think of one as even the titles are boring and the music (by Moore) is pathetic. A complete disaster this one is and I'm sure you can safely call this the worst Holmes movie in history.
I have thousands of films in my library. This includes hundreds of Laserdiscs, VHS tapes, and thousands of DVDs and BLURAYs. Much to my wife's displeasure I NEVER fail to watch anything from start to finish - I feel I owe it to the filmmaker to give them a fair chance by seeing it through. As a result I watch a lot of films alone for the second half (or more).
This was the ONLY exception I ever made.
I had no more cringes left to cringe after about 40 minutes.
I just could not take it any more.
I kept hoping it would improve but it never did in the 40 or so minutes we endured.
We are big fans of Cook and Moore - their "Bedazzled" is genius.
I don't know how this went so far off the rails - great source material ripe for humor - two great British comic actors - but it's just painful to watch.
Spare yourself the agony.
This story sees Holmes being approached by Dr Mortimer to investigate the death of the owner of Baskerville Hall. While the death is officially natural causes it is suspected that the real cause may be a beast known as the Hound of the Baskervilles. Holmes declines the case but passes it on to Dr Watson; it is to be his first solo case. Watson, Mortimer and Sir Henry Baskerville, the dead man's heir, head to the hall on a bleak moor. Once there Watson and Sir Henry meet the locals, all of whom are more than a little strange and rather suspicious. Inevitably Watson eventually has to call Holmes for help.
Given the array of comic talent on display one might expect this to be a comedy classic... unfortunately it isn't. There are a few funny moments but elsewhere gags aren't particularly funny or go on far too long. The script feels like something rejected by the Carry On team, even they never sank to having gags about urinating Chihuahuas. The cast was solid enough given the material, although I'm not sure why Dudley Moore played Watson with a Welsh accent. All of them have been in better films. Overall I wouldn't recommend going out of your way to see this; it is just about worth watching on TV if there is nothing else of interest on or if the DVD is in the bargain bin at a charity shop.
Given the array of comic talent on display one might expect this to be a comedy classic... unfortunately it isn't. There are a few funny moments but elsewhere gags aren't particularly funny or go on far too long. The script feels like something rejected by the Carry On team, even they never sank to having gags about urinating Chihuahuas. The cast was solid enough given the material, although I'm not sure why Dudley Moore played Watson with a Welsh accent. All of them have been in better films. Overall I wouldn't recommend going out of your way to see this; it is just about worth watching on TV if there is nothing else of interest on or if the DVD is in the bargain bin at a charity shop.
A misguided attempt to present a comic parody of the Conan Doyle tale, with Peter Cook as Sherlock Holmes and Dudley Moore as Dr Watson. Moore also plays Holmes' mother (!) and in this guise, is possibly the best thing in the film. Otherwise there is a spoof of the spinning head in The Exorcist, Denholm Elliot and a constantly urinating dog, and lame excuses for jokes' and funny situations' which really aren't.
Although it has one or two moments which provoke a smile, the original source material isn't such that it survives being tweaked to this extent. Perhaps not the point, but the rest of the inspiration for this turkey must have been written on the back of a postage stamp. Skip this and watch Bedazzled and Not Only But Also instead.
Although it has one or two moments which provoke a smile, the original source material isn't such that it survives being tweaked to this extent. Perhaps not the point, but the rest of the inspiration for this turkey must have been written on the back of a postage stamp. Skip this and watch Bedazzled and Not Only But Also instead.
Você sabia?
- CuriosidadesFinal English language cinema movie of actor-comedian Terry-Thomas.
- Erros de gravação(52:03) The chihuahua Watson walks past is clearly tethered to the set (in the one opening shot of the sequence) to keep it on-camera.
- Citações
Sir Henry Baskerville: All the Baskervilles have hearty dicks... dicky hearts, I mean.
- Versões alternativasThe UK R2 DVD contains 2 versions of this film. The original 1978 theatrical print that runs 85 mins and a re-edited re-release print that runs 74m. The major differences are (a) in the theatrical print the opening credits are postioned after the scene with the 3 nuns and roll over various amusing shots of Holmes and Watson in their Baker Street study (Holmes is reading a book by Freud called Guilt without Sex). In the re-edited print, the credits are positioned over the pages of the book after the intro scene with Dudley Moore on the piano. These credits are much abbreviated compared to the theatrical print and run much shorter. (b) When Holmes is first seen in shadow playing the violin the re-edited version then cuts back to Watson with the nuns saying he is Budapest and Holmes appearing behind him. The theatrical print extends the footage of Holmes in shadow so he now gets up, turns a light on, turns off a gramophone player and spits out his coffee before meeting the nuns. (c) the scene in which Watson meets Dr Franklin is much abbreviated in the re-edited version. In this version the scene ends after a brief conversation between the two in front of Franklin's shack. The theatrical print continues on with the scene for several minutes as Watson enters the hut with Franklin, views various stuffed animals' heads, and they have a conversation about why Franklin hated the late Sir Charles - jealously over his mistress. Franklin's mistress then enters the hut, the conversation continues, and then Franklin gets insanely jealous and starts strangling his young mistress as Watson crawls out of the building. The longer theatrical cut makes more sense and is better than the shorter print.
- ConexõesFeatured in Paul Morrissey - Trans-Human Flesh & Blood (2025)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Hound of the Baskervilles
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 25 minutos
- Mixagem de som
- Proporção
- 2.35 : 1
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By what name was O Cão dos Baskervilles (1978) officially released in India in English?
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